DEGEM News – NEWS – [ausland depesche] dafuer sind wir dagegen

Von: ausland depesche
Datum: Wed, 17 Jan 2018
Betreff: [ausland depesche] dafuer sind wir dagegen

kleine leute –

der berliner landesverband ist dagegen, der brandenburger landesverband
dafuer. wer sich von verbaenden einwickelt laesst, wird eine mumie.
vorher muss allerdings noch herz und hirn raus, falls was davon uebrig ist.

das kann dann hier entsorgt werden:

Wed, 17. January 2018 – 20:00
The Magic I.D.

Kai Fagaschinski | clarinet
Margareth Kammerer | vocals & guitars
Christof Kurzmann | vocals, g3 & lloopp
Michael Thieke | clarinet

doors: 20:00 / beginn: 20:30

Sat, 20. January 2018 – 18:30
Fernand Deligny /// Zur Poetik der Antipsychiatrie
Lyrik im ausland

Fernand Deligny * Zur Poetik der Antipsychiatrie

Eine Tagung mit Beiträgen von Sandra Álvarez, Ann Cotten, Axel Heil,
Helmut Höge, Theresia Prammer, Monika Rinck, Ronald Voullie und Hartwig Zander.

Geöffnet ab 18:30 Uhr, Beginn 19:00 Uhr | Eintritt frei

Sun, 21. January 2018 – 20:00
Karø Goldt – film screening

VIDEO GOLDT (2000-2017)
Screening of a selection of films by
& artist talk with
Karø Goldt

Doors 20:00, start 20:30

Sat, 27. January 2018 – 20:30
BAKU: Baltschun/ Kutin+ Altenburger/ Bertoncini
biegungen im ausland

BAKU: Baltschun/Kutin
Boris Baltschun – analog synthesizer
Samo Kutin – hurdy gurdy

Tiziana Bertoncini – violin
Martine Altenburger – cello

Sun, 28. January 2018 – 20:00
Kravanja/Bruckner + Pateras/eRikm
biegungen im ausland

Ana Kravanja – violin
Sylvia Bruckner – piano

Anthony Pateras – electronics
eRikm – electronics, turntables

wenn ihr nach einer volkspartie sucht, gibt’s hoechstens
noch welche im

Lychener Str. 60
10437 Berlin

S + U Bahn Schoenhauser Allee
Tram 12 Raumer Strasse
N 52 Eberswalder Str
+49 (0)30 44 77 008

Ab 2011 werden ausgewählte Veranstaltungen live gestreamt. Check the program.

Das ausland vergibt drei Residenzen pro Jahr –
Schickt uns Vorschläge!

Werdet Fördermitglied! –
Spendet für´s ausland!


Von: claudia robles
Datum: Tue, 16 Jan 2018


The Gheorghe Dima Music Academy and the Art and Design University are pleased to announce the Elektro Arts Festival, 2018 Edition. The three-day Festival will focus on mixed music—solo instrument and fixed media, alongside installations, digital photography, and dance performance. The Festival will take place on May 24–26, 2018 on various venues in Cluj-Napoca.

The Festival will be hosting a Call for Mixed Music Works. Established or emerging composers and sound artists are invited to submit their original works. Preference will be given to music for soloist and fixed media assembled around 2 channels, with a duration of 10 to 15 minutes. The works must be received by February 28th, 2018.

Complete details of the submission process are found online:

Sincerely yours,
Elektro Arts Team

DEGEM News – LEICESTER – Workshop and concert Leicester

Von: Simon Emmerson
Datum: Mon, 15 Jan 2018
Betreff: [cec-c] Workshop and concert Leicester

De Montfort University MTI Events series 2017-18

Philharmonia Orchestra with DMU: ‘Music of Today’

As part of DMU’s ground-breaking partnership with the Philharmonia Orchestra, we will be hosting a unique workshop and concert as part of the Orchestra’s contemporary ‚Music of Today‘ series in collaboration with DMU’s Music Technology and Innovation Department. The concert features pioneering violinist, Irvine Arditti and Philharmonia cellist, Karen Stephenson, performing works for solo instruments and live electronics by DMU MTI Professor Simon Emmerson and current PhD student, Susanne Grunewald. Rounding off the programme is Salvatore Sciarrino’s Sei Capricci, a modern counterpart to Paganini’s devilishly difficult études.

