STUDIUM – Reminder: Elphinstone PhD Fee-Waiver Scholarship (EA Composition and Sonic Arts) at the University of Aberdeen open to UK/EU/Overseas Students

Subject: Reminder: Elphinstone PhD Fee-Waiver Scholarship (EA
Composition and Sonic Arts) at the University of Aberdeen open to
UK/EU/Overseas Students
Date: Tue, 20 May 2014
From: Suk-Jun Kim

Deadline: 6 June 2014

Dear all,

The Department of Music at the University of Aberdeen is pleased to
announce a PhD fee-waiver scholarship open to home, EU and overseas
students who intend to start in October 2014. We are particularly
interested in accepting applications from those who show potential in
conducting practice-based research through composition, sound
installation, and/or creative coding.

The proposed research should be in line with the research theme outlined
below:
/Place in Sound, Sound in Place: Technologically Mediated, Negotiated,
Challenged or Resituated Sense of Place in Sonic Arts Practice/

This research aims to investigate Sonic Arts practice through the lens
of artists’ engagement with place through technological media. Its
methodology is both theoretical and practical in that the PhD student
will not only examine the Sonic Arts practice of the past and present
through literature review and analysis of selected work, he or she will
also create original Sonic Arts work in the form of electroacoustic
compositions, interactive or immersive sound installations and live
electronic performance through which new approaches to sound-place
constructs are proposed and put to test.

The above research theme is interdisciplinary in nature, and therefore,
we are very much interested in accepting applications whose research
background and interest is diverse, such as: electroacoustic
composition, interactive or immersive sound installation, digital audio
production, creative coding, sound synthesis and DSP, interactive
programming and experimental music, live electronic performance, sound
studies (cultural, historical and technical aspects), radiophonic
composition, or audio-visual work.

Attached is a document detailing the scholarship and application
process. But below are some key aspects of the scholarship:

– A full-fee-waiver scholarship for three years for UK, EU or Overseas
students;
– Application requirements:
1. Formal online application through the university
2. Email to the Graduate School of Administrator
3. Research proposal and a portfolio of previous work to Lead Supervisor
(Dr Suk-Jun Kim)
– Deadline of applications: *Friday 6 June 2014*

Candidates are welcome to contact me to discuss their ideas or submit a
preliminary draft proposal.

Best regards,
Jun

=======

Suk-Jun Kim, PhD
Programme Coordinator, MMus in Sonic Arts
Lecturer in Electroacoustic Music and Sound Art
University of Aberdeen
MacRobert Building, King’s College
Aberdeen AB24 5UA, Scotland UK

LEICESTER – SSSP 2014 Conference 18-20 June 2014

Subject: SSSP 2014 Conference 18-20 June 2014
Date: Tue, 20 May 2014
From: Rossiter, Martine Louise

Apologies for Cross-Posting

Dear Colleague,

We would like to bring to your attention, the SSSP (Sound, Sight, Space
and Play) conference that is taking place at De Montfort University
18-20 June 2014 .
The conference is ran by postgraduate students in the MTIRL (Music,
Technology and Innovation Research Centre) and is primarily aimed at
postgraduates in the field of sonic art and electroacoustic music,
although all are welcome to participate.

This years event features a wide range of research papers with keynotes
by: Norah Lorway (University of Birmingham), Tullis Rennie (SARC) and
Lelio Camilleri (GB Martini
Conservatory of Music). There are also installations to be seen
alongside two concerts, an algorave and a listening room.

We are pleased to announce that registration is now open at the
following link:
http://store.dmu.ac.uk/browse/product.asp?compid=1&modid=1&catid=190

An early bird rate of £35 will be avaliable until 9 June 2014
. Thereafter the
standard rate of £45 will apply.
Further details about the conference as well as the preliminary schedule
can be viewed on the SSSP website:www.sssp.dmu.ac.uk
.

Please feel free to disseminate widely. Thank you.

Best wishes,

SSSP 2014

FRANKFURT – CD-Veröffentlichung

Subject: FRANKFURT CD-Veröffentlichung
Date: Tue, 20 May 2014
From: Julia Mihály

Das Elektronik-Duo CLUBbleu stellt seine CD „DARK ENERGY – frankfurt
album“ vor, welche in Kooperation mit dem historischen museum frankfurt
im Rahmen der Ausstellung „park in progress. Stadtlabor unterwegs in den
Wallanlagen“ entstanden ist.
Online steht das DARK ENERGY – frankfurt album bei bandcamp zur Verfügung

http://clubbleu.bandcamp.com/album/dark-energy-frankfurt-album

oder im CD-Format direkt über
info@clubbleu.de
sowie im historischen museum frankfurt.

