Von: D. Andrew STEWART

Datum: Tue, 20 Sep 2016

Betreff: [cec-c] Job: Audio Engineer/Producer – Tenure-Track

Audio Engineer/Producer – Tenure-Track

uleth.peopleadmin.ca/postings/1490

The University of Lethbridge, Faculty of Fine Arts, Department of Music

invites applications for a tenure-track appointment at the rank of

Assistant Professor, effective July 1, 2017. Primary teaching duties

will be within the Digital Audio Arts major of the Department of Music.

This position is subject to approval of the Board of Governors.

A minimum Master’s degree in Audio Engineering/Production is required; a

doctorate in a related music field is considered an asset. The

University aspires to hire individuals who have demonstrated excellence

in teaching, research and production. The successful candidate will be

required to participate in the ongoing development of our Bachelor of

Music, Digital Audio Arts (DAA) major, as well as contribute actively to

the Department of Music and the Faculty of Fine Arts. Teaching

assignments may include courses such as Audio Production Techniques,

Location Recording and Production, Audio Spatialization Techniques, Game

Audio, and other DAA courses as required. Teaching duties in other areas

of the Music Department may be assigned depending upon the candidate’s

expertise. In addition, the successful candidate may have the

opportunity to supervise graduate students.

Review of applications will begin November 1, 2016 and will be

considered until the successful candidate is selected.

Dr. D. Andrew Stewart

Orchestral, chamber and interactive music composer

Assistant Professor, Digital Audio Arts, University of Lethbridge

Associate member, Hexagram, Concordia University

Affiliate member, The Centre for Interdisciplinary Research in Music

Media and Technology, McGill University

Associate Composer, Canadian Music Centre

Von: Digital in Berlin | News

Datum: Tue, 20 Sep 2016

Betreff: Next Kiezsalon: Saturday, 08.10.2016 with Baby Dee, We like We,

Laura Cannell and Moiré

…

We warmly invite you to our last Kiezsalon this year in Berlin. This

time we are putting on four exciting live concerts featuring American

songwriter Baby Dee, Danish women’s quartet We like We, English

experimental violinist Laura Cannell and Polish techno wizard Moiré.

Saturday, 08.10.2016

We like We (DK) LIVE | The Being Music

Laura Cannell (UK) LIVE | Front And Follow

Baby Dee (USA) LIVE | Tin Angel/Drag City

Moiré (UK) LIVE | Werkdiscs/Rush Hour/Ghostly

Read and listen: goo.gl/aRpHHu

Facebook event: goo.gl/hAI2Z4

About the Kiezsalon: kiezsalon.de

Musikbrauerei | Greifswalder Straße 23a in 10407 Berlin/Prenzlauer Berg

Doors 20:00 | Shows 21:00 | Admission 8 €

We are excited to welcome you once again to what promises to be another

exquisite salon with the finest wines, music and company.

Kind regards,

Digital in Berlin

* The Kiezsalon is funded by Musicboard Berlin and is kindly supported

by taz.die tageszeitung and Lux Eleven.

Digital in Berlin

Langhansstraße 127 | 13086 Berlin/Germany

michael@digitalinberlin.de | www.digitalinberlin.de

Tel.: +49 (0) 30 689 175 43 | Fax: +49 (0) 30 689 175 42

Von: Andrew Lewis via cec conference

Datum: Tue, 20 Sep 2016

Betreff: [cec-c] Unseen Preludes: Denis Smalley at 70 (Bangor, UK)

Electroacoustic WALES presents

Unseen Preludes: Denis Smalley at 70

A concert of sonic art celebrating the 70th year of one of the UK’s most

important acousmatic composers

In celebration of Denis Smalley’s 70th year, the composer himself will

present some of his newest works, including the Welsh premiere of

Fabrezan Preludes, alongside music from *Alex Bailey, Annie Mahtani and

Andrew Lewis

Thursday, 20th October, 19:30

Theatr Bryn Terfel, Pontio Centre

Bangor, North Wales (UK)

Tickets £10/£8/£5 students and under 18s goo.gl/fdU0Se

PLUS

13:00 Hands-on with the Acousmonium

FREE introduction and workshop

An introduction to the amazing expressive power of the Acousmonium. Try

your hand at projecting sounds in space, directing the orchestra of

loudspeakers from the mixing console. Suitable for all ages.

Thursday, 20 October, 13:00

Ends (approx.)14:30

FREE but booking required

Von: CEC jef chippewa via cec conference

Datum: Mon, 19 Sep 2016

Betreff: [cec-c] [CALL] eContact! 19.3 – Light+Sound/Lumiere+Son

[CALL] eContact! 19.3 – Light+Sound/Lumiere+Son

CALL FOR CONTRIBUTIONS / APPEL DE PROPOSITIONS

eContact! 19.3

Light+Sound / Lumière+Son

DEADLINE / DATE LIMITE: 31 December 2016

econtact.ca/call.html | econtact.ca/appel.html

[E] The Canadian Electroacoustic Community (CEC) is now accepting

submissions for an upcoming issue of eContact! exploring and presenting

various practices that forge a link between sonic performance and light.

We are pleased to announce*Nicolas Bernier as Guest Editor* for

eContact! 19.3.

Light and the shadow that accompanies it have long been sources of

fascination, whether for painters, architects or philosophers, or for

children fleeing monsters. In recent years, this fascination with light

has grown amongst sound artists (composers, performers,

multidisciplinary artists, etc.). Motivated by the increasing

accessibility of new technologies, these artists integrate luminosity

within their artistic practices with surprising ease.