WORKSHOP – 1500-1700, Wednesday 24th January 2018, DMU PACE Building, Studio 1

Renowned violinist Irvine Arditti and Professor Simon Emmerson present a unique insight into electroacoustic music and particularly writing for orchestral instruments and live electronics. Beginning with an open rehearsal and presentation of Emmerson’s Stringscape (for solo violin and live electronics); Irvine Arditti will present a unique insight into violin techniques for new music that he has played throughout his revolutionary career, looking at the Sciarrino Sei Capricci he will be performing at the concert.

CONCERT – 1730-1830, Wednesday 7th February 2018, DMU Gallery

Simon Emmerson: Stringscape for solo violin and live electronics (2010)

Violin: Irvine Arditti – Live electronics: Simon Emmerson

Susanne Grunewald: Golden Turtle for solo cello, video projection and live electronics (2013)

Cello: Karen Stephenson – Live electronics: Susanne Grunewald

Sciarrino: Sei Capricci for solo violin (1976)

Violin: Irvine Arditti

Entry free (booking advisable).

To book tickets for the workshop and concert, please email

DEGEM News – NEWS – EMS 2018 Call for papers: Extended Deadlines

Von: Pierre Couprie via cec conference
Datum: Mon, 15 Jan 2018
Betreff: [cec-c] EMS 2018 Call for papers: Extended Deadlines

Electroacoustic Music Studies Conference 2018: Extended Deadlines!

Deadline for paper submission: FEBRUARY 1, 2018
Announcement of the results: MARCH 15, 2018

Conference website:

Call for Papers:

The Electroacoustic Music Studies Network 2018 will take place in Florence (Italy), 20-23 June 2018, Villa Finaly.

Main theme: Electroacoustic Music: Is it still a form of Experimental Music?

In the early years of musique concrète Schaeffer proposed that this new approach was a form of experimental music. Of course, during this period and later, others were to use this term as well, meaning something slightly different. Still, the rationale that organising sounds was an innovative form of music making was clearly a logical and just thing to say.

How true is this today? Has experimentation and innovation been overtaken by skill and technique?
Today, the term electroacoustic music now encompasses a wide variety of practices and even genres. Seventy years after the birth of concrete music, it has now become very difficult to circumscribe what electroacoustic music is or can be, because it is so diversified and has so many different styles. Clearly electroacoustic music has come a long way over the last 70 years and many will clearly state that (aspects of) their work are indeed experimental.

On the other hand, there are many who have claimed, for example, that a good deal of acousmatic music has common tendencies and some even go so far to suggest that much of it sounds similar. In the field of musicology, new impulses to research are provided by various forms of technical experimentation. New musical interfaces, bio sensors, the return of hybrid synthesis and DIY devices exemplify challenges for performance studies or creative process analysis.

Has experimentalism taken a back seat to technique and, if so, is that a bad thing? Or is technique now sufficiently mature to stimulate new forms of musical experimentation?

What new forms of experimental have arisen? To what extent do new technologies and techniques allow for experimentalism in electroacoustic music?

Keynote Speeches:

Submission guidelines:

A submission should consist of a zipped folder containing:
– The paper abstract in English (maximum 1,500 words), headed with author name(s), organization affiliation (if any), contact address, telephone, and email address in PDF;
– A curriculum vitae (2 pages maximum) in PDF;
– A list of publications (2 pages maximum) in PDF;
– A brief bio (150 words) in PDF.

Submission are to be made directly by email to

The abstract should be ready for publication if the paper is accepted. A program containing the paper abstracts will be made available on the EMS website ( and distributed at the conference.

Submissions from students and early-career postdoctoral researchers are particularly encouraged.