DARK ENERGY ist eine Kompositionsreihe für eine ausgewählte Stadt,
analoge Synthesizer, E-Drums und Live-Elektronik.
Bezug nehmend auf Marc Augés /Vorüberlegungen zur Ethnologie der
Einsamkeit/ erforschen CLUBbleu den Klang einer Stadt anhand ihrer
Nicht-Orte.
Für die Kompositionsreihe DARK ENERGY haben CLUBbleu ein Verfahren
entwickelt, mit dem Klänge von Nicht-Orten, die im urbanen Klangspektrum
eine akustische Verschmutzung darstellen, recycelt werden.

Für das DARK ENERGY – frankfurt album recyceln CLUBbleu akustische
Abfallprodukte Frankfurter Nicht-Orte. Das hoch technisierte Klangspektrum
der Stadt Frankfurt am Main als Symbiose aus Natur- und
Motorengeräuschen wird in der kompositorischen Arbeit von CLUBbleu zum
Struktur bildenden
Element und zur musikalischen Grundlage ihres klanglichen und
rhythmischen Materials. Dafür haben CLUBbleu über ein Jahr lang Field
Recordings
in Frankfurt gesammelt. Während dieser akustischen Erforschung des
Klangkörpers Frankfurt beobachteten CLUBbleu einen eklatanten Querstand
visueller und auditiver Eindrücke und hinterfragen damit verbunden,
inwiefern urbane Plätze zu akustischen Nicht-Orten mutieren.
So kann sich beispielsweise ein Park, der als Raum öffentlicher
Naherholung zunächst als Ort eingestuft wird, akustisch gesehen in einen
Nicht-Ort verwandeln,
indem das Klangbild der Natur von Verkehrsgeräuschen überlagert wird.
CLUBbleu generieren aus ihren Field Recordings einen ganz einzigartigen
Frankfurt-Sound,
der sich zusammensetzt aus polymorphen Rhythmusstrukturen von
Schallwellen, die sich zwischen Hochhausfassaden brechen und auf die
Stadt verteilen,
Kreissägen und Hammerschlägen, Naturaufnahmen, Straßenbahnen, brachialen
ExplosionsgeräuschenEuropas bis dato größter Gebäude-Sprengung,
Unterwasserklängen des Mains, der wie ein natürlicher Bandpass-Filter
nur bestimmte Frequenzen des urbanen Gesamtklangs passieren lässt,
welche sich
mit Klängen von Schiffsschrauben und Strömungsgeräuschen zu einem
melodieartigen Frequenzband verbinden,und//vielen weiteren Soundscapes.
Die Neukontextualisierung von Nicht-Ort-Klängen innerhalb eines
musikalischen Gefüges ist Teil des Recyclingverfahrens von CLUBbleu,
ebenso wie das Sammeln von Klangmaterial, seiner klangsynthetischen
Aufbereitung und seiner Wiederverwertung in Form eines kompositorischen
Umgangs.

Weitere Informationen zu CLUBbleu:
Website: www.clubbleu.de
Facebook: https://www.facebook.com/clubbleu.performance
Twitter: https://twitter.com/CLUB_bleu

www.juliamihaly.net
tel: +49 (0)69 257 129 66
mobil: +49 (0)176 640 35 878

BERLIN – Concert – AUSREIHE Electronic Music Concert 07

Subject: Concert invitation in Berlin – AUSREIHE Electronic Music Concert 07
Date: Tue, 20 May 2014
From: ixddxk

AUSREIHE Electronic Music Concert 07
Signal-to-noise to noise in floating point
http://ausreihe.org/
fb https://www.facebook.com/events/869567493059436/

Saturday 24th May 2014
21:00 open / 22:00 start
at Alt Stralau 69, 10245 Berlin, Germany
6,-

Artists:
Luc Döbereiner (DE)
Ken Furudate (JP)
Daisuke Ishida (JP/DE)
Bernd Schurer (CH/DE)

Luc Döbereiner (DE)
Luc Döbereiner is a composer and researcher from Berlin. He studied at
the Institute of Sonology in The Hague and holds a doctoral degree from
the University of Music and Performing Arts Graz. His work is concerned
with compositional models and explores the relation of the materiality
and the ideality of sound in musical composition. His artistic practice
is constituted in the oscillation between aesthetic theory,
technological development, and compositional practice.
http://doebereiner.org

