Um den Newsletter zu lesen, click unten:

degemnewsplus.blogspot.de/2016/10/unerhorte-musik-newsletter-2016-nr-18-4.html

Von: Kevin Austin via cec conference

Datum: Fri, 30 Sep 2016

Betreff: [cec-c] Journal of Creative Music Systems – Volume 1, Issue 1

We’re happy to announce that the inaugural issue (Volume 1, Issue 1) of

the Journal of Creative Music Systems has been published. Papers can be

freely accessed at

jcms.org.uk/issues/Vol1Issue1/toc.html

CONTENT

Articles

* Learning and Creating Novel Harmonies in Diverse Musical Idioms: An

Adaptive Modular Melodic Harmonization System. Maximos

Kaliakatsos-Papakostas, Dimos Makris, Costas Tsougras, Emilios

Cambouropoulos.

* Utility Versus Creativity in Biomedical Musification. Duncan Williams.

Research reports

* Developing the Vocal Tract Organ David M. Howard.

* Playing in Time: Integrating Temporal Information in the Computational

Measurement of Musical Similarity. Steven Crawford, Gang Ren, Mark F. Bocko.

* Transformations in Shifting Models: Reorienting with DeepDream.Lendl

Barcelos, Michael O. Vertolli.

Best wishes,

Steven Jan, Eduardo Miranda, Valerio Velardo

University of Huddersfield inspiring tomorrow’s professionals.

Von: Kevin Austin via cec conference

Datum: Fri, 30 Sep 2016

Betreff [cec-c] Save the Date: announcing the 3rd Web Audio

dear colleagues

…

i am pleased and proud to announce that the Centre for Digital Music at

Queen Mary University of London has been invited to host the 3rd Web

Audio Conference. the first two were held at IRCAM and then Georgia Tech.

It will be held from 21-23 August 2017. As well as the main conference,

which will include papers, posters, demos, music and art works plus

social activities, we expect to offer tutorials, workshops and hacks.

more news on this as the plans develop.

we are working right now on the Call for Participation and on keynote

speakers, and we hope to announce these soon. in the mean time, do plan

on being in London next august. there’s lots to enjoy if you plan on

coming for a longer stay. and if we’re all lucky, it won’t even rain!

can you please help and send this to any people you think would be

interested?

thanks

mark

professor mark sandler, FREng

FIEEE, FAES, FIET

royal society wolfson research merit award holder

director of the centre for digital music (c4dm) & qMedia

school of electronic engineering and computer science

queen mary university of london

mark.sandler@qmul.ac.uk

+44 (0)20 7882 7680; +44 (0)7775 016715

twitter: @markbsandler,

follow the FAST-IMPACt Programme Grant @semanticaudio

Von: Notam Oslo via cec conference

Datum: Thu, 29 Sep 2016

Betreff: [cec-c] Call: residents for new programme for immersive sound

works at Notam

We welcome the participation of artists and musicians from a wide

variety of backgrounds.




The accepted artist will have travel expences and accomodation covered

and receive the necessary technical orientation, access to the space for

up to 2 months and a fee of max. 20 000 NOK.




Deadline: 31st October 2016




MORE INFO www.notam02.no/web/2016/09/new-residency-programme/?lang=en

Von: Elainie Lillios

Datum: Thu, 29 Sep 2016

Betreff: [cec-c] BGSU College of Musical Arts Dean position

Dear Colleagues:

Bowling Green State University’s College of Musical Arts seeks a Dean of

the College. Thank you for considering this position and sharing it with

others who might want to join our vibrant community

Best,

Elainie Lillios

Click Link below:

degemnewsplus.blogspot.de/2016/09/dean-college-ofmusical-arts.html

Elainie Lillios, DMA

Interim Associate Dean

Professor of Composition

Coordinator of Music Technology

lillios@bgsu.edu

Dean’s Office: 1+ 419.372.8507

Faculty Office: 1+419.372.9482

www.elillios.com

eastudios.bgsu.edu

Von: Hein Folkmar

Datum: Thu, 29 Sep 2016

Betreff: Fwd: „Cycle des profondeurs“ à Montréal

akousma.ca/fr/festival/activites-speciales/cycle-dhomont/

Francis Dhomont

Compositeur

www.electrocd.com/fr/bio/dhomont_fr/discog/

www.google.com/search?q=Francis%20Dhomont&ie=UTF-8&oe=UTF-8

Stellen Sie mehr Öffentlichkeit für Ihre musikalisches Werk her!

Improve public communikation of your musical work!

Die Internationale Dokumentation Elektroakustischer Musik (EMDoku)

Suchmaschine für Elektroakustische Musik

33.000 Einträge

als Werk mit Titel, Tonträgerangaben, teilweise mit detaillierten

Aufführungsbdingungen

Jeder Schaffende der Elektroakustischen Musik kann sich dort eintragen

und seine Werke öffentlich machen. Näheres unter info@emdoku.de

–

The International Documentation of Electroacoustic Music (EMDoku)

Search engine for electroacoustic music

33.000 entries

work titles, sound storage references, performance references (partially)

Every creator of Electroacoustic music is invited to make works public

in EMDoku. For more info info@emdoku.de

–

www.emdoku.de/ (->“Server EMDoku1“ -> „EMDoku1“)

login without password as „gastkonto“

Die Internationale Dokumentation Elektroakustischer Musik wurde

geschaffen von Folkmar Hein und wird gefördert von der DEGEM

The International Documentation of Electroacoustic Music was created by

Folkmar Hein. DEGEM supports EMDoku.

Von: Kevin Austin

Datum: Mon, 26 Sep 2016

Betreff: [cec-c] Alan Turing: First recording of computer-generated

music – created by Alan Turing – restored

. . . Researchers in New Zealand say they have restored the first

recording of computer-generated music, created in 1951 on a gigantic

contraption built by the British computer scientist Alan Turing.

www.theguardian.com/science/2016/sep/26/first-recording-computer-generated-music-created-alan-turing-restored-enigma-code

Von: Nicolas Marty via cec conference

Datum: Wed, 28 Sep 2016

Betreff: [cec-c] TR: [octandre-news] upcoming events

Hello everyone,

Soon more news about upcoming Octandre’s events for this season… You can

already find dates on our website octandre-asso.org, notably with

Jules Wysocki coming to Bordeaux on November 17th-18th for headphones

listening sessions of electroacoustic music, all along the days and in

the evening. Don’t forget to book your tickets!

Meanwhile, you will be able to hear the music of Ola Ziolkowska, member

of Octandre, this Sunday October 2nd in the 7th “Virtual Concert”

organized by association Univers Sonores Parallèles from an idea by

Daniel Judkovski. Virtual concerts make available, twice a month, a

selection of electroacoustic works by giving out streaming links on a

facebook event, in which listeners can comment and discuss with composers.

This Sunday October 2nd, you will have access to pieces by Andrés Rivera

Fernández (Chili) , Patrick Chan (USA), Ana Dall’Ara-Majek (Canada) et

Ola Ziolkowska (Pologne / France). For this, come at 3pm (French local

time) at

www.facebook.com/events/188819228215057/?active_tab=posts .

Don’t hesitate to comment, that’s the idea!

See you soon!

Nicolas Marty pour Octandre

(06.71.88.24.05)

[url] octandre-asso.org/

[fb] www.facebook.com/Octandre/

[news] groups.google.com/d/forum/octandre-diff

Click link below

nwslettersondegem.blogspot.de/2016/09/blog-post.html

Von: Elizabeth Anderson via cec conference

Datum: Tue, 27 Sep 2016

Betreff: [cec-c] Premiere / Création

Dear Colleagues,

I would like to invite you to the premiere of one of my acousmatic works

/L’heure bleue : renaître du silence /which is dedicated to the memory

of my mother. The concert, which is organized by the Groupe de

Recherches Musicales, will take place on Saturday, October 8 at 19h30 at

the Maison des Pratiques Artistiques Amateurs, n°4 rue Félibien 75006,

Paris in the frame of the festival Akousma (Saison Multiphonies 2016-17).

It would be wonderful to see you there !

Best regards,

Elizabeth

Please find, below, useful information about the festival:

Festival Akousma

Dates : 7-9 Octobre 2016

Venue :

Maison des Pratiques Artistiques Amateurs

4 rue Félibien

75006, Paris.

The festival includes several concerts:

– Friday, October 7 at 19h30 : Concert Norvégien : Electric Audio Unit,

with the works of Arne Nordheim, Anders Tveit, Natasha Barrett, Tor

Halmrast, Frank Ekeberg and Anders Vinjar.

– Saturday, October 8 at 19h30 : Concert with works by Benjamin Miller,

Jean Schwarz, Francis Dhomont and Elizabeth Anderson.

– Sunday, October 9 at 19h30 : Concert Banc d’essai, with works by

Nicolas Jacquot, Joao Castro Pinto, Sébastien Pont, Vincent Guiot,

Mathieu Guilin, Gustavo Adolfo Delgado, Tom Manoury, Lea Tania Lo Cicero

and Nicolas Thirion, Raphaël Mouterde, Armando Balice and Julia Hanadi

Al Abed and Christophe Ratier.

Please find more information in the link below :

www.inagrm.com/akousma-octobre-2016-0

…

Elizabeth Anderson, PhD

Avenue de Monte-Carlo, 11

1190 Brussels, Belgium

Tel:00-32-2-346-6013

elizabethlanganderson.com/

Von: Francis Dhomont

Datum: Tue, 27 Sep 2016

Betreff: [cec-c] Concert GRM Paris

Click link below:

nwslettersondegem.blogspot.de/2016/09/page-1.html

Von: Martin Daske

Datum: Mon, 26 Sep 2016

Betreff: Martin Daske – Newsletter – Oktober 2016

Ich freue mich, auf ein paar Veranstaltungen und eine Sendung mit meiner

Musik hinweisen zu können …

Samstag, 30. September, 19:00 Uhr

im Rahmen der Ovartaci-Vorkonzerte des Atonale e.V.

Klinik für Psychatrie und Psychotherapie der Charité, Campus Charité

Mitte, Bonhoefferweg 3, 10117 Berlin-Mitte

„… in großer Angst geschrieben“ (2004/2016)

Konzertfassung 2016

für Stimme, Elektronik u. Schlagzeug

Thorbjörn Björnsson, Bariton

Alexandros Giovanos, Schlagzeug

psy-ccm.charite.de/index.php?id=39889

Dienstag, 4. Oktober 2016, 20:30 Uhr

Unerhörte Musik, Mehringdamm 34, 10961 Berlin

„Foliant 14“ (1988)

Fassung für Aerophon und Blockflöten

Susanne Fröhlich, Blockflöten

Thomas Noll, Aerophon

www.unerhoerte-musik.de/Dienstag_5.html

Donnerstag, 13. Oktober 2016 rbb Kulturradio

22.04 – 23.00 Uhr

PERSPEKTIVEN

Keine Kraft zum Träumen – oder was nützt eigentlich die Philosophie?

Von Carmen Gräf und Martin Daske

Jede noch so kleine Firma hat heute ihre „Philosophie.“ Star-Philosophen

wie Richard David Precht und Wilhelm Schmid bringen die Philosophie

unters Volk. Diese will aber längst nicht mehr die Welt erklären oder

gar retten. Große Entwürfe und Utopien? Damit scheint es in einer Phase

politischer und wirtschaftlicher Ernüchterung vorbei zu sein.

Philosophie ist „angesagt“. Aber kann sie wirklich wirksam werden?

presseservice.rbb-online.de/programmwochen/kulturradio/2016/41-kulturradio.pdf

Sonntag, 16. Oktober, 17:00 Uhr

im Rahmen von „Echolot“

Konzerthaus Berlin

Werner Otto Saal

Gendarmenmarkt

10117 Berlin

„wohin:gegen:wenn“ (2016) UA

für Ensemble, 4 Sänger und Live-Elektronik

ensemble unitedberlin, Solistenensemble PHØNIX 16

Jonathan Stockhammer, Dirigent

www.konzerthaus.de/de/programm/echolot/733

Dienstag, 25. Oktober 2016, 20:30 Uhr

Unerhörte Musik, Mehringdamm 34, 10961 Berlin

„Notensetzen V-X“ (2010)

für Flöte, Klarinette, Violine, Viola, Violoncello und Klavier

modern art ensemble

www.unerhoerte-musik.de/Dienstag_8.html

Musikalische Grüße – Martin Daske

Impressum

Martin Daske

Komponist | audio artist

www.tribordstudio.de

Abmeldung vom Newsletter / Unsubscribe from newsletter

Eine Mail mit dem Betreff „unsubscribe“ genügt. mailto:martin.daske@email.de

Von: CEC jef chippewa via cec conference

Datum: Fri, 23 Sep 2016

Betreff: [cec-c] [CALL] eContact! 18.4 – Notation in Electroacoustic

Practices

CALL FOR CONTRIBUTIONS / APPEL DE PROPOSITIONS

eContact! 18.4**–Notation of Sonic Art and Digital Audio Practices

Notation dans les pratiques d’art sonore et audionumériques

DEADLINE / DATE LIMITE: 30 September 2016

econtact.ca/call.html | econtact.ca/appel.html

You can put 150 marks on a note but it still doesn’t give all the

information.

Vous pouvez bien placer 150 signes sur une note, ça ne donnera pas toute

l’information.

–Joan La Barbara, interviewed by Kalvos & Damian

[E] We are pleased to now invite submissions for an upcoming issue of

eContact! on the topic of „Notation of Sonic Art and Digital Audio

Practices,“ with a special interest in critical evaluations and the

problematics of standardization of graphic representation.

A plethora of new and/or experimental approaches to the notation of

music or sound have been explored in the past century, resulting in a

vast range of styles and types of representation of sound phenomena. In

the electroacoustic (EA) domain in particular, not only the meaning of

the symbols has evolved, the role and function of the notation itself

has also greatly diversified. The notation must reflect as efficiently

as possible its intention, whether encountered in a performance score, a

listening score, a diffusion score or a mixing log.

For this issue of eContact!, we focus on notation specific to the

digital domain, to electroacoustic (EA), sonic art and other such

practices, with the goal of addressing issues that may indeed be present

in the instrumental domain but that have particular relevance for some

aspect of EA notation.

[CALL] eContact! 18.4 — Notation (deadline 30 Sep)

[CALL] eContact! 19.3 — Light+Sound (deadline 31 Dec), w. Nicolas Bernier

econtact.ca/call.html

Communauté électroacoustique canadienne (CEC) Canadian Electroacoustic

Community

HOME cec.sonus.ca | JOURNAL econtact.ca

FACEBOOK.com/cec.sonus | TWITTER.com/cec_ca

Von: Kevin Austin

Datum: Thu, 22 Sep 2016

Betreff: [cec-c] From Oxford Univ Press: Environmental Sound

From Oxford University Press with a discount code

Environmental Sound Artists: In Their Own Words, edited by Frederick

Bianchi and V. J. Manzo.

Environmental Sound Artists: In Their Own Words is an incisive and

imaginative look at the international environmental sound art movement,

which emerged in the late 1960s. The term environmental sound art is

generally applied to the work of sound artists who incorporate processes

in which the artist actively engages with the environment. While the

field of environmental sound art is diverse and includes a variety of

approaches, the art form diverges from traditional contemporary music by

the conscious and strategic integration of environmental impulses and

natural processes.

This book presents a current perspective on the environmental sound art

movement through a collection of personal writings by important

environmental sound artists. Dismayed by the limitations and gradual

breakdown of contemporary compositional strategies, environmental sound

artists have sought alternate venues, genres, technologies, and delivery

methods for their creative expression.

Environmental sound art is especially relevant because it addresses

political, social, economic, scientific, and aesthetic issues. As a

result, it has attracted the participation of artists internationally.

Awareness and concern for the environment has connected and unified

artists across the globe and has achieved a solidarity and clarity of

purpose that is singularly unique and optimistic. The environmental

sound art movement is borderless and thriving.

Using the discount code AAFLYG6 when ordering for a 30% discount

Kevin

Von: info campo via cec conference

Datum: Thu, 22 Sep 2016

Betreff: [cec-c] call for works

Undae! radio change its format. From 10th of octuber Undae! will be

podcast every two weeks. Each month we will dedicate a program to a

different theme. you can send your work within the following deadlines:

Politics and disruptive agents (deadline 30th of october 2016)

Madness and alienation (deadline 30th of november 2016)

Literature and poetry (deadline 30th of dicember 2016)

Filosophy (deadline 30th of january 2017)

inventors of instruments (deadline 25th of february 2017)

Sacred (religious or mystical) (deadline 30th of march 2017)

Electracoustic music from Africa (deadline 30th of april 2017)

Mixt music (deadline 30th of may 2017)

Science (deadline 30th of june 2017)

Send a zip file via wetransfer, including the work (aiff or wav) a bio

and a presentation of the work. The name of the zip file must be:

theme-name-title.zip

email: undaeradio@gmail.com

Von: Thomas Gerwin

Datum: Thu, 22 Sep 2016

Betreff: International Sound Art Festival Berlin Call for Works RESULT

Presseinformation

Die Ausschreibung für eine elektroakustisches Komposition für das

Eröffnungskonzert des diesjährigen Internationalen Klangkunstfests

Berlin (6.-8.10.2016) ist beendet. Aus 28 internationalen Einsendungen

wurde „A daily trouble“ (2006) von Gilles Sivilotto

www.gillessivilotto.com/ ausgewählt und wird am Donnerstag, 6.

Oktober im 1. Konzert um 20:30 aufgeführt. Ein wunderbares Stück, das

perfekt zum diesjährigen Thema „Das handelnde Subjekt“ passt.

Aufgrund der großen künstlerischen Bandbreite und exzellenten Qualität

der Beiträge soll Ende dieses oder Anfang nächsten Jahres ein weiteres

Konzert stattfinden, bei dem einige weitere der eingereichten

Kompositionen in Verbindung mit Tanz aufgeführt werden.

Thomas Gerwin, Künstlerischer Leiter Internationales Klangkunstfest Berlin

Mehr Informationen unter www.inter-art-project.de

inter art project

KlangWelten ad hoc

Internationales Klangkunstfest Berlin

www.thomasgerwin.de

Von: John Dack

Datum: Wed, 21 Sep 2016

Betreff: Re: SYNTHFEST UK

…

SynthFest UK – not to be missed!

SynthFest UK will feature a range of specialist boutique modular synth

manufacturers along with bigger brand name exhibitors and retailers

making it the biggest event of it’s kind in 2016. So, whether you’re

interested in analogue, digital, retro or vintage synths, you can see

them all and buy them at the UK’s premier synthesizer show.

In addition, SF-UK includes a Modular Meet gathering where enthusiasts

will be showing off their own gear so come and look at the many Eurorack

set ups, standalone rare synths and a ‘not-to-be-missed’ collection of

early Moog modules.

And, if that’s not enough, there’s a programme of seminars covering the

Theremin, Early British Electronic Music, Mi-Mu controller gloves, Max

MSP for Ableton, How To Get Started With Modular, VIP Roundtable

discussion and much more.

Also exhibiting in the Education area are the music departments from

Sheffield, Huddersfield and Leeds Universities along with the Rockschool

organisation.

All events are included in the ticket price. Advance tickets £10 or £15

on the day.

See the website for a full list of Exhibitors, Modular Meet gear and the

Seminar details.

Saturday 1st October, The Octagon Centre, Sheffield UK.

www.synthfest.co.uk

Twitter: @synthfestuk

Facebook: search synthfestuk

Dr John Dack – Senior Lecturer (Music and Technology)

PhD, MA, MMus, MSc, PGDipMIT, BA (Hons)

The Grove Building, room 226

Middlesex University

The Burroughs

Hendon

London NW4 4BT

UK

t: +44 (0)20 8411 5109

f: +44 (0)20 8411 3452

e: j.dack@mdx.ac.uk

skype: john.dack

www.mdx.ac.uk/about-us/our-people/staff-directory/profile/dack-john

dream.dei.unipd.it

www.scambi.mdx.ac.uk

zilmusic.com/musa2015

zilmusic.com/musa2016

Von: Michael Gogins

Datum: Tue, 20 Sep 2016

Betreff: [cec-c] New release of the Csound for Android app

This release, version 6.08 beta, is now available on the Google Play

Store. It now includes the complete suite of STK opcodes, new

application icons to replace the default Android icons, a new „A4“

variable to set the frequency of concert A in the orchestra header, a

new Sone GEN, a new quad bezier curve GEN, multicast for the Open Sound

Control opcodes, and new discrete cosine transform and inverse discrete

cosine transform opcodes.

Regards,

Mike Gogins

Von: Marcus Beuter

Datum: Tue, 20 Sep 2016

Betreff: Geplante Obsoleszenz — Tour Schwellenbereiche — 1. Konzert

25.9. — Bad Driburg

liebe freunde der klangkunst,

das Trio Geplante Obsoleszenz bespielt in diesem Herbst 5 Kunstvereine.

Unter dem Titel Schwellenbereiche werden die Materialien der Räume

selbst zum Instrument. Nach einem fulminanten Vorabkonzert im

Hinterhof-Salon der Wilden Rose am 8.9. geht das Trio nun nach Innen und

lässt die Räume erklingen, die zumeist den Hintergrund für Kunst bilden.

Der Auftakt findet am kommenden Sonntag, den 25.9. um 16 Uhr

Kulturverein ARTD Driburg statt.

Die weiteren Termine:

06.10. 18.00 Uhr Kunstverein Kreis Gütersloh

30.10. 16.00 Uhr Städtische Galerie Eichenmüllerhaus Lemgo

17.11. 18.30 Uhr Kunstverein Oerlinghausen

24.11. 19.00 Uhr Bielefelder Kunstverein

Da alle Veranstaltungsorte architektonisch sehr unterschiedlich sind,

laden wir zu einer Gesamtperformance in 5 Sätzen ein.

Eine Dokumentation der einzelnen Auftritte und weitere Informationen

finden sich auf dem Blog www.geplante-obsoleszenz.eu

Geplante Obsoleszenz:

Angelika Höger – Kontaktmikrofone, Effekte, Bürsten,

Milchaufschäumer, Fiberglasstäbe, Angeldraht, Raum

Peter Schwieger – Kontaktmikrofone, Effekte, Plastikgabel, Stäbchen,

Gummihammer, Raum

Marcus Beuter – Kontaktmikrofone, Effekte, Besen, found objects, Raum

Gefördert vom Ministerium für Familie, Kinder, Jugend, Kultur und Sport

des Landes Nordrhein-Westfalen, unterstützt durch den Kunstverein Kreis

Gütersloh, der Cooperativa Neue Musik und OstWestfalenLippe –

Gesellschaft zur Förderung der Region

Mit besten Grüßen,

Marcus Beuter

www.marcusbeuter.de