Paper presentation guidelines:
Each paper presentation will be 30 minutes (including a 5 minute question period).
Papers are to be given in English.

Looking forward to seeing you in Florence!

EMS Network

DEGEM News – STELLENAUSSCHREIBUNG – some hours teaching – sound arts, AV

Von: Joseph Hyde via cec conference
Datum: Mon, 15 Jan 2018
Betreff: [cec-c] some hours teaching – sound arts, AV

I’m looking for someone to cover a bit of lecturing from February to May, at Bath Spa University (UK). 2nd/3rd year undergrad and Masters. Areas include sound arts (fairly broad experimental practice across electroacoustic, site specific, gallery based work), AV, and collaborative practice. It looks as though it’s going to be bits and pieces rather than a coherent (even temporary) ‚post‘, and while the hourly rate is reasonable, the funding doesn’t really cover travel. So it would probably suit someone in the south-west of the UK. If you think you might be interested, then please email me –

DEGEM News – STELLENAUSSCHREIBUNG – [Laboringenieur Audio (m/w) Hochschule Ansbach]

Von: Julia.Lugert
Datum: Tue, 16 Jan 2018
Betreff: Antwort: Re: Stellenausschreibung

Die Hochschule Ansbach ist eine junge, moderne Hochschule mit fünf Standorten in Westmittelfranken.
Derzeit bieten wir rund 3.000 Studierenden 21 Studiengänge mit zukunftsweisenden Inhalten in den Bereichen Wirtschaft – Medien –Technik.

Wir suchen zum nächstmöglichen Zeitpunkt einen

Laboringenieur Audio (m/w)

für unsere Fakultät Wirtschafts- und Allgemeinwissenschaften
Kennziffer 2017-42-MUK

Ihr Aufgabengebiet umfasst:

• Betreuung des Tonstudios (Wartung Soft- und Hardware, Administration und Support von neuen Geräten, Modernisierung, Updates und Systemanpassungen)

• Betreuung des Audiolabors (Wartung des Laborequipments) sowie Serveradministration und Entwicklung von Konzepten für Updates und Systemanpassungen

• Aufbau und Betreuung eines Rundfunk-Selbstfahrerstudios

• Betreuung von studentischen Projekten (z. B. Musikproduktion, Filmton, interaktive Audioanwendungen)

• Vorbereitung und Durchführung von Übungen im Audiobereich

• Unterstützung von Projekten mit mobilem Audioequipment

• Durchführung von Marktrecherchen und Beschaffungen

Sie bieten uns:

• Erfolgreich abgeschlossenes Hochschulstudium im Bereich Tontechnik oder vergleichbaren Studienrichtungen

• Berufserfahrung in oben genannten Bereichen

• Erfolgreiche Realisierung diverser Projekte im Audio-Produktions- und Entwicklungsbereich (inkl. AVProjekte)

• Erfahrungen im Nonlinear Audio und Audioprogrammierung

• Offenheit für innovative Audioprojekte

• Professionelle Kenntnisse im Tonstudio

• Problemlosen Einsatz und Administration der Betriebssysteme Macintosh und Windows, von Software wie ProTools, Reaper, MaxMSP, Live, Unity, Wwise, NI Komplete sowie MS-Office

• Selbständige und strukturierte Arbeitsweise

• Gute Kommunikationsfähigkeit

Wir bieten Ihnen:

• Eine interessante, abwechslungsreiche und herausfordernde Tätigkeit mit zeitlicher Flexibilität an einer modernen und familienfreundlichen Hochschule

• Einen zu 50% unbefristeten Arbeitsvertrag, 50% sind befristet für 5 Jahre

• Sozialleistungen entsprechend den Regelungen des öffentlichen Dienstes einschließlich zusätzlicher Altersversorgung

• Bezahlung nach E 10 TV-L

• … und vieles mehr!

Über die Möglichkeit, Frauen besonders fördern zu können, freuen wir uns ebenso, wie über die Bewerbung von Menschen mit Behinderung.
Eine Beschäftigung in Teilzeit ist möglich, sofern sich mehrere entsprechend qualifizierte Teilzeitkräfte bewerben und passend ergänzen.
Bitte bewerben Sie sich mit Ihren aussagekräftigen Bewerbungsunterlagen über unser Online-Portal.
Sie haben Fragen? Dann melden Sie sich gerne bei unserem Bereich Personal, Frau Lugert, unter Tel. 0981/4877-155 oder

DEGEM News – CONFERENCE – SuperCollider Meeting @ IEM Graz, January 20th

Von: Daniel Mayer
Datum: Sat, 13 Jan 2018
Betreff: SuperCollider Meeting @ IEM Graz, January 20th

For the third time a one-day SC meeting is scheduled at the Institute of Electronic Music and Acoustics at University of Music and Performing Arts Graz, Austria. We are happy to announce that Ron Kuivila, currently guest artist at IEM Graz within the ALMAT project ( and one of the SC community’s long-time developers, will be with us and speak about his work „Listening to the Air“. The piece, which he is developing during his ALMAT residence, is a live electronic work focused on the directionality of ultrasound and its susceptibility to air fluctuations and makes extensive use of SuperCollider’s signal processing capabilities.
Hanns Holger Rutz will talk about the ALMAT project and developments regarding Patterns in the Scala client. Daniel Mayer will talk about new DX (demand crossfade) ugens from the miSCellaneous_lib quark ( and their applications like crossfaded playback, spatialization, granulation and others. There will be enough time for open discussion as well, see the schedule below.

The event is open to all interested people, students and colleagues as well as the SC community in Austria and abroad. If you intend to attend or have any questions please contact me:

IEM – Institute of Electronic Music and Acoustics, CUBE
Inffeldgasse 10 / 3
8010 Graz, Austria

Saturday, January 20th 2018, 10 h – ca. 17 h



10.00 Address of welcome

10.00 – 10.50 Ron Kuivila: „Listening to the Air – Ultrasound and SuperCollider“

10.50 – 11.00 Coffee break

11.00 – 11.50 Hanns Holger Rutz: „Pattern Considerations for Scala“

11.50 – 13.10 Lunch break

13.10 – 14.00 Daniel Mayer: „DX ugens and their applications“

14.00 – 17.00 Open Lectures & Workshop

Basic knowledge of SuperCollider

SuperCollider, English and German, as occasion demands

Attendance Fee: none

IEM – Institute of Electronic Music and Acoustics, CUBE
Inffeldgasse 10 / 3
8010 Graz, Austria


DEGEM News – RADIO – hr2-kultur – Clemens von Reusner | Continuous Flow Machines

Von: Clemens von Reusner
Datum: Wed, 10 Jan 2018
Betreff: RADIO: hr2-kultur – Clemens von Reusner | Continuous Flow Machines


Clemens von Reusner
Continuous Flow Machines (2011, 8-Kanal, 60 Min.)
Elektroakustische Musik

„Das Klangmaterial, das der in Niedersachsen ansässige Komponist Clemens
von Reusner (* 1957) seinem gut einstündigen Hörstück „Continuous Flow
Machines“ zugrunde gelegt hat, wurde im Pfleiderer-Institut für
Strömungsmaschinen der Technischen Universität in Braunschweig aufgenommen.

Strömungsmaschinen arbeiten mit rotierenden Körpern wie Rotorblättern in
Gasen und Flüssigkeiten und erzeugen akustisch meist ein gleichförmiges
Rauschen in einem breiten Frequenzbereich. Die 2011 realisierten
„Continuous Flow Machines“ machen die unscheinbaren Bewegungen hörbar,
erzeugen ein tönendes Fließ-Kontinuum.

Ohne Ziel bewegt es sich in immer neuen Klangschichtungen und
veränderter Dichte. Dabei spricht es für nichts anderes, als für sich

Sendung (Stereoversion): hr2-kultur, The Artist’s Corner, 13.01.2018,
23:00 Uhr–clemens-von-reusner–continuous-flow-machines—elektroakustische-musik,epg-the-artists-corner-150.html

DEGEM News – STELLENAUSSCHREIBUNG – Job opportunity: Research Fellow in Spatial Audio

Von: Enzo De Sena via Kevin Austin via cec conference
Datum: Thu, 11 Jan 2018
Betreff: [cec-c] Job opportunity: Research Fellow in Spatial Audio


Location: Guildford (UK)
Salary: £31,604 to £34,520 per annum
Post Type: Full Time
Advert Placed: Thursday 14 December 2017
Closing Date: Tuesday 16 January 2018
Interview Date: Friday 26 January 2018
Reference: 102217

Applications are invited for a Research Fellow to be based in the Department of Music and Media’s Institute of Sound Recording (IoSR, and to work full-time on the EPSRC-programme-grant-funded project S3A: Future Spatial Audio for an Immersive Listener Experience at Home ( The post is available from February 2018 until June 2019, and the successful candidate will contribute to maximising the impact of the S3A project.

The post-holder will collaborate with other researchers in the S3A project at the Universities of Surrey, Salford, and Southampton, and will work on one or more of the following areas: signal processing for extraction of audio objects from mixtures; rendering objects to non-standard loudspeaker arrays; development of production tools for novel spatial audio systems; or creation of object-based audio datasets.

The successful applicant will have a range of skills, including some of the following: an excellent audio signal processing background; experience of blind source separation algorithms; experience of audio production; expertise/interest in psychoacoustics. Also desirable is enthusiasm for working with project partners in other departments and at other universities and organizations.

The IoSR is home to the Tonmeister undergraduate degree programme and is a leading centre for research in psychoacoustic engineering. It has research projects funded by EPSRC, the European Commission and industrial collaborators, involving human listening tests, acoustic measurement, statistical modelling and digital signal processing. Current work is, for example, developing systems for spatial enhancement of object-based audio reproduction, for timbral perception modeling, and for next-generation loudness metering.

Informal enquires are welcome and should be made to Dr Tim Brookes +44 (0)1483 686539 or

Please note, it is University Policy to offer a starting salary equivalent to Level 3.6 (£30,688) to successful applicants who have been awarded, but are yet to receive, their PhD certificate. Once the original PhD certificate has been submitted to the local HR Department, the salary will be increased to Level 4.1 (£31,604).

More information available from

Enzo De Sena, PhD
Lecturer (Assistant Professor) in Audio
Institute of Sound Recording
Department of Music & Media
University of Surrey
Guildford, Surrey, GU2 7XH
United Kingdom

Office: 07 BC 03
Telephone: +44 (0) 1483 68 6505

DEGEM News – LONDON – Cosmoscope @ London Lumiere, UK: Thursday 18th January to 21st January 2018

Von: Godman, Robert
Datum: Wed, 10 Jan 2018
Betreff: [cec-c] Cosmoscope @ London Lumiere, UK: Thursday 18th January to 21st January 2018


Simeon Nelson with Rob Godman and Nick Rothwell

Cosmoscope is a Wellcome trust funded Artichoke commission, supported by the University of Hertfordshire and Durham University

Store Street, London WC1E 7BS

Thursday 18th January to 21st January 2018, 17.30hrs to 23.00hrs

Taking inspiration from the study of the universe, blood flowing through the human heart and the order and disorder of atoms and molecules, Cosmoscope explored the patterns, structures and similarities of these scientific areas.

Cosmoscope asked us to consider the very, very small scale and imagine the very, very large scale, to contemplate our own place in the universe and encouraged us to question how we perceive the world around us. This vast project was developed by a team of scientists and artists and led by Simeon Nelson, Professor of Sculpture at the University of Hertfordshire.

If you would like to learn more from the team behind Cosmoscope and the research that contributed towards the sculpture, further information can be seen on Simeon’s website.