From the Ocular Harpsichord imagined by Louis Bertrand Castel in 1725

to Scriabin’s symphonic work for orchestra and clavier à lumières

(„Prometheus: The Poem of Fire“) to Iannis Xenakis‘ Polytopes through to

contemporary audio-luminous experiments undertaken by Kurt Hentschlager,

Matthijs Munnik, Nonotak, Robin Fox or Chris Salter… these are the

types of relationships between Sound+Light that this issue of eContact!

aims to „bring to light.“

eContact! is a freely available online journal for electroacoustic

practices published four times a year by the Canadian Electroacoustic

Community (CEC).

Composer and multidisciplinary artist Nicolas Bernier was awarded the

prestigious Golden Nica in Digital Musics & Sound Art at the 2013 Prix

Ars Electronica for his work „frequencies (a)“.

[F] La Communauté électroacoustique canadienne (CEC) accepte maintenant

les propositions pour un numéro en préparation d’eContact! qui cherche à

relever les diverses pratiques qui établissent un lien entre la

performance sonore et la lumière. Il nous fait plaisir d’annoncer

Nicolas Bernier comme Rédacteur invité pour eContact! 19.3.

La lumière et l’ombre qui la côtoie ont toujours été sources de

fascination, que ce soit chez les peintres, les architectes, les

philosophes ou chez les enfants qui s’enfuient des monstres. Au cours

des dernières années, cette fascination pour la lumière a pris de plus

en plus d’ampleur chez les artistes du son (compositeurs, performeurs,

artistes multidisciplinaires, etc.). Poussés par l’accessibilité

grandissante des nouvelles technologies, ces artistes intègrent la

luminosité à leur discours avec une aisance étonnante.

Du clavecin oculaire imaginé par Louis Bertrand Castel en 1725, à

l’¦uvre symphonique pour orchestre et clavier à lumières de Scriabine

(„Prométhée ou le Poème du feu“), aux Polytopes de Iannis Xenakis

jusqu’aux expériences audiolumineuses contemporaines menées par Kurt

Hentschlager, Matthijs Munnik, Nonotak, Robin Fox ou Chris Salter, c’est

à cette relation son et lumière que s’intéresse ce numéro d’eContact!

Pour son ¦uvre «frequencies (a)», le compositeur et artiste

multidisciplinaire Nicolas Bernier a reçu un Golden Nica en «Digital

Musics & Sound Art» au Prix Ars Electronica 2013 (Autriche).

[CALL] eContact! 18.4 — Notation (deadline 30 Sep)

[CALL] eContact! 19.3 — Light+Sound (deadline 31 Dec), w. Nicolas Bernier

econtact.ca/call.html

Communauté électroacoustique canadienne (CEC) Canadian Electroacoustic

Community

HOME cec.sonus.ca | JOURNAL econtact.ca

FACEBOOK.com/cec.sonus | TWITTER.com/cec_ca

Marc Behrens News September 2016

marcbehrens.com/news_current.html

release date September 21, 2016

No Basement Is Deep Enough, Serbia/Belgium:* Ho. Turner

ho-turner.de ’s (1948–2012) third posthumous music album «T.V.

Tapes Mix» will be released on audio cassette in a limited edition of 65

copies. Restored, edited and mastered by Marc Behrens 2016. Produced by

No Basement Is Deep Enough and Marc Behrens 2016.

Listen to an audio excerpt of «T.V. Tapes Mix»

No Basement Is Deep Enough on flicker

https://www.flickr.com/photos/nobasementisdeepenough

September 24, 2016, 19:30 (CET)

Prague, Czech Republic: *Stimul Nights Negativland & Marc Behrens at

NoD/Roxy

nod.roxy.cz/cs/program/events/973-stimul-nights-negativland-marc-behren,

Dlouhá 33, 110 00, Praha 1, Czech Republic.

September 25, 2016, doors 20:00, concerts 21:00 (CET)

Frankfurt am Main, Germany: Silver Series Super Dada Dada Show with

Negativland and special guests: ephemeroL & Marc Behrens (and many more)

at KVFM – Kunstverein Familie Montez e.V., Honsellbrücke am Hafenpark,

Honsellstr. 7, 60314 Frankfurt am Main, Germany

Facebook event

www.facebook.com/events/1228781977143035/

…

Marc Behrens

marcbehrens.com

YouTube channel:http://youtube.com/c/marcbehrens

digital audio releases: marcbehrens.bandcamp.com

Von: Marc Behrens

Datum: Sun, 18 Sep 2016

Betreff: Marc Behrens News September 2016

Marc Behrens News September 2016

marcbehrens.com/news_current.html

release date September 21, 2016

No Basement Is Deep Enough, Serbia/Belgium:* Ho. Turner

’s (1948–2012) third posthumous music album «T.V.

Tapes Mix» will be released on audio cassette in a limited edition of 65

copies. Restored, edited and mastered by Marc Behrens 2016. Produced by

No Basement Is Deep Enough and Marc Behrens 2016.

Listen to an audio excerpt of «T.V. Tapes Mix»

No Basement Is Deep Enough on flicker

September 24, 2016, 19:30 (CET)

Prague, Czech Republic: *Stimul Nights Negativland & Marc Behrens at

NoD/Roxy

,

Dlouhá 33, 110 00, Praha 1, Czech Republic.

