Von: Hanns Holger Rutz
Datum: Fri, 8 Mar 2019
Betreff: Simulation and Computer Experimentation in Music and Sound Art – Ghent (BE), March 21-22 – Registration still open
Simulation and Computer Experimentation in Music and Sound Art
Event from March 21, 2019 until March 22, 2019
Orpheus Institute (Ghent, Belgium)
The seminar aims to bring together practitioners and scholars to discuss
the wide-reaching implications of the ‘agential cut’ (Barad) or ‘ontic
cut’ (Rheinberger) – the separation between operationalised model or
abstract theory and perceived or experimentally verified ‘reality’, the
fissure already indicated by Husserl and realised in experimental
computational systems.
Co-organisers
– ‘Music, Thought and Technology’ (Orpheus Institute, Ghent)
– ‘Algorithms that Matter’ (University of Music and Performing Arts
Graz, FWF AR 403-GBL)
Registration
General fee: € 50
For docARTES students, Orpheus related researchers, teachers and
students at Flemish conservatoires and all those who responded to the
call for proposals, the general fee is waived.
Deadline: 18 March 2019
For registration, programme and info: