Von: Daisuke Ishida – UdK Berlin
Datum: Fri, 20 Jan 2017
Betreff: Invitation: Exhibition Transit Zone Pavilion by class Sound, Art and Technology-poiesis UdK on Sat 21st Jan 2017
Exhibition: Transit Zone Pavilion by Class Sound, Art and Technology-poiesis UdK Berlin
With: Ville Aalto, Klara Andersson, Ryo Baldet, Sarah Klemisch, Fabian Koppri, Lisa-Maria Steppacher and Beata Anna Targosz
https://www.facebook.com/events/364447707252838/
A part of Vorspiel Transmediale/CTM 2017 program
https://vorspiel.berlin
Exhibition period:
22nd Jan – 5th Feb
Opening hours:
Thursday – Sunday, 14:00 – 19:00
Place:
Spektral-Raumohr
Motzstraße 91
10779 Berlin
http://www.facebook.com/SpektralRaumohr/
Opening of the exhibition and performance Live in Pavilion Nr.1:
21st Jan 19:00-
https://www.facebook.com/events/1826281134306667/
Live in Pavilion Nr.2:
22nd Jan 19:00-
https://www.facebook.com/events/271613776587678/
Exhibition „Transit Zone Pavilion“ by class Sound, Art and Technology-poiesis led by Daisuke Ishida, Fakultät Musik, UdK Berlin. The exhibition thematizes and questions transit zones which are multidimensional spaces between origin and destination that is everyday routine travel, oscillate between actual locations, places in time, a state of being and show a range of social and political characteristics.
Transit zones are multidimensional spaces between origin and destination. That is everyday routine travel e.g. from home to work but also between countries. They oscillate between actual locations, places in time, a state of being and show a range of social and political characteristics. Zones of transit are the spatial representation of the human right of freedom of movement (article 13, Universal Declaration of Human Rights), the busy intersections of everyday life routine, between and within Lefebvre’s dialectical system of leisure, private life and work.
Historically Berlin has had a conscious involvement with transit zones, e.g. the sectorization of Berlin after WW2 and later the division of East and West Germany. Recently they have regained negative attention through refugees getting caught within european transit zones with their restrictive and criminalizing characteristics.
The means of transit of private and public transportation experienced great changes since the industrial revolution, from a sensational experience of speed and distance to routine travel for the masses. Each technological advancement lengthened and sped up the daily distances covered. The highly functional and efficient spaces of public transit are contrasted by their idle users within their daily routine.
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Daisuke Ishida
Universität der Künste Berlin
Master’s Program Sound Studies and Sonic Arts
Masterstudiengang Sound Studies
http://www.udk-berlin.de/SoundS
http://www.udk-berlin.de/Soundstudies
email: d.ishida@udk-berlin.de
office:
Lietzenburger Straße 45 | room 312
10789 Berlin | Germany
telephone +49 30 3185-2482
mail:
Berlin University of the Arts
Berlin Career College
P.O. 12 05 44
10595 Berlin | Germany