Ken Furudate (JP)
Artist, musician, started his career as a VJ and a noise musician in
2000. His activities are based on computer programming/media art. As a
visual programmer/technician, he participated in projects such as “La
Chambre Claire” a theatre work directed by Shiro TAKATANI, “This is how
you will disappear” a theatre work directed by Gisèle Vienne (music by
KTL), “LIFE – fluid, invisible, inaudible…” an installation by Ryuichi
SAKAMOTO and Shiro TAKATANI, and so on.
He is a founder of the sound art/community project The SINE WAVE
ORCHESTRA in 2002 with other three members and received the honorary
mention in digital music category of PRIX ARS ELECTRONICA 2004. The
project’s works were exhibited in international institutions such as
“International Contemporary Art Triennale YOKOHAMA 2005” (Japan), “Sonar
Sound Tokyo 2005” (Japan), “ART + COMMUNICATION 2006:WAVES” (Latvia),
Edith-Ruß-Haus für Medienkunst (Germany) and more.
He is also active as a musician and live visualist. The collaboration
piece with Reiko IMANISHI was shown at Sonar Sound Tokyo 2011.
Currently, he is preparing for a collaboration project with a
french/swedish/algerian musician Malika Makouf Rasmussen which will be
premiered in fall 2014.
http://ekran.jp/anagma/

Daisuke Ishida (JP/DE)
Daisuke Ishida is a Berlin based artist, working with sound and
contemporary media. He is interested in the consequence of artistic
praxis and theory in sound, space and perception. His multidisciplinary
research interest encloses areas such as acoustics, architecture,
auditory perception, computer music and other related fields.
Since 2012, he is teaching at The Berlin University of the Arts, UNI.K
Studio für Klangkunst und Klangforschung (Studio for Sound Art and Sound
Research) and the master’s course Sound Studies. He established
AUSREIHE, an independent organization committed to experimental
electronic/computer music since 2009. Together with Ken Furudate,
Kazuhiro Jo and Mizuki Noguchi, he founded The SINE WAVE ORCHESTRA in
2002, which received Honorary Mention in Digital Music category of the
Prix ARS Electronica 2004 and Stiftung Niedersachsen work stipends for
Media Art 2009 at Edith Russ Site for Media Art.
Daisuke Ishida has presented his artistic activities internationally
such as Ars Electronica (Austria), Arsenals of the Latvian National
Museum of Art (Latvia), deaf – Dutch Electronic Art Festival (The
Netherlands), Edith Russ Site for Media Art (Germany), ICC –
InterCommunication Center (Japan), Interferenze New Arts Festival
(Italy), International Triennale of Contemporary Art Yokohama (Japan),
ISEA – Inter-Society for the Electronic Arts (USA), MART – Museum of
Art, Rovereto and Trento (Italy), MOT – Museum of Contemporary Art Tokyo
(Japan), Singuhr Hoergalerie (Germany), SMT – Sendai Mediatheque
(Japan), Steim (The Netherlands), Transmediale (Germany) and YCAM –
Yamaguchi Center for Arts and Media (Japan).
http://isddsk.com

Bernd Schurer (CH/DE)
Bernd Schurer is a forward-thinking experimental multidisciplinary
artist, musician and curator with a background that comes from
conceptual art practices, noise, electroacoustic- and radical computer-
music. His work discards all formal habits commonly associated to
conventional categorization in favor of highly subjective aesthetic
idiosyncrasies. Particularly involved in the artistic research on
psychoacoustics, spatialization and computational algorithmic art, he
focuses on perceptual realizations of these phenomenological
implications in his works.
Schurer (born 1970, Zürich, Switzerland, based in Berlin, Germany)
studied Philosophy and Filmsciences at the University Zürich, and Fine
Arts at the University of Applied Sciences and Arts, Lucerne. He has
given a multitude of audio presentations and concerts internationally
since the late 1980’s, as well as installation- and digital media
artworks, most notably at Documenta 12 and the Venice Art Biennial 2007,
as part of his long-standing collaboration with swiss artist Yves
Netzhammer.
He established the independent music label „domizil“ in 1996, which is
now run by co-founder Marcus Maeder. Apart from having been a member of
avant-drone-metal outfit „soil“ and his current electronic music project
„eNeN“, he is very active in the field of scoring music to motion pictures.
http://domizil.ch | http://heterophenomenological.net

Previous concerts:
06 – Voice: Tomomi Adachi (JP), AGF (DE), David Moss (USA) and Mat Pogo (IT)
05 – Turntable and its creation: DJ Sniff (JP), Martin Lorenz (CH),
Semerssuaq [WJ Meatball + JD Zazie] (IT), Vinyl-Terror & -Horror (DK)
and JanZimmermann (DE)
04 – Lee Gamble (UK), Daisuke Ishida (JP/DE), Yutaka Makino (JP), Bernd
Schurer (CH) and Martin Supper (DE)
03 – Alberto De Campo (AT), DJ Sniff (JP), EVOL (ES), Suk-Jun Kim (KR)
and Kaffe Matthews (UK)
02 – Lee Gamble (UK) and Heatsick (UK)
01 – Rashad Becker (DE), Daisuke Ishida (JP) and Yutaka Makino (JP)
AUSREIHE is an independent organization dedicated to experimental
electronic/computer music, founded in Berlin, Germany 2009.

