Von: CEC jef chippewa
Datum: Mon, 11 Sep 2017
Betreff: [cec-c] eContact! 18.4 – TIES 2016 (online/en ligne)
PRESS RELEASE — for immediate diffusion / pour diffusion immédiate
Please forward at large.
Communauté électroacoustique canadienne
(CEC) Canadian Electroacoustic Community
eContact! 18.4
10th Toronto International Electroacoustic Symposium /
10e Symposium électroacoustique international de Toronto
[EN] Prolific media artist, composer and saxophonist John Oswald was the Keynote Speaker for the tenth edition of the Toronto International Electroacoustic Symposium (TIES), where presentations questioning the nature of the performance space and the roles of those involved in articulating works within these spheres featured prominently. (August 2017)
http://econtact.ca/18_4
[FR] Le très prolifique artiste médiatique, compositeur et saxophoniste John Oswald était le conférencier principal pour la dixième édition du Toronto International Electroacoustic Symposium (TIES) qui s¹intéressait particulièrement à la nature des espaces de performance et aux rôles des personnes participant à la présentation d¹¦uvres dans ces lieux. (août 2017)
http://econtact.ca/18_4/index_fr.html
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Editorial
by jef chippewa
KEYNOTE PRESENTATION
My Personal Long-Playing History of the LP
by John Oswald
The author’s discovery of and involvement with sound and music production parallels the history of LP records. This annotated chronology of selected vinyls from his personal collection is derived from his extemporized show-and-tell Keynote Address at TIES 2016.
EXPANDING THE STAGE OR PERFORMANCE SPACE
Radiophonic Arts and the Problem of the Stage
by Joseph Sannicandro
Le „documentaire acousmatique“ et ses moyens de diffusion: Un regard sur le „Projet Archipel“
by Guillaume Campion and Guillaume Côté
Parallel Trajectories in Manfred Stahnke’s Internet Opera „Orpheus kristall“
by Navid Bargrizan
COLLABORATION — RETHINKING CREATIVE AND ON-STAGE ROLES
Live Sound Spatialization and On-Stage Feedback Control: Cues for the development of interaction between acoustic and electronic musicians
by Ana Dall’Ara-Majek and Ida Toninato (Jane/KIN)
Integrating Electroacoustic Techniques into Theatrical Performance
by Carey Dodge
Sharing the Studio to Create „Lepidoptera“: Collaboration and notation
by Terri Hron
TIMBRE PERCEPTION AND COMPOSITIONAL DECISION-MAKING
Allusion and Timbre: A Theory of implicit reference, emotion and familiarity bias in contemporary music
by Jon Martin
Conditioning Compositional Choice: Theoretical imperatives and a selection algorithm using converging value sets
by Sean Peuquet
Compositional Applications for Binaural Beating in Timbre Modulation
by Brian Connolly
OTHER ITEMS
TIES 2016 Photo Album
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[NEW] eContact! 18.4 — TIES 2016
Contributions by John Oswald, Jane/KIN, Joseph Sannicandro, Terri Hron…
http://econtact.ca/18_4
Communauté électroacoustique canadienne (CEC) Canadian Electroacoustic Community
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