Von: Golo Foellmer
Datum: 11. März 2011 12:18:48 MEZ
Sound Bridges, Sound Walls
Annual Conference of the Studienkreis Rundfunk und Geschichte
and the Vereniging Beeld en Geluid
in co-operation with the Institute for Sound and Vision, Hilversum
The area of sound studies has broadened greatly over the last decade, opening up new narratives in social, cultural and media history. In this symposium, we focus this renewed interest in sound specifically on the historical role of broadcasting, understood here as programme-oriented auditive or audiovisual distribution. In particular, papers have been accepted that help us to consider the role of broadcast sound in constructing and/or transgressing borders and boundaries.
Location: Institute for Sound and Vision, Hilversum (http://bit.ly/fgwVnG)
Date: March, 18th and 19th, 2011
Friday, March, 18th, 2011
09.00 – 09.30 Welcome Address
Hans-Ulrich Wagner, Studienkreis Rundfunk und Geschichte
Thunnis van Oort, Vereniging Beeld en Geluid
Bas Agterberg, Institute for Sound and Vision
09.30 – 10.15 Keynote: Andreas Fickers (Maastricht)
10.30 – 12.30 Panel 1: Analysis / Tools (Alexander Badenoch, moderator)
Golo Föllmer (Berlin): Broadcast Sound Design. Entwicklung eines Analyse-Instrumentariums
Ines Bose (Halle): Radiostimmen – Beschreibung, Analyse und Bewertung
Luise Halank (Halle): Der Begriff der Radioästhetik
Heiner Stahl (Erfurt): Geräuschemacher. Die Verschaltung akustischer Räume
12.30 – 13.30 Lunch break (Restaurant of the Institute for Sound and Vision)
13.30 – 15.00 Panel 2: Music (Golo Föllmer, moderator)
Thomas Schopp (Oldenburg): The Deejay Show in the Context of a Sound History of Radio
Alexander Badenoch (Utrecht): Of relays and records: technology and the configurations of eventfulness in the European circulation of music
Tatjana Böhme-Mehner (Leipzig): “… die Radiowellen kamen doch immer herüber“. Die Rolle des Radios bei der Entwicklung elektroakustischen Musizierens in der DDR
15.00 – 15.30 Coffee break
15.30 – 17.00 Panel 3: Qualities (Hans-Ulrich Wagner, moderator)
Carolyn Birdsall (Amsterdam): Sonic Events: (Re)Constructing Local Festivals as Media Events in Interwar German Radio
Katja Rothe (Wien): Topologien eines globalen “Jetzt”. Zur Geografie des frühen deutschen Radios
Kristoffer Jul-Larsen (Trondheim): The Literary Address in Early Norwegian Radio
17.00 – 17.30 Borrel
17.30 – 19.00 General Assembly of the Studienkreis Rundfunk und Geschichte
19.30 Dinner: Luno Kitchen, Hilversum
Saturday, March 19th, 2011
09.15 – 10.00 Andy O’Dwyer, (BBC): The digitalization of the journal „Radio Times“
10.00 – 12.00 Panel 4: Structures (Gerlinde Frey-Vor, moderator)
Bas de Jong (Groningen): Arbeiter Radio Internationale
Huub Wijfjes (Amsterdam): Sound amplification, radio and political rhetoric 1900-1945
Dana Mustata (Utrecht): Televising Sound: The Rise and fall of a Totalitarian Regime
Florian Bayer und Hans-Ulrich Wagner (Hamburg): The Auschwitz Trial on air: West and East German attempts to voice the Holocaust
12.00 – 12.15 Farewell Address
12.15 – 13.15 Institute for Sound and Vision. Guided Tour
Conference Fee
50,- € Conference fee (regular)
25,- € Conference fee (for students and those in part-time positions; please bring proof)
The Conference fee includes lunch and drinks during the conference.
Registration
We kindly request registration by contacting the treasurer of the Studienkreis Rundfunk und Geschichte, Dr. Veit Scheller (E-Mail: scheller.v@zdf.de).
*** Local participants can pay at the Institute for Sound and Vision on the day, but will need to register in advance via email to symposium@beeldengeluid.nl, and advise of the payment method.
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