AUSREIHE
http://ausreihe.org/

AUSSCHREIBUNG – Stipendien im Künstlerhof Schreyahn

Von: Axel Kahrs
Datum: Tue, 20 May 2014
Betreff: Stipendien im Künstlerhof Schreyahn

Literatur- und Musikstipendien 2015 – 2016 in der niedersächsischen
Stipendiatenstätte Künstlerhof Schreyahn (Wendland)

Die Stipendiatenstätte Künstlerhof Schreyahn vergibt in diesem Jahr
wieder mehrere Literatur- und Musikstipendien für den Zeitraum Anfang
2015 bis Ende 2016. Es handelt sich dabei (ihr wisst es sicher noch) um
Aufenthaltsstipendien von wahlweise drei, sechs oder neun Monaten mit
einer Förderung in Höhe von 1.400 € pro Monat und freiem Wohnen in einem
der Ateliers auf dem ehemaligen Bauernhof im Rundlingsdorf Schreyahn,
das im Hannoverschen Wendland (Landkreis Lüchow-Dannenberg / östliches
Niedersachsen, Elberaum) liegt.

Der Künstlerhof existiert seit 1980 und hat sich im Kulturbetrieb einen
guten Ruf erworben. Zahlreiche Texte und Kompositionen sind in und zum
Ort, das Umfeld, die dortige Kulturlandschaft entstanden und wurden
veröffentlicht bzw. aufgeführt. Im Frühjahr findet der „Schreyahner
Bücherfrühling“ statt, ergänzt durch weitere Konzerte, Lesungen und
Tagungen („Abend der Stipendiaten“). Mit der Universität Lüneburg
besteht ein Kooperationsabkommen (Literatur-Seminare im Künstlerhof).
Zur Zeit sind die Rundlingsdörfer wie Schreyahn aussichtsreiche
Kandidaten für das UNESCO-Weltkulturerbe!

Der Künstlerhof liegt in landschaftlich reizvoller Lage, er verfügt über
mehrere Tagungsräume und moderne Kommunikationsmittel, ein Archiv und
die Adam-Seide-Bibliothek mit ca. 7.000 Bänden zur deutschen Kultur. Die
Nicolas Born-Stiftung mit dem Schwerpunkt Literaturförderung hat hier
ihren Sitz.

Weitere Informationen (wie die Liste aller bisherigen Stipendiaten,
Werkproben, Lageskizzen und Veranstaltungskalender)
www.kuenstlerhof-schreyahn.de

Ansprechpartner (Vivian Rossau als Leiterin und Sandra Schulz als
Fachfrau in der Verwaltung) und
Unterlagen (Download-Formular) sowie die
Bedingungen für eine Bewerbung.

Bewerbungsschluss ist der 30. Juni 2014

AUSSCHREIBUNG – ANTICIPATED TEACHING POSITION IN MUSIC TECHNOLOGY [2]

From: Sandy Ferrell-Neal
Subject: ICMA – International Computer Music Association
ANTICIPATED TEACHING POSITION IN MUSIC TECHNOLOGY
Date: May 17, 2014

ANTICIPATED TEACHING POSITION IN MUSIC TECHNOLOGY

Pending final approval of funding, the Center for Music Technology in
the Department of Music at the University of Central Missouri
anticipates hiring a full-time, non-tenure track lecturer in music
technology for the 2014-15 academic year. This is a
one-year/nine-month position that may be renewed in successive years,
depending on the needs of the department and available funds.

Anticipated start date: August 1, 2014

Duties to include:
1. Teaching four courses per semester in the music technology sequence
and/or other areas in the candidate’s field(s) of expertise, in
keeping with the department’s needs.

2. Assisting with the supervision and maintenance of the Center for
Music Technology’s facilities and equipment.

3. Supervising and coordinating students tasked with recording
recitals and supporting other departmental technology needs.

4. Participating in the activities of the Center for Music Technology
as a collaborator, composer, performer, audio engineer/technician, or
otherwise, within the candidate’s qualifications and interests.

Minimum qualifications:
Master’s degree in music technology or related fields (e.g. music
composition). Experience and interest in working in classical,
commercial/popular, and experimental genres of music. Broad experