[ 31. August 2010 ]

AUSSCHREIBUNG – „Organised Sound“ call for submissions „Networked Electroacoustic Music“

From: Leigh Landy
Date: August 31, 2010 2:19:30 PM GMT+02:00
Subject: „Organised Sound“ call for submissions „Networked
Electroacoustic Music“

Organised Sound: An International Journal of Music and Technology

Call for submissions

Volume 17, Number 1

Issue thematic title: Networked Electroacoustic Music

Date of Publication: April 2012
Publishers: Cambridge University Press

Issue co-ordinators: Ian Whalley
Ken Fields

Organised Sound has regularly covered networked music in the past,
including a themed issue (vol. 10/3, 2005). The proliferation of
Internet2 has resulted in a sustained practice of sonic and multimedia
experimentation over high-speed research networks. This current themed
issue aims to explore and document current work, practices and
innovation in this new musical space. Are there new issues in
aesthetics to be addressed in electroacoustic music as mediated by
networks? What continuing practices and roles are being transformed
and/or reinterpreted as a consequence? What are the most significant
new outcomes or processes? What are the current research questions
that need to be explored? As the diffusion of multichannel audio set
an agenda for a generation of electroacoustic music, will geo-
diffusion be a new benchmark?

Topics for investigation might include, but are not restricted to:

· Conceptual frameworks for current and continuing research

· Perceptual/cognitive framing of the tele-musical event

· Aesthetics/philosophy of sonic interconnection

· Beyond spatialisation: geo-diffusion

· New tools and techniques being used and explored

· Production and social-organisational challenges created by distributed work

· Hybrid art-forms that may have emerged

· Challenges in combining local and remote acoustics

· Human and Network Interaction (HNI)

· Distributed / remote participation (composition, performance, reception)

· Network acoustics: sonifying the network

· Sonic outcomes of machine, Internet2, and human interaction

· Artistic statements and innovative outcomes

The OS issue Networked Electroacoustic Music will also be encouraged
through a networked symposium in January 2011. For updates subscribe

As always, submissions related to the theme are encouraged; however,
those that fall outside the scope of this theme are always welcome.

Deadline for submissions is 15 June 2011. Submitted papers may
supporting audio and audio-visual material will be presented as part
of the journal’s annual DVD-ROM which will appear with issue 17/3 as
well on the journal’s website when the issue is published.



Notes for Contributors and further details can be obtained from the
inside back cover of published issues of Organised Sound or at the
following url:

(and download the pdf)

Properly formatted email submissions and general queries should be
sent to: os@dmu.ac.uk, not to the guest editors.

Hard copy of articles and images (only when requested) and other
material (e.g., sound and audio-visual files, etc. – normally max. 15’
sound files or 8’ movie files) should be submitted to:

Prof. Leigh Landy
Organised Sound
Clephan Building
De Montfort University
Leicester LE1 9BH, UK.

Editor: Leigh Landy
Associate Editors: Ross Kirk and Richard Orton
Regional Editors: Joel Chadabe, Lonce Wyse, Eduardo Miranda, Jøran
Rudi, Barry Truax, Ian Whalley, David Worrall
International Editorial Board: Marc Battier, Hannah Bosma, Alessandro
Cipriani, Simon Emmerson, Kenneth Fields, Rajmil Fischman, Rosemary
Mountain, Tony Myatt, Jean-Claude Risset, Margaret Schedel, Mary
Simoni, Martin Supper