September 25, 2016, doors 20:00, concerts 21:00 (CET)

Frankfurt am Main, Germany: Silver Series Super Dada Dada Show with

Negativland and special guests: ephemeroL & Marc Behrens (and many more)

at KVFM – Kunstverein Familie Montez e.V., Honsellbrücke am Hafenpark,

Honsellstr. 7, 60314 Frankfurt am Main, Germany

Facebook event

…

Marc Behrens

marcbehrens.com

YouTube channel:

digital audio releases:

Von: Barry Truax

Datum: Sat, 17 Sep 2016

Betreff: [cec-c] Re: Don Buchla 1937 – 2016

Although Don and his creative ingenuity in the world of synthesizer

design has long been acknowledged and admired, as in the header of this

post, may I add a personal tribute to this sad news.

The Buchla 100 was the first synth I ever used compositionally, back in

1969-71, at the Univ. of British Columbia (we still have one in the SFU

studio), and one could say that it hooked me on electronic music.

Although I went on afterwards to the Institute of Sonology with its

sophisticated, custom designed voltage-control studios, and its much

more modest efforts in computer music synthesis and composition, it was

the programmability and improvisatory flexibility of voltage control

that really inspired me. And of course, Mort Subotnick took Don’s

compositional vision to a whole new level – arguably one of the best

designer/composer collaborations in our history.

I will leave it to others to expound on the brilliance and originality

of Don’s long succession of instruments, but let me also remind you all

what a great performer Don was, as well. I will never forget his

performance on multiple instruments of his own design in Bourges, where

he elegantly moved from one setup to another, always perfectly in

control of them, never a hesitation or a false start – a true virtuoso,

creating a professional standard that many other ‚live electronic

musicians‘ can only aspire to.

As he moved into the MIDI world, my other fond memory is of his piece

for percussion and ‚thief‘ (played in this case by himself). It was a

deceptively simple theatrical ploy where the audience is lulled into a

conventional expectation that the performer is actually playing the

percussion instruments on stage – even when the thief removes them one

at a time, and the percussionist continues to ‚air play‘ them in the

very position of their absence. Even when the audience knows the ruse,

or catches on to it, the result was a masterful commentary on virtuality

which, for once, was given a brilliant theatrical presence.

As others have said, this is the end of an era for a great instrument

designer. I trust that there are those who will preserve the amazing

legacy he has created.

Barry Truax

Von: Kevin Austin via cec conference

Datum: Fri, 16 Sep 2016

etreff: [cec-c] Don Buchla 1937 – 2016

RIP: Don Buchla, a pioneering force in the world of synthesizers, has

died at 79

www.vanyaland.com/2016/09/16/rip-don-buchla-pioneering-force-world-synthesizers-died-aged-79/

…

Musik von Oscar Bianchi, Olga Neuwirth, Simon Steen-Andersen, John Cage u.a.

Details/More Info:

nwslettersondegem.blogspot.de/2016/09/unerhorte-musik-newsletter-2016-nr.html

Von: Martin Supper

Datum: Fri, 16 Sep 2016

Betreff: Alvin Lucier 85th Birthday Festival 10.-14. Oktober 2016

Zürich , Schweiz

Alvin Lucier 85th Birthday Festival 10.-14. Oktober 2016 Z

Alvin Lucier 85th Birthday Festival

10.-14. Oktober 2016

Zürcher Hochschule der Künste (ZHdK)

Toni-Areal – Pfingstweidstraße 96 – 8005 Zürich

Einlass Haupteingang

www.zhdk.ch/lucier

Eintritt frei!

Konzerte – Uraufführungen – Installationen – Workshops

mit Alvin Lucier, Joan LaBarbara, Charles Curtis Quartett, Hauke Harder,

Anthony Burr, Hildegard Kleeb, Roland Dahinden, Stephen O’Malley von

Sunno))), Oren Ambarchi, Gary Schmalzl, Trio Retro-Disco, Lars Mlekusch,

Felix Profos und Studierenden der ZHdK

Symposium

mit Dieter Mersch, Helga de la Motte-Haber, Jörn Peter Hiekel, Martin

Supper, Sabine Sanio, Volker Straebel, Bernhard Rietbrock, Hauke Harder,

Charles Curtis, Daniel Wolf, Anthony Burr und Joan LaBarbara*

P r o g r a m m

I n s t a l l a t i o n e n

10.-14. Oktober 2016, Mo-Die 16-21 Uhr / Mi-Fr 16-23 Uhr

Music on a Long Thin Wire*/ (1977, A. Lucier) Kaskadenhalle

Directions of Sounds from the Bridge*/ (1978, A. Lucier) 5.K10

Empty Vessels (1997, A. Lucier) 7.K10

Ausführung: Hauke Harder und Studierende des ICST

K o l l a b o r a t i o n

Sol LeWitt /Walldrawing 730/ (Ebene 5, Kamin)

Ausführung: Studierende des Gestalterischen Propädeutikums der ZHdK

unter Anleitung von Ulrich Binder

K o n z e r t e

Mittwoch, 12. Oktober 2016

18 Uhr, Konzertsaal 1

Silver Streetcar for the Orchestra* (1988, A. Lucier) for solo amplified

triangle / Laszlo Tömösközi, Triangel

Small Waves (1997, A. Lucier) for string quartet, trombone, piano and

two water pourers / Roland Dahinden, Posaune / Hildegard Kleeb, Klavier

/ Nora Peterhans und Christina-Maria Moser, Violine / Tabea Frei, Viola

/ Nadja Reich, Cello / Claudio Landolt und José Pino, Wassergießer

20 Uhr, grosser Konzertsaal

Two Circles (2012, A. Lucier) for flute, Bb clarinet, violin, cello, and

piano / Felix Profos, Leitung / Patrycja Pakiela, Flöte / Soraya Dos

Santos, Klarinette / Nora Peterhans, Violine / Nadja Reich, Cello /

Lora-Evelin Vakova, Klavier

Step, Slide and Sustain (2014, A. Lucier) for horn in f, cello and piano

/ Trio Retro Disco -Uraufführung-

Slices (2007, A. Lucier) for cello and orchestra / Charles Curtis, Cello

/Intermission/

Music for Solo Performer (1965, A. Lucier) for enormously amplified

brain waves and percussion / Alvin Lucier, Hirnwellen / Hauke Harder,

Assistenz

23 Uhr, großer Konzertsaal

80 plus for Alvin Lucier (2011, Christian Wolff) for any players / Lars

Mlekusch, Leitung / Joan Jordi, Oliver Arcos, Charles Ng, Manuela

Villiger, Pisol Manatchinapisit, Vincent Magnin, Amit Dubester, Vera

Wahl, Paulina Pitenko, Kathrine Oseid, Etienne Vaillend, Saxofon /

Roland Dahinden, Posaune / Hildegard Kleeb, Klavier / Moritz

Muellenbach, TJ Borden, Judith Hamann, Cello / Gary Schmalzl, Gitarre

Duo (Christian Wolff) / Charles Curtis und TJ Borden, Cello

Only (1947, Morton Feldman) for solo voice / Joan LaBarbara

Alvin Lucier Tribute-Pieces: Markus Trunk, Hauke Harder, Roland Dahinden

und Daniel Wolf -Uraufführungen-

Donnerstag, 13. Oktober 2016

18 Uhr Konzertsaal 1

Palimpsest (2014, A. Lucier) text by Lydia Davis / Joan LaBarbara,

vocals -Europapremiere-

20 Uhr großer Konzertsaal

Bird and Person Dyning*/ (A. Lucier) for performer with microphones,

amplifiers, loudspeakers and electronic birdcall / Alvin Lucier,

performer / Hauke Harder, Assistenz

Criss-Cross (2013, A. Lucier) for two electric guitars / Stephen

O’Malley, Oren

Ambarchi, E-Gitarre

Charles Curtis (2002, A. Lucier) for cello with slow sweep pure wave

oscillators / Charles Curtis Cello

Intermission

In Memoriam Jon Higgins (1984, A. Lucier) for clarinet and pure wave

oscillator / Anthony Burr, Klarinette

Braid (2012, A. Lucier) for alto flute, clarinet, english horn and

string quartet / Felix Profos, Leitung / Nora Peterhans und

Christina-Maria Moser, Violine / Tabea Frei, Viola / Nadja Reich, Cello

/ Patrycja Pakiela, Altflöte / Soraya Dos Santos, Klarinette / Megumi

Nakajima, Englischhorn -Europapremiere-

23.00 Uhr, großer Konzertsaal

Nothing is Real (1990, A. Lucier) for piano, amplified teapot, tape

recorder and miniature sound system / Johannes Herrmann, Klavier

Music for Piano and one or more Snare Drums*/ (1992, A. Lucier) /

Hildegard Kleeb, Klavier

Hanover (2015, A. Lucier) for violin, alto saxophone, tenor saxophone, 3

banjos, piano, and bowed vibraphone / Lars Mlekusch, Leitung /

N.N.,Violine / Charles Ng, Alto Saxofon / Joan Jordi Oliver Arcos, Tenor

Saxofon / Oren Ambarchi, Stephen O’Malley, Gary Schmalzl, E-Gitarre /

Felix Profos, Klavier / Laszlo Tömösközi, gestrichenes Vibraphon

-Europapremiere und erstmals mit E-Gitarren statt Banjos-

Freitag, 14.Oktober 2016

18 Uhr, großer Konzertsaal

One Arm Bandits (2016, A. Lucier) Charles Curtis Cello Quartett

20 Uhr, großer Konzertsaal

Double Rainbow (2016, A. Lucier) for voice and slow sweep pure wave

oscillator / Joan LaBarbara -Uraufführung-

Panorama (1993, A. Lucier) for trombone and piano / Roland Dahinden,

Posaune / Hildegard Kleeb, Klavier

Ever Present (2002, A. Lucier) for flute, saxophone, and piano with slow

sweep pure wave oscillators, / Lars Mlekusch, Leitung / Amit Dubester,

Alto Sax / Yue Lin, Flöte / Darya Piatrova, Klavier

/Intermission/

I am Sitting in a Room (1970, A. Lucier) for voice and electromagnetic

tape / Alvin Lucier, Stimme / Hauke Harder, Assistenz

24 Uhr, Kunstraum Walcheturm

Stephen O’Malley – Solo Konzert

P r e l u d e

Sonntag, 09. Oktober 2016, 19 Uhr, Kino Toni

No Ideas but in Things – The Composer Alvin Lucier in Anwesenheit der

FilmemacherInnen Viola Rusche und Hauke Harder

W o r k s h o p s

Dienstag, 11. Oktober 2016

Kammermusikworkshop: Alvin Lucier* (Atelier Felix Profos), 14-17 Uhr, KMS 2

Mittwoch 12. Oktober 2016

Kompositionsworkshop: Alvin Lucier* 10-13 Uhr, 5.H02

Gesangsworkshop: Joan La Barbara* On advanced vocal techniques and

contemporary repertoire, 13.30-17 Uhr, 3.D05

S y m p o s i u m

Donnerstag, 13. Oktober 2016, 10-16.30 Uhr Raum 5.K03*_

Dieter Mersch – Inwieweit kann Kunst als eine Forschung sui generis

verstanden werden?

Jörn Peter Hiekel – „Öffnen statt Schließen“ – Überlegungen zum

historischen Ort und zur Rezeption der Musik von Alvin Lucier

Bernhard Rietbrock – Alvin Lucier – Was tun?

Daniel Wolf – Lucier and the Radical Music

Gespräch mit Hauke Harder und Charles Curtis

Freitag, 14. Oktober 2016, 10-16.30 Uhr Raum 5.K03

Helga de la Motte-Haber* – “No ideas but in things“ – Das hörbar Unhörbare

Sabine Sanio – Zur Problematik des Raums bei Alvin Lucier

Martin Supper – Der Raum als Instrument / Space as a Musical Instrument

Fragen zur Wiederaufführbarkeit anhand von I am Sitting in a Room

Volker Straebel – Musikalische Repräsentation zweidimensionaler Objekte

in Alvin Luciers Kammermusik

Gespräch mit Joan LaBarbara und*Anthony Burr

Programmänderungen vorbehalten

Registration requested: Katrin Stowasser

file://localhost/javascriptlinkTo_UnCryptMailto(‚hvdgoj5fvomdi9nojrvnnzmVucyf9xc‘)%3B

/

Bernhard Rietbrock

file://localhost/javascript/linkTo_UnCryptMailto(‚hvdgoj5wzmicvmy9mdzowmjxfVucyf9xc‘)%3B

Von: Yannick Hofmann

Datum: Fri, 16 Sep 2016

Betreff: Stellenangebot für Berufseinsteiger

Das ZKM | Zentrum für Kunst und Medientechnologie ist eine Stiftung des

öffentlichen Rechts und hat die Aufgabe, als Einrichtung der Forschung,

der Kulturvermittlung und der Weiterbildung, eine umfassende

Auseinandersetzung mit Kunst und Medientechnologie zu ermöglichen.

Zum nächstmöglichen Zeitpunkt ist am Institut für Musik und Akustik die

Position eines/r

wissenschaftlichen Volontärs / einer wissenschaftlichen Volontärin

zu besetzen.

In den Tätigkeitsbereich fallen die Mitarbeit bei der Planung und

Durchführung von Projekten und Veranstaltungen, insbesondere bei der

Organisation des Giga-Hertz Preises für elektronische Musik und des

internationalen Treffens elektronischer Hochschulstudios

„next_generation“. Weitere Aufgaben sind die Betreuung und

Weiterentwicklung der internen und externen Dokumentation, sowie der

Öffentlichkeitsarbeit.

Die Stelle ist zunächst auf ein Jahr befristet und kann um ein weiteres

Jahr verlängert werden. Die Vergütung erfolgt als monatlicher Festbetrag.

Wir wünschen uns ein Organisationstalent, das ein musik- und

kulturbezogenes Studium abgeschlossen hat, Computerkenntnisse besitzt,

selbständig und im Team arbeiten kann sowie über englische und nach

Möglichkeit französische Sprachkenntnisse verfügt.

Vorangegangene Praktika im Konzert- und/oder Kulturmanagement sind

erwünscht. Ein Interesse an Computermusik/Neuer Musik und aktueller

elektronischer Musik aller Stilrichtungen ist essentiell.

Die Tätigkeit ermöglicht tiefe Einblicke in Produktion, Präsentation und

Forschung in eines der innovativsten Musikinstitute Europas.

Nähere Auskünfte erhalten Sie unter ZKM Institut für Musik und Akustik,

Tel. 0721/8100-1600, oder per mail an: music@zkm.de

Ihre vollständigen Bewerbungsunterlagen senden Sie bitte bis spätestens

Montag, 7.10.2016 (Poststempel) an:

ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe

Institut für Musik und Akustik

Postfach 6909, 76049 Karlsruhe

oder per mail an: music@zkm.de

Bitte beachten Sie, dass wir die postalischen Bewerbungsunterlagen nur

unter Beifügung eines ausreichend frankierten Rückumschlages zurücksenden.

www.zkm.de

Werfen Sie einen Blick in die Internationale Dokumentation

Elektroakustischer Musik!

Take A Look At The International Documentation of Electroacoustic Music!

www.emdoku.de

-Ist Ihr Werk dort ausreichend repräsentiert?

-Are you satisfied with the representation of your work there?

Send an EMail to info@emdoku.de

and learn how to add something to your entries!

Sie können die dortigen Einträge selbst ergänzen!

Von: Daniel Teige

Datum: Thu, 15 Sep 2016

Betreff: Sounds Unlimited XXXIII – Akustik – vom Studio bis zum

Stadion: Ein Abend mit Dirk Noy, WSDG

Das Idee und Klang-Team lädt ein zur dreiunddreissigsten Veranstaltung

von Sounds Unlimited, Mittwoch, 21. September um 20.00 Uhr:

Akustik – vom Studio bis zum Stadion

Ein Abend mit Dirk Noy, WSDG

Nach einem kurzen Flug über die Höhen und Tiefen der Wellengleichung und

daraus sich ergebender, akustischer Parameter wird der Versuch eines

Projektreviews gestartet. Während dieser Reise werden wir einigen der

relevanten WSDG Projekte der vergangenen Jahre und Jahrzehnte begegnen

sowie deren akustischen Herausforderungen und Lösungen auf den Grund

gehen. Neben der losen Vermittlung von Wissen soll auch genug Raum

bleiben für Fragen und Diskussionen.

Dirk Noy ist Inhaber eines Master of Science Diploms in experimenteller

Festkörperphysik der Universität Basel, Schweiz, und Absolvent des

Specialized Associate Degree Nachdiplomstudiums am Full Sail Center for

the Recording Arts, Orlando, USA, als einer von John Storyks Studenten.