Lumiere London

Bigger, brighter and bolder, the Lumiere London light festival returns for a spectacular second edition. More than 50 artworks reimagine London’s architecture and streets, transforming the city into a dazzling nocturnal art exhibition. The UK’s largest light festival is free to visit and takes place north and south of the river Thames. Everyone is invited!


Rob Godman
Reader in Music

Film, Music and Media Building
School of Creative Arts
University of Hertfordshire
United Kingdom

T (44) 01707 283592

For more information …. – RIS – YouTube Channel

DEGEM News – NEWS – Leverhulme Call for Post-Doc at Huddersfield

Von: Monty Adkins via cec conference
Datum: Wed, 10 Jan 2018
Betreff: [cec-c] Leverhulme Call for Post-Doc at Huddersfield

Call for Applications
Leverhulme Expressions of Interest

The School of Music, Humanities and Media at the University of Huddersfield invites proposals from early career researchers seeking to apply for a Leverhulme Early Career Fellowship based at the University. Fellowships are of three years‘ duration. Deadline for submitting an Expression of Interest to the University is noon on Monday 29th January.

The School will support outstanding applications for Leverhulme Fellowships for research projects in any field within:

· English

· Creative writing

· Linguistics

· History

· Journalism and media

· Drama

· Modern languages

· Music and music technology

Successful fellowships would be funded jointly by The Leverhulme Trust and the School of Music, Humanities and Media at the University of Huddersfield.

Early Career Fellowships aim to provide career development opportunities for those who are at a relatively early stage of their academic careers (defined as having submitted their thesis for viva voce examination on or after 1st March 2014) but with a proven record of research. Applicants should not have held an established academic appointment. The intention is to support the career development of those building an academic career within the UK. The Trust gives priority to applicants who show evidence of mobility during their academic careers to date. Applicants must either hold a degree from a UK higher education institution at the time of taking up the Fellowship or at the time of the application deadline must hold an academic position in the UK (e.g. fixed-term lectureship, fellowship) for which the contract duration at the time of appointment was no less than 9 months. For more information on the scheme, including full information on eligibility, see The Leverhulme Trust website:

· Fellowships are three years in duration and can start anytime from 1 September 2018 to 1 May 2019.

· The Leverhulme Trust online application deadline for the 2018 competition will be 4pm on 1 March 2018.

Expressions of interest should be sent to Professor Monty Adkins ( by noon on Monday 29 January 2018, consisting of one PDF document containing:

1) a one-page CV including education, publications, any awards, thesis title and examiners;

2) an up to two-page draft statement of research (which may use headings similar to those in the Leverhulme scheme’s notes of guidance);

3) an indication of any additional research expenses that may be needed for the proposed project, such as travel and subsistence (Leverhulme provide up to £6,000 per year).

A selection process internal to the School of Music, Humanities and Media will determine which proposals go forward to a full application to The Leverhulme Trust. A programme of mentoring, including support from our Research Development Manager, will be offered to applicants deemed successful in this internal process.

University of Huddersfield inspiring tomorrow’s professionals.

DEGEM News – NEWS – EMS18 Florence – Reminder

Von: Martin Supper
Datum: Tue, 9 Jan 2018
Betreff: EMS18 Florence – Reminder***

The Electroacoustic Music Studies Network is happy to announce that the next EMS conférence
will take place in Florence (Italy), 20-23 June 2018, Villa Finaly.

Main theme: Electroacoustic Music: Is it still a form of Experimental Music?

The Call for Papers and Submission Guidelines can be found on the main site of the conference:

Deadline for paper submission: 15 JANUARY 2018
Announcement of the results: 28 FEBRUARY 2018

Looking forward to seeing you in Florence!

EMS Network

DEGEM NEWS – NEWS – [CD release] Acousma Light

Von: gintas k via cec conference
Datum: Tue, 9 Jan 2018
Betreff: [cec-c] Acousma Light

Greetings & Happy new 2018 !

new CD album is out : Gintas K Acousma Light

all music composed by gintas k / computer / 2017
released by gk rec. 01 ( founded by gintas k)
cover art and design by juodo
released January 2, 2018
Total time 71:58

Album title Acousma Light refers to Acousmatic music in which a sound source isn’t visible during the concert or listening session.
In 1955 a pioneer of musique concrète, French composer Pierre Schaeffer coined a term acousmatique, derived from the Greek word akousmatikoi (the hearers). The latter was used by Pythagoras to describe uninitiated disciples. According historical sources, the aspirants had to follow a vow of silence for five years while listening to the teachings of the master behind a screen (a curtain), without seeing him.
In a composition Acousma Light sound components are being grained into sonic particles – as elemental as possible. The sound of the piece may be described in such characteristics as timbre, spectrum of sound, varying and changing speed of motion.
In the first stage of composition, in which a recording of live performance takes place, a principle of sound deconstruction is being employed. Recorded material is then being organized into a structure that gradually evolves into a crystallized form.
Nine episodes are presented in the Album.
Cover image represents balancing stones from inner ear. They are attached to sensory hair. When the head tilts, the movement of stones causes nerve impulses that originate into a sense of balance.

best regards,
gintas k

Bio :

Gintas K (Gintas Kraptavičius) a Lithuanian sound artist, composer living and working in Lithuania.

Gintas has been a part of Lithuanian experimental music scene since 1994.

Gintas K was a core member of the first Lithuanian industrial electronic music band ‚Modus‘ .

From 1997 to 2000 he worked as an editor on the radio station ‚Kapsai‘ for an alternative radio show titled ‚The Ways and Mistaken Pathways‘.

He became known for his sound actions, theatrical performances and conceptual art in the manner of Fluxus.

From 1999 Gintas is working in the field of digital experimental and electroacoustic music, making music for films, sound installations. His compositions are based on granulated sounds, improv, new hard digital computer music, small melodies.

Collaborations with sound artists @c, Paulo Raposo, Kouhei Matsunaga, David Ellis and many others.

In over a decade he has released numerous of records on labels such as Cronica, Baskaru, Con-v, Copy for Your Records, Bolt, Creative Sources, Sub Rosa and others.

His works was presented at various international festivals, symposiums as Transmediale.05, Transmediale.07, ISEA2015, IRCAM forum 2017.

Artist in residency at DAR 2016, DAR 2011, MoKS 2016.

Winner of the II International Sound-Art Contest “Broadcasting Art 2010” in Spain.
Since 2011 member of Lithuanian Composers Union.

DEGEM News – STELLENAUSSCHREIBUNG – WMU Assistant Professor of Multimedia Arts Technology: Review of Applications Beginning Shortly

From: Christopher Biggs via Kevin Austin via cec conference
Datum: Mon, 8 Jan 2018
Betreff: [cec-c] WMU Assistant Professor of Multimedia Arts Technology: Review of Applications Beginning Shortly

Western Michigan University School of Music will be hiring an Assistant Professor of Multimedia Arts Technology – Tenure Track, review of applications will begin shortly. Please distribute. Details below. Best – Chris

Multimedia Arts Technology (tenure track)

Position Information
Title Assistant Professor – Tenure Track
Posting Number 0604275
Department School Of Music
Grade I30
Job Type: Tenure Track
Pay Type Exempt
Salary Range: $56,000 – $59,000 Plus a generous benefit package

Major Duties

– Teach courses in the Multimedia Arts Technology-Music (MAT) Program, including courses involving creating audio for video and video editing, upper-level special topics courses, and overseeing year-long Capstone Projects.

– Coordinate the MAT program, including managing of technology in workspaces, planning budgets to acquire new/replacement technology, and overseeing graduate students.

– Engage in service to the School, College, and University; and in recruitment activities.

– Collaborate with other faculty.

– Other teaching and non-teaching assignments determined by departmental needs and applicant qualifications.

Minimum Qualifications

– MM or MFA in Multimedia Arts Technology or related field, such as Music Technology, Sound Art, or a degree focused on digital media from an accredited institution.

