Von: Si Waite via cec conference
Datum: Wed, 16 Jan 2019
Betreff: [cec-c] Noisefloor deadline extension
With apologies for cross posting.
We are extending the deadline for abstracts until 25th January. Paper submissions are particularly encouraged. Full call is below.
Many thanks to those who have submitted so far.
Si Waite & The NoiseFloor team.
CALL FOR WORKS AND PROPOSALS
With apologies for cross posting
We are pleased to announce that NoiseFloor will once again be hosted by the Music and Sound department in our Cadman Studio Complex at Staffordshire University, Stoke-on-Trent, UK.
Event dates: May 7th and 8th 2019
Deadline for abstract submission: January 18th 2019
Deadline for Registration: March 15th 2019
This year we are pleased to announce our KEYNOTE PRESENTATION from SIMON EMMERSON, professor in Music, Technology and Innovation at De Montfort University, Leicester.
NoiseFloor is an interdisciplinary event with a focus on experimental composition.
Our theme this year is Engagement.
“Who cares if you listen” is the title of an article from 1958, famously misattributed to the American composer Milton Babbitt. (Babbitt wrote the article, but the title was imposed by an editor).
60 years after Babbitt’s article, experimental or contemporary music is still often perceived as being “difficult”, “irrelevant”, or “out of touch”. To what extent are these conceptions and stereotypes merited? Should we as practitioners make more effort to engage with wider communities? Can this be achieved without diluting our work? Or is there an argument that our work should be governed by purely academic or aesthetic concerns? More generally, how can “challenging” art works or academic outputs reach wider audiences while still retaining their integrity? To what extent should our work engage with our social and environmental surroundings?
Works (compositions and performances) and proposals (for papers, lectures/recitals, panel discussions, workshops and other ideas) addressing this theme are particularly welcome. Of course, proposals for other relevant topics will also be considered. Submissions are invited from composers, academics, practitioners, individual researchers, postgraduates and any other interested parties.
Submissions should fall into one of the following categories:
* 20-minute paper presentation (with 5 minutes for questions)
* Fixed acousmatic works (up to 8 channel)
* Acoustic instruments and electronics
* Popular music and interactive systems (2 channel audio with video)
* Fixed audio visual music (2 channel audio with video)
* Panel discussion
Please submit details of your composition, performance or proposal in the form of an abstract of between 250-300 words, together with brief biography (150 words), programme notes, and, where relevant, any links to audio/video examples of your work to our online submission form at
Registration: The fees are £60 for presenters and for attendees, £35 for students. Concessions will be available for students of Staffordshire University. There is no submission fee.
Please note that you will need to provide your own performers and instruments and that contributors will be required to attend the event. More information is available at http://noisefloor.org.uk/ or by contacting a member of the organizing committee:
* Dr Marc Estibeiro, Associate Professor of Music: M.L.Estibeiro@staffs.ac.uk
* Dr Dave Payling, Associate Professor of Electronic Music: D.Payling@staffs.ac.uk
* Si Waite: S.J.Waite@staffs.ac.uk
* Doug Rouxel: D.Rouxel@staffs.ac.uk