Von: Luc Döbereiner
Datum: Sun, 5 May 2024
Betreff: Extended Deadline: Speculative Sound Synthesis Symposium 2024 – Call for Contributions
Extended Deadline for contributions: 2024-05-12
Speculative Sound Synthesis Symposium 2024, 26 – 28 September 2024,
Graz, Austria Institute of Electronic Music and Acoustics, University
of Music and Performing Arts Graz
https://speculative.iem.at/symposium/
Dear colleagues,
The submission deadline for the Speculative Sound Synthesis Symposium
2024 has been extended to May 12, 2024. This extension is intended to
give potential contributors more time to prepare and submit their
proposals.
Speculative Sound Synthesis deals with the relationship between
technology and artistic thinking in computer music. It attempts to
productively destabilize this relationship by artistically questioning
the standards of sound synthesis.
Call for Contributions
We are looking for artistic research contributions that investigate
speculative approaches to sound synthesis, computation, and music
technology. These contributions should explore aesthetic positions
that offer alternative perspectives to standardized ways of thinking
and creating. The symposium aims to unite speculative approaches that
make computational processes perceptible and address the tension
between contingency and control in artistic practice.
Contribution Formats
We welcome proposals that use a variety of formats, such as (but not
limited to) live-performance, lecture-performance, paper presentation,
fixed-media, installation, workshop, exhibition of objects/sounds etc.
For more information on how to submit your contribution, please visit:
https://speculative.iem.at/symposium/docs/call_for_contributions/
Updated important dates:
– Deadline for submissions: 2024-05-12
– Notification of acceptance: 2024-05-31
– Registration closes: 2024-06-16
– Camera-ready submissions: 2024-06-30
– Symposium starts: 2024-09-26
– Symposium ends: 2024-09-28
The symposium will take place in Graz as part of the artistic research
project Speculative Sound Synthesis, funded by the Austrian Science
Fund (FWF) within the program for Arts-based research PEEK (AR 713-G).
It is hosted by the Institute of Electronic Music and Acoustics (IEM)
at the University of Music and Performing Arts Graz (KUG).
Best regards,
The Speculative Sound Synthesis Symposium Organizing Committee
—
//
// Luc Döbereiner
// http://www.doebereiner.org