Seit Ende 1997 ist er Geschäftsführer vom Europabüro der WSDG, und

zeichnet mit seinem Team verantwortlich für u.a. die folgenden

nationalen und internationalen Projekte: Parlamentsgebäude der

Eidgenossenschaft, Bern; T-Mobile Campus Forum, Bonn; Rio 2016

Olympische Spiele, Rio de Janeiro, Brasilien; UPC TV, Amsterdam;

Nordstern – Das Schiff, Basel; Flughafen Zürich Kloten; The Church

Studios, London, UK; VGTRK Kultura Broadcast, Moskau; VSL Synchron

Stage, Wien, Austria; Novartis Campus Master Auditorium, Basel;

Grossratssaal, Basel.

Dirk Noy hat weitreichende Erfahrung in akustischen Mess- und

Berechnungstechniken, Audioengineering und Systemdesign sowie

Informationstechnologie. Als publizierendes Mitglied der AES (Audio

Engineering Society) und der SGA (Schweizerische Gesellschaft für

Akustik) ist er oftmals als Vortragender bei Fachtagungen,

Audiofachschulen und Architektur-Bildungsinstitutionen tätig.

Wo?

Idee und Klang Audio Design, Gundeldinger Feld / Halle 2,

Dornacherstrasse 192, 4053 Basel, Switzerland. +41 61 331 57 35. Die

Veranstaltung ist kostenlos, die Platzzahl ist beschränkt. Wir bitten um

eine kurze Anmeldung unter benjamin.gut@ideeundklang.com

Wir freuen uns auf Euch!

Das Idee und Klang Team

Vorschau auf weitere Sounds Unlimited:

HEUTE, 15. September, 20 Uhr: Geräusche der Zukunft – Auralisierung in

der Umweltakustik; Reto Pieren, EMPA

10. Oktober: «Games in Concert» – Ein Forschungsprojekt des ICST; Olav

Lervik

27. April 2017: Vielfalt der Sinne multisensorisches Design

Synästhesie – Kolloquium im Rahmen von «Musik und Mensch», einer Reihe

der PH der FHNW, Dr. Michael Haverkamp

DO YOU WANT TO STAY UP TO DATE? Become our friend on Facebook

www.facebook.com/Idee-und-Klang-Audio-Design-1381410235522786/?fref=ts

CHECK OUT OUR LATEST PROJECT ‚New Permanent Exhibition

ideeundklang.com/audio/en/work/exhibitions/altes_zeughaus.html at

Museum Altes Zeughaus in Solothurn, opened in June 2016

COMING SOON ‚Erste Financial Life Park (FLiP)

www.financiallifepark.at/de/flip> at Erste Campus in Wien,

opening in October 2016

idee und klang audio design

dornacherstrasse 192

gundeldingerfeld | halle 2

4053 basel | switzerland

daniel teige

| operations manager | project management & communications

d.teige@ideeundklang.com d.teige@ideeundklang.com>

direct: +41 61 331 57 35

ideeundklang.com

Von: Thomas Gerwin

Datum: Thu, 15 Sep 2016

Betreff: KlangWelten ad hoc 17.9.2016

Samstag, 17. September 2016 – Puttensaal – 20:00h

K l a n g W e l t e n . a d . h o c . 2 0 1 6

Neue und experimentelle Musik + Tanz + Malerei + Ars acustica +

Performance + Aktionskunst + Installation + Materialklänge

mit

Jenny Doell(Tanz), Reinhard Gagel (Akkordeon, Konzertflügel), Thomas

Gerwin (Banjo, Perkussion, Elektronik), Wilfried Kirner (Baß,

Klangobjekt), Eric Wong (E-Gitarre, Elektronik))

EINTRITT FREI – SPENDE ERBETEN

Eine Veranstaltung von inter art project in Kooperation mit der

Bibliothek am Luisenbad, dem Institut für multisensoriale Kunst und der

Electronic Music Foundation.

Klangregie und künstlerische Leitung: Thomas Gerwin

ORT: Bibliothek am Luisenbad, Travemünder Str.2, 13357 Berlin

www.inter-art-project.de

inter art project

KlangWelten ad hoc

Internationales Klangkunstfest Berlin

www.thomasgerwin.de

Von: Kevin Austin via cec conference

Datum: Thu, 15 Sep 2016

Betreff: [cec-c] Fwd: Evaluating urban sound environment in web-based

virtual reality

Based on the EU funded SONORUS (Urban Sound Planner) project, a

web-based virtual reality tool for evaluation of urban sound

environment was developed, Researchers from Second University of

Naples are now inviting people to try it and give them feedback.

The test will take around 15 minutes. You will need a pair of

headphones or earphones for this test, and it would be better to do

the test in a relatively quiet place. If you are interested, you can

click the links below to start the test. There are two versions available:

Higher-quality version (recommended):

www.previewlabs.com/soundnaples/webbuild/SoundNaples.html

Tips:

– You should open the link and do the test on a computer rather than

a smart phone or a tablet.

– This version is currently not supported by Chrome, other popular

browsers (e.g. Internet Explorer, Firefox, Safari, Opera) should work.

– If you don’t usually play web games, you may be asked to install a

small plug-in called Unity Web Player (size: 12 MB) upon clicking the

link. You can always remove the plug-in afterwards in the way you

uninstall normal applications (e.g., in Control Panel for Windows).

– Depending on the speed of your internet connection, it may take a

few seconds or a few minutes to load the page (usually less than 1

minute).

– Depending on the size of your screen, you may need to scroll up and

down the web page a bit to see all the displayed information. _So if

you feel you miss something during the test, for example, not

receiving instruction of next task, make sure you scroll up or down to

reach the top or bottom of the page._

Easier-access version:

www.previewlabs.com/soundnaples/webgl/index.html

Tips:

– You should open the link and do the test on a computer rather than

a smart phone or a tablet.

