Subject: CALL FOR WORKS – INTER- #4: Experimental sounds
for speakers (multi-channel, surround and other)
From: Iain Findlay-Walsh
Dear all,
Please see below the call for sound works for INTER- #4, which takes
place in Glasgow on Wed 28th Oct 2015. The closing date for proposals is
Monday 12th Oct.
All best,
Iain Findlay-Walsh
PhD (Composition) Candidate – University of Glasgow
Music Programme Manager – Stereo/Mono
iainfw.wordpress.com/
CALL FOR WORKS – INTER- #4: Experimental sounds for speakers
(multi-channel, surround and other), Glasgow.
“between” “among” “in the midst of” “mutually” “reciprocally” “together”
“during”
Previous INTER- events have featured work by Bethan Parkes, HMBKR, Mark
Vernon, Matthew Shoen, Nikki Kane, Felipe Otondo, Jamie Cooper, Nathan
Quirk, Luca Nasciuti, Angus McIntyre & Nicola Reade, Roberto Zanata,
Rory Comerford, Seth Rozanoff, Roberto Zanata, Jox Oiz, Lauren Sarah
Hayes, Tim Cooper, Aisling Quinn, Adam Stansbie, Linda O’Keeffe, Xavier
Madore, Zoë Irvine & Pippa Murphy, Brian Connolly, Nikos Stavropoulos,
Thiago Ruiz, Laurence Chan, Michele Del Prete.
We can support 5.1, quad and are are open to other ways and means.
For each event we prioritise submissions for artists/composers working
in the Glasgow area, but frequently programme work from across the globe
also. Feel free to send and resend.
xox
HOW TO SUBMIT A PROPOSAL:
Please send you proposal to monostereomutations@gmail.com
with the email title Inter #4 proposal
by the closing date of Monday 12th October
including the following:
– proposal info – 500 words max
– any relevant links to work examples (soundcloud/bandcamp links
preferred – we want to avoid downloading complete works at the selection
stage where possible)
– detailed tech requirements including file format and whether playback
(laptop etc.) can be provided for your work
– brief artist bio
INTER- #4 will take place on Wednesday 28th October at Stereo, Glasgow.
Thank you!
//////////////////////////////////////
ABOUT INTER-:
INTER- is a new event series presenting experimental sound work for
speakers.
“between” “among” “in the midst of” “mutually” “reciprocally” “together”
“during”
These nights are about creating a focused, public listening context for
deep experiments in/with/of sound. We aim to support work and practices
which might not fit easily into other performance contexts. We hope
these events can help to draw together practices across electro-acoustic
composition, club/dance production and field-recording (amongst others)
and be part of the exchange between sound and music methods taking place
across Glasgow, and much further afield…
We can facilitate stereo, quad and 5.1 playback and are very open to
other ways and means.
Proposals of all kinds are welcome – across aesthetic, conceptual and
technical boundaries.
We are particularly interested in presenting work and practices which –
– use recording, editing, producing and listening to explore
contemporary spaces – real, virtual, liminal
– explore new approaches to environmental recording
– develop reflexive relationships with the recordist/listener
We are excited to see what develops through these events.
Perhaps a broad range of
– utopian/dystopian soundscapes
– fragments
– phone clips
– youtube rips
– club/dance diffusions
– field-recordings
– sonic self-narratives
…
////////////////////////////////////////////////////
iainfw.wordpress.com/