[ 20. Oktober 2009 ]
Date: October 19, 2009 11:20:47 PM GMT+02:00
NoiseFloor Festival
January 16th - 17th, 2010 - Staffordshire University, United Kingdom
Submission Deadline: November 20th, 2009 (postmarked)
Registration fee: None
Entry fee: None
Staffordshire University Music Technology department is pleased to
invite submissions of fixed media or live works for the very first
NoiseFloor Festival. Stereo and multi-channel audio or audio-visual
works (up to 8 channels + sub) are invited for consideration.
Equipment needed for diffusion of fixed media and audio-visual works
will be provided; composers will need to provide their own laptop and
performers for live pieces.
Composer attendance is encouraged but not required.
This call is for pieces that will be diffused/performed during the
afternoon concerts on the Saturday and Sunday (see notes at the bottom
for more information).
Submission format:
For multi-channel works, please include a stereo version of the piece,
as well as individual mono files for each channel.
For stereo works, a single stereo audio file will suffice.
Along with your work, you should also submit a text file which
includes the following:-
• Programme note
• Brief biography
• Channel configuration
• Sample rate
• Any additional requirements you think might be necessary.
If you are submitting your work via CD/DVD please ensure that the disc
is labelled with the title of the piece and composer(s) names.
The submission process is the same for audio-visual works. DVDs and
movie files are both acceptable, but please be sure to also include
the documentation listed above.
Note - If you wish to submit your work electronically, please send
download links to your work, rather than attaching files to an
email, .zip or archive files are preferred.
Submissions should be sent to:
NoiseFloor Festival
c/o Ben Ramsay
Music Technology Department
Staffordshire University
Beaconside
Stafford
ST18 0AD
Electronic submissions should be sent to Diese E-Mail-Adresse ist gegen Spambots geschützt! JavaScript muss aktiviert werden, damit sie angezeigt werden kann.
If you have any questions please use the email address above.
Ben Ramsay
Lecturer in Music/Creative Music Technology
Faculty of Computing Engineering and Technology
Staffordshire University
Room C150
Beacon Building
Stafford
ST18 0AD
e: Diese E-Mail-Adresse ist gegen Spambots geschützt! JavaScript muss aktiviert werden, damit sie angezeigt werden kann.
w: www.staffs.ac.uk
t: +44 (0)1785 353717
_______________________
The NoiseFloor Festival has been conceived as an attempt to draw forms
of sonic art together in a single celebration of this vibrant and
exciting art form. The festival will be constructed from a series of
concerts throughout the weekend which will present Electroacoustic
works during the afternoon in an 8 channel diffusion setting. The
concerts will progress to a less formal two channel setting in the
evening where other forms of electronic music will be showcased. The
name of the festival is derived from the contrasting social noise
floors that these two listening environments will exhibit.
AUSSCHREIBUNG - Call for Works : NoiseFloor Festival
From: Ben RamsayDate: October 19, 2009 11:20:47 PM GMT+02:00
NoiseFloor Festival
January 16th - 17th, 2010 - Staffordshire University, United Kingdom
Submission Deadline: November 20th, 2009 (postmarked)
Registration fee: None
Entry fee: None
Staffordshire University Music Technology department is pleased to
invite submissions of fixed media or live works for the very first
NoiseFloor Festival. Stereo and multi-channel audio or audio-visual
works (up to 8 channels + sub) are invited for consideration.
Equipment needed for diffusion of fixed media and audio-visual works
will be provided; composers will need to provide their own laptop and
performers for live pieces.
Composer attendance is encouraged but not required.
This call is for pieces that will be diffused/performed during the
afternoon concerts on the Saturday and Sunday (see notes at the bottom
for more information).
Submission format:
For multi-channel works, please include a stereo version of the piece,
as well as individual mono files for each channel.
For stereo works, a single stereo audio file will suffice.
Along with your work, you should also submit a text file which
includes the following:-
• Programme note
• Brief biography
• Channel configuration
• Sample rate
• Any additional requirements you think might be necessary.
If you are submitting your work via CD/DVD please ensure that the disc
is labelled with the title of the piece and composer(s) names.
The submission process is the same for audio-visual works. DVDs and
movie files are both acceptable, but please be sure to also include
the documentation listed above.
Note - If you wish to submit your work electronically, please send
download links to your work, rather than attaching files to an
email, .zip or archive files are preferred.
Submissions should be sent to:
NoiseFloor Festival
c/o Ben Ramsay
Music Technology Department
Staffordshire University
Beaconside
Stafford
ST18 0AD
Electronic submissions should be sent to Diese E-Mail-Adresse ist gegen Spambots geschützt! JavaScript muss aktiviert werden, damit sie angezeigt werden kann.
If you have any questions please use the email address above.
Ben Ramsay
Lecturer in Music/Creative Music Technology
Faculty of Computing Engineering and Technology
Staffordshire University
Room C150
Beacon Building
Stafford
ST18 0AD
e: Diese E-Mail-Adresse ist gegen Spambots geschützt! JavaScript muss aktiviert werden, damit sie angezeigt werden kann.
w: www.staffs.ac.uk
t: +44 (0)1785 353717
_______________________
The NoiseFloor Festival has been conceived as an attempt to draw forms
of sonic art together in a single celebration of this vibrant and
exciting art form. The festival will be constructed from a series of
concerts throughout the weekend which will present Electroacoustic
works during the afternoon in an 8 channel diffusion setting. The
concerts will progress to a less formal two channel setting in the
evening where other forms of electronic music will be showcased. The
name of the festival is derived from the contrasting social noise
floors that these two listening environments will exhibit.
