[ 5. Oktober 2016 ]

NEWS – Call for Papers: Sounding Out the Space Conference

Von: soundingout2017@gmail.com

Datum: Mon, 3 Oct 2016

Betreff: [cec-c] Call for Papers: Sounding Out the Space Conference

Sounding Out the Space: An International Conference on the Spatiality of


Date: 2–4 November 2017

Location: Dublin School of Creative Arts, DIT Grangegorman Campus

Organisers: DIT Conservatory of Music and Drama, Dublin School of

Creative Arts, GradCAM

Partners: Contemporary Music Centre, Lewis Glucksman Gallery, Society

for Musicology in Ireland, Solstice Gallery, Spatial Music Collective

Conference website: soundingout2017.com

Keynote Speakers:

Brandon LaBelle – artist, writer and theorist (Bergan Academy of Art and


Bill Fontana – American artist and composer

Sound is an inherently spatial phenomenon. No matter what its point of

origin, be it a musical instrument, a voice, an audio speaker, or

another sound-producing entity, sound must navigate space before

reaching our ears. On this journey it enters into a complex relational

dynamic with the surrounding environment: it may be amplified,

distorted, reverberated, dissipated and subject to a multitude of

transformations which modify it in different ways. While this dynamic is

an intrinsic part of any sonic event, certain artistic endeavours have

sought to exploit this spatial aspect of sound as a distinct parameter

in its own right. Though spatial experiments have a long history in

western music stretching back centuries, the search for novel means of

expression in the twentieth century led to an unprecedented

investigation into the spatiality of sound as an integral component of

the work. From Edgard Varèse’s /Poème électronique/to Karlheinz

Stockhausen’s /Helicopter String Quartet/, such concerns have been at

the centre of some of the canonic works of musical modernism. In the

discipline of sound art, auditory dialogues with the surrounding space

have been the defining feature of sound installations by Max Neuhaus,

Bernhard Leitner, Maryanne Amacher and others, who have sought to locate

sound in relation to architecture. While such work grew out of

developments in the wider field of art installation, increasingly the

practices of both sound and art installation have converged in the work

of artists such as Janet Cardiff and Zimoun forming multi-sensory

experiences. Expanding outwards, the multi-site sound installations of

Bill Fontana have developed the notion of spatiality across geographical

locations while recent innovations in communication and digital

technologies have created virtual networks, redefining our conception of

space and presenting new possibilities for music, sound art and visual art.

Although substantial research on the spatiality of sound has been

carried out within the disciplines of musicology, sound art, and visual

art studies, much of this work has remained separate, enclosed within

these specialised fields of research. This conference aims to address

this imbalance, acknowledging the fluid exchange of ideas between these

spheres in actual practice and fostering an interdisciplinary spirit

amongst researchers and practitioners. The conference committee thus

invites presentations from sound artists, visual artists, composers,

academics, and post-graduate researchers which consider the spatiality

of sound in all its diverse forms. While the conference remit is broad,

the committee especially encourages contributions which address (but

need not be limited by) the following three strands:

·Sound and Visual Art

‒Contributions from Sound Artists/Visual Artists

‒Convergences between Sound and Visual Art

‒Historical Perspectives


‒Modes of Listening

‒Sound Architectures

·Spatial Music

‒Analytical Accounts

‒Attempts at Definition/Theorisation

‒Composer Perspectives

‒History of Spatial Music

‒Listener Perception

‒Performance Challenges

‒The Role of Sound Technologies

·Geographic and Virtual Spaces

‒Digital Networks and Communications Technologies

‒Live Streaming and Web-cast

‒Interactivity and Participation

Proposals are invited in the following formats:

·Individual Papers (20 mins duration plus 10 mins discussion)

·Joint Papers (max 2 speakers, same format as above)

·Themed Sessions (3 papers totalling 90 mins or 4 papers totalling 120 mins)

·Panel and Roundtable Discussions (90 mins, max 6 speakers)

Proposals for individual and joint papers must be in the form of an

abstract not exceeding 250 words. Proposals for themed sessions, panels

and roundtable discussions should not be more than 800 words and should

indicate the number and title of each individual paper with its

abstract. Abstracts may be submitted in either a Microsoft Word document

or via a PDF attachment. All proposals should include the name, contact

details, institutional affiliation (if any), technical requirements, as

well as a short biographical note of not more than 100 words of each

speaker. The conference language is English. Proposals should be

submitted to soundingout2017@gmail.com soundingout2017@gmail.com>

All proposals will be subject to a double-blind review process by the

conference’s scientific committee which is comprised of specialists from

the disciplines of sound art, visual art and musicology. Applicants will

receive notification as to whether their proposal has been accepted by

early May 2017.

The deadline for submissions is 31 March 2017

Conference Committee

Dr Adrian Smith (Conference Chair)

Dr Brian Fay (Acting Head of School, Dublin School of Creative Arts, DIT)

Dr Mark Fitzgerald (Senior Lecturer, DIT Conservatory of Music and Drama)

Dr Noel Fitzpatrick (Head of Research, College of Arts and Tourism, DIT)

Dr Kerry Houston (Head of Academic Studies, DIT Conservatory of Music

and Drama)

Martin McCabe (Centre for Transcultural Research and Media Practice, DIT)

Jonathan Nangle (Composer and Senior Lecturer, Royal Irish Academy of Music)

Scientific Committee

Dr Enda Bates (Composer and founding member of the Spatial Music Collective)

Dr Brian Bridges (Ulster University)

Jennie Guy (Independent Curator)

Dr Kerry Hagan (Digital Media and Arts Research Centre, University of


Fiona Kearney (Director, Glucksman Gallery, Cork)

Dr Victor Lazzarini (National University of Ireland, Maynooth)

Dr Linda O’Keefe (University of Lancaster)

Dr Karen Power (University College Cork)

Belinda Quirke (Director, Solstice Arts Gallery, Navan)

Prof Pedro Rebelo (Sonic Arts Research Centre, Queen’s University Belfast)

For further details please email: soundingout2017@gmail.com