– Internet Explorer is not supported for this application. We suggest

Firefox, Chrome and Safari.

– Depending on the speed of your internet connection, it may take a

few seconds or a few minutes to load the page (usually less than 1

minute).

– Depending on the size of your screen, you may need to scroll up and

down the web page a bit to see all the displayed information. _So if

you feel you miss something during the test, for example, not

receiving instruction of next task, make sure you scroll up or down to

reach the top or bottom of the page._

If you have any questions regarding this test or the tested

application, please feel free to contact: esrsix6@gmail.com

mailto:esrsix6@gmail.com

Like Jiang

PhD, BEng

Marie Curie Researcher

Department of Architecture and Industrial Design

Second University of Naples

Von: Daniel Teige
Datum: Wed, 14 Sep 2016
Betreff: Sounds Unlimited XXXII – Geräusche der Zukunft – Auralisierung
in der Umweltakustik – Do 15.9. 20 Uhr

Das Idee und Klang-Team lädt ein zur zweiunddreissigsten Veranstaltung
von Sounds Unlimited, Donnerstag 15. September um 20 Uhr.

Geräusche der Zukunft – Auralisierung in der Umweltakustik
/Reto Pieren, EMPA/

Die künstliche Hörbarmachung von akustischen Umgebungen hat in der
Raumakustik eine lange Tradition. In den letzten Jahren stieg das
Interesse für Auralisationen auch in umweltakustischen Anwendungen.
Darum haben Forschende der Empa Synthesizer entwickelt, mit denen zum
Beispiel Geräusche von Windparks, Strassen- oder Schienenfahrzeugen
künstlich erzeugt werden können. Reto Pieren zeigt die gefundenen
Ergebnisse und gibt einen Einblick in die aktuelle Forschung.

Reto Pieren ist diplomierter Elektroingenieur und Akustiker und arbeitet
als Wissenschaftler an der Abteilung Akustik / Lärmminderung der Empa.
Dort forscht und publiziert er auf den Gebieten Umweltakustik,
Schallausbreitung und Schallabsorber.

www.empa.ch/de/web/s509/taura

ideeundklang.us6.list-manage1.com/track/click?u=a4b0e91fb53b7be240f79adf0&id=f3281c6b55&e=0c11eb3d64

www.visasim.ethz.ch
‚ at Erste Campus in Wien,
opening in October 2016

idee und klang audio design

dornacherstrasse 192
gundeldingerfeld | halle 2
4053 basel | switzerland

daniel teige
| general manager | project management & communications
d.teige@ideeundklang.com
direct: +41 61 331 57 35
ideeundklang.com

Von: anne wellmer

Datum: Tue, 13 Sep 2016

Betreff: [DEGEM News] 24/9 in DEN HAAG – New Emergences #4 – How

numbers speak for themselves

New Emergences is a lecture and discussion series highlighting the

current debates around gender in electronic music.

The original title is: Aesthetics, Politics, Philosophy and New

Emergences in Current Electronic Music and Surroundings.

Earlier this year we began the series as a student initiative at the

Institute of Sonology in March 2016. Throughout the three events that we

have had so far, there has been a lot of goodwill for us and all the

keynote speakers and panellists have provided their presence and

conversations for free.

We have been very busy this summer preparing for this next event, and we

would also like to invite you to take a look at our new website: New

Emergences. Here we launch it to the public. It is an ongoing project

and its ethos will be a hub that connects the projects of (primarily

female but to include all other undervoiced) composers, improvisers,

performers, researchers, film and sound artists working within the field

of electronic music and beyond. The website is conceived to be a

continuously emerging web of information that will serve as a platform

to engage with new and existing voices.

On the website, we have a central blog which details the past three

events and their summaries – soon to be fully completed. Please take a

look at:

newemergences.wordpress.com/

We are very happy to announce that we have been able to place our 4th

lecture and discussion event into the Bright Collisions Symposium of

Todays Art Festival on Saturday, September 24th. The event will remain

free to the public, and will take place from 11:00-13.00.

todaysart.nl/2016/

NEW EMERGENCES NO.4 – How numbers speak for themselves

Keynote:

Ruth Timmermans (BE/NL) – Director of Gonzo magazine, based in

Amsterdam, Netherlands.

www.gonzocircus.com/

For the discussion Ruth is joined on the panel by

Anne La Berge (US/NL) – renowned composer/performer of electro-acoustic

music based in Amsterdam.

annelaberge.com/

Florian Cramer (DE/NL) – critical researcher in the arts based in Rotterdam.

v2.nl/archive/people/florian-cramer

+ (t.b.a)

Moderator: Mariette Groot (NL), runs Underbelly, a mobile store based in

Rotterdam, with a focus on sound art and experimental music.

www.underbelly.nu

The discussions will focus in, and will extend into the points driven by

the keynote presentation, and will allow questions and comments from the

audience.

Filmhuis (or Theater aan het Spui), Spui 191, Den Haag

Saturday 24 September 2016

11:00 – 13:00

gratis

website:

newemergences.wordpress.com/2016/09/12/eventno4/

facebook event:

www.facebook.com/events/666427253512197/

contact:

Semay Wu s_emay@hotmail.com

Ji Youn Kang kingeve@gmail.com

Fani Konstantinidou mail@fanikonstantinidou.com

Anne Wellmer new@nonlinear.demon.nl

Von: Kevin Austin

Datum: Tue, 13 Sep 2016

Betreff: [cec-c] Fwd: Music Technology Faculty Position @ Georgia Tech, USA

DESCRIPTION: The School of Music at Georgia Institute of Technology in

Atlanta, Georgia seeks to fill a full-time position for the 2017–2018

academic year. This is a nine-month, tenure-track appointment beginning

Fall 2017.

TITLE: Assistant or Associate Professor of Music – Music Technology

RESPONSIBILITIES: The School of Music seeks a scholar in music

technology whose interdisciplinary research transforms the ways in which

we create, experience, and understand music. The candidate will be

expected to teach graduate and undergraduate courses in music technology

and to lead a research lab at the Georgia Tech Center for Music Technology.

The primary emphasis area can be drawn from any area of music

technology, but the School is particularly interested in research that

addresses Music Perception and Cognition, Spatialization and Virtual

Audio, Acoustics, Music and Health, Music Instrument Design, or Voice

Technology. Additional teaching assignments may be available depending

on individual interests and expertise.

QUALIFICATIONS: PhD or DMA strongly preferred.

SALARY: Salary is competitive and commensurate with experience and

qualifications.

SCHOOL OF MUSIC: The Georgia Tech School of Music and Center for Music

Technology are internationally recognized for combining the art of music

with innovative research, singular interdisciplinary degree programs,

and distinctive performances. The School of Music offers three degree

programs in Music Technology: Bachelor of Science, Master of Science,

and Ph.D. In addition, the school offers three undergraduate music

minors and serves over 2,400 students from across the Institute. The

Center for Music Technology supports a variety of research groups,

entrepreneurial projects, and special events.

GEORGIA TECH: The Georgia Institute of Technology is a leading research

university committed to improving the human condition through advanced

science and technology. As a leading technological university, Georgia

Tech has more than 100 centers focused on interdisciplinary research

that consistently contribute vital research and innovation to American

government, industry, and business. Georgia Tech’s campus occupies 330

acres in the heart of the lively, progressive city of Atlanta, where

more than 25,000 undergraduate and graduate students receive a focused,

technologically based education.

APPLICATION: Letter of application, curriculum vitae, and names,

addresses, and telephone numbers of three references are required. In

your cover letter, please include a link to an online portfolio of

additional supporting materials, which may include samples of research,

creative work, or performances.

SEND MATERIALS TO: Application materials will be accepted

electronically. Please email a single PDF document of the application

to: musictech2016@t-square.gatech.edu. Review of applicants will begin

November 1, 2016 and continue until the position is filled.

MORE INFORMATION: Please refer to www.music.gatech.edu or contact Dr.

Jason Freeman, Chair of the Music Technology Search Committee

jason.freeman@gatech.edu.

Georgia Institute of Technology is an Equal Education/Employment

Opportunity Institution

Alexander Lerch

Assistant Professor, GT Center for Music Technology

www.gtcmt.gatech.edu

www.AudioContentAnalysis.org

www.musicinformatics.gatech.edu

Von: Louis Dufort via cec

Datum: Mon, 12 Sep 2016

Betreff: [cec-c] Electrochoc no.1 Adam Basanta

AKOUSMA and the Conservatoire de musique de Montréal is proud to present

the first Electrochoc concert of the Year !

Carte Blanche à Adam Basanta

Thursday 15th of September

7h30 pm discussion with the artist

8pm concert

See you there !!

Salle multi 4750, avenue Henri-Julien – Montréal (near métro Mont-Royal)

PROGRAMME:

Synchronicity ain’t no thing (2015)

Commande de Marij van Gorkom (NL)

when you’re looking for something, all you can find is yourself (2014)

Commande de Western Front New Music (CA)

Hurtling forward beyond any resemblance of speed

Commande de Farmacia901 pour le projet de compilation en ligne Q10 (Quark).

and I’m singing – Jim O’Rourke (US) (2001)

akousma.ca

Billets: Admission ou à la billetterie du CMM • Régulier: 15$ –

Étudiant-e-s: 7$

Studio multimédia – Conservatoire de musique de Montréal

4750, avenue Henri-Julien – Montréal (près du métro Mont-Royal)

Renseignements : 514 873-4031, poste 313

Louis Dufort

louisdufort.com

Directeur artistique

Festival AKOUSMA

514-502-2269

akousma.ca

Von: joachim heintz

Datum: Mon, 12 Sep 2016

Betreff: HANNOVER – Elektronische Konzerte im Iran-Festivals DASTGAH

Im Rahmen des Iran-Festivals der HGNM und Partner (www.hgnm.de/dastgah)

finden am 18. und 21. September Konzerte mit Elektronik statt:

So 18 September 16 Uhr Sprengel Museum Hannover

TANBUR – AKKORDEON – ELEKTRONIK

Auftragswerke von Kiawasch Sahebnassagh (Teheran), Ali Gorji (Berlin),

Mehdi Jalali (Teheran) und Farzia Fallah (Köln)

Mahdi Jalali – Tanbur

Margit Kern – Akkordeon

Arsalan Abedian – Klangregie

Eintritt 12/8 Euro

Mi 21 September 13 Uhr HMTM Hannover (Emmichplatz)

NEUE ELEKTROAKUSTISCHE MUSIK AUS DEM IRAN

Mit den Preisträgerinnen des Korourian-Wettbewerbs 2016

Im Anschluss an das Konzert findet um 16 Uhr eine Diskussion zum Thema

„Elektronische Musik im Iran heute“ statt. Es diskutieren: Aso Kohzadi,

Mahoor Pourmoghadam, Gelareh Soleimani und Shahrokh Khajenouri.

Gesprächsleitung: Joachim Heintz und Arsalan Abedian

Eintritt frei