Von: Pierre Couprie
Datum: Sun, 13 Nov 2016
Betreff: [cec-c] Call for papers: The Third International Conference on Technologies for Music Notation and Representation (TENOR)
The Third International Conference on Technologies for Music Notation and Representation (TENOR) call for contributions has been extended to Friday, November 25th.
The conference will take place in Coruña, Spain on the 25th and 26th of May.
Third International Conference on
for Music Notation and Representation
The third International Conference on Technologies for Music Notation and Representation is dedicated to issues in theoretical and applied research and development in Music Notation and Representation, with a strong focus on computer tools and applications, as well as a tight connection to music creation. Until very recently, the support provided by the computer music to the field of symbolic notation remained fairly conventional. However, recent developments indicate that the field of tools for musical notation is now moving towards new forms of representation. Moreover, musical notation, transcription, sonic visualisation, and musical representation are often associated in the fields of musical analysis, ethnology, and acoustics. The aim of this conference is to explore all of recent mutations of notation and representation in all domains of music.
• Vocal music: Technologies for the notation of musical creation for the voice
• Technologies for the transcription and notation of Ancient Music Chant
• Technologies for the transcription and notation of traditional music
• Ethnomusicological Archives
• Notation in electronic and electroacoustic music
• Notation for interactive music
• Notation for sound installations
• Notation for multimedia and mixed arts
• Live coding
• Innovative computer applications for music notation
• Languages for music notation
• Gesture notation
• Notatopn and mobile devices
• Exchange formats for music notation
• Online tools and languages for music notation and representation
Analysis, notation and pieces studies
• Analysis of contemporary notations
• Ontology of the notation of interactive music
• Data mining, music notation corpus, databases
• Sound visualization
• Interactive representation
• Non-western or ancient music transnotation
• Representation and transcription in acoustic ecology and sound landscape
• Optical music recognition
• Listening guides
• Live and offline annotation
• Notations for music pedagogy
• Papers must be written in English and must use and comply with the latex template or word template.
• Full papers (not abstracts) and original work (not already published) must be submitted.
• Paper length should be between 4 and 12 pages.
• Submissions should be made via the EasyChair platform.
• Proposals will be accepted as oral presentations or posters.
• The duration of an oral presentation will be 15 minutes followed by a question period of 5 minutes.
• Standard presentation equipment will be provided including a video projector, CD player, and stereo sound system.
• All accepted papers will be published in the conference proceedings, under an ISSN/ISBN reference, and will be archived online after the conference.
In addition to paper submissions, we are interested in receiving proposals for workshops involving technologies of notation and representation.
We would also be happy to receive proposals involving presentation formats which challenge the paper/presentation model (e.g. a paper+music presentation).
The deadline for receipt of papers is Sunday, 13 November 2016 midnight GMT.
Notification of acceptance will be emailed to applicants by 19 January 2017.
Presenters whose papers are chosen will be invited to submit their revised papers by 19 February 2017.
The conference language is English.