To mark the 200th anniversary of the Royal Conservatoire The Hague and to celebrate that the Institute of Sonology has been part of the Royal Conservatoire for 40 years, GRM will visit The Hague with its Acousmonium from 5 to 7 March 2026. In a series of concerts in the Conservatoriumzaal, works by teachers, students and alumni of the Institute of Sonology, as well as classics from the GRM repertoire, will be spatially performed on this extensive loudspeaker system.
Programme:
Thu 5 March 19:00,
Conservatoriumzaal
Gottfried Michael Koenig, Klangfiguren II (1955–56)
Pierre Schaeffer, Étude aux objets (parts 1, 2 and 5, 1959)
Viktoria Arvayova, No One’s Song (2025)
Lawrence Mc Guire, Veirt le Blaungk (2026)
Liza Kuzyakova, L1-fold 13042702 (2026)
Bjarni Gunnarsson, Ora (2026)
Bernard Parmegiani, Points contre champs (from De Natura Sonorum, 1975)
Shawn Wong, Contingent Relations (2024)
Ji Youn Kang, Vosim Variation II (2025)
Farzaneh Nouri, Simorgh (2026)
François J. Bonnet, Banshee (2024)
Fri 6 March 19:00, Conservatoriumzaal
Axel Kolb, Limites répercutées (2026)
François Bayle, Trois rêves d’oiseau (1963, 1971, 1971)
Karmen Ponikvar, Murni (2025)
Siamak Anvari, Yekhasht (2026)
Kees Tazelaar, Serenade (2016–17)
Richard Barrett, luminous (2019)
Ivo Malec, Turpituda (from Triola, 1978)
Isul Kim, Form and collapse (2026)
Yannis Patoukas, syllabisms (from renditions I, 2026)
Eve Aboulkheir, 22/12/2017 Guilin Synthetic Daydream (2020)
Sat 7 March 16:00, Conservatoriumzaal
Justin Bennett, Wrengill Resonances (2026)
Beatriz Ferreyra, Senderos abismales (from Senderos de luz y sombras, 2016–20)
Gabriel Paiuk, Degrees of Transparency (2015–26)
Éliane Radigue, Arthesis (1973)
Please be on time or even better, 15 minutes early. Doors will stay closed once the concert has started.