– Knowledge of and experience working with both audio and video software and hardware.

– Previous teaching experience.

– Demonstrated record of professional activities and research involving digital media, including non-academic projects such as sound design, music for video games or other media, video projects, computer programming work, designing electronics, live sound reinforcement and event management, and/or presentations of your research or creative work at academic conferences.

– Strong interpersonal, communication, and collaborative arts.

Desired Qualifications

– PhD or DMA in Multimedia Arts Technology or related field, such as Music Technology, a degree focused on digital media, or a degree involving creative work with digital media.

– Previous teaching experience at the collegiate level as the instructor of record.

– A broad knowledge of multimedia arts technology in order to facilitate and assist with diverse Capstone Projects.

– Skills, experience, or knowledge in one or more of the following areas:

– Generating audio for visual media, including MIDI Orchestration and sound design

– Live sound reinforcement

– Audio engineering

– Computer programming related to the arts

– Electrical engineering related to audio and visual projects
– Research or client-based work in one or more of the following:

– Generating and editing audio for video projects

– Generating and editing video for audiovisual projects

– Live sound reinforcement and event production

– Building electronics for audio and/or video projects

– Computer programming for audio and/or video projects

Required Applicant Documents

Cover Letter highlighting your qualifications
Curriculum Vitae
List of References

Optional Applicant Documents

– Special Instructions to Applicants

– Other required documents; List of audio and video hardware and software with which you have worked, divided into two categories: expert and experienced.

– List of (3) References including phone numbers.

– Three letters of recommendation.

Please submit the letters of recommendation electronically (Interfolio preferred) to

OR by mail:
MAT Search
WMU School of Music
1903 W Michigan Ave.
Kalamazoo, MI 49008-5434
Additional Position Information: GO TO: for benefits and other information.
External Posting Date: 12-08-2017
External Closing Date: Open Until Filled
Posting Date
Internal Closing Date:
Application Types Accepted Faculty Credential Summary

Christopher Biggs
Associate Professor of Music Composition and Technology
Co-Director of the Electronic Music, Multimedia, and Recording Labs
Director, SPLICE
School of Music
Western Michigan University

DEGEM News – NEWS – Seeing Sound deadline reminder

Von: Joseph Hyde via cec conference
Datum: Mon, 8 Jan 2018
Betreff: [cec-c] Seeing Sound deadline reminder

It’s January, and time for a little post-Christmas reminder – the deadline for 2018’s Seeing Sound is the 19th January, and it’ll come round fast!

Seeing Sound is Bath Spa University’s long-running symposium on visual music and surrounding areas of audiovisual practice. This year’s event will run over the 23rd – 25th March on our beautiful Georgian landscaped Newton Park campus in Bath (UK). As in previous years, it will be an informal gathering of artists, musicians, makers, academics and non-academics, and will feature performances, installations, screenings and paper presentations.

Key dates:

19th January 2018 – DEADLINE for all submissions

5th February 2018 – notification on acceptance of selected entries

23rd – 25th March 2018 – symposium dates

Submission form, and details can be found on the Seeing Sound site (more on the upcoming event soon!):

Professor Joseph Hyde
Course Director, MA Sound Arts
Bath Spa University

T: +44 (0)1225 875640
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Newton Park, Bath, BA2 9BN

DEGEM News – NEWS – Seeking participants for a short study

Von: „Australian Music & Psychology Society (AMPS)“ via David Hirst via cec conference
Datum: Sun, 7 Jan 2018
Betreff: [cec-c] Fwd: Seeking participants for a short study

Have you ever been moved by music? You can help researchers understand more about how this happens. This short study (< 20 mins) involves listening to two excerpts of baroque music and answering some specific questions about how you felt. We’d be very grateful for your participation! Visit: - Many thanks in advance, Frederic Kiernan Research Assistant ARC Centre of Excellence for the History of Emotions Level 1, 205–209 Grattan Street, Parkville The University of Melbourne, Victoria 3010 E: M: +61 (0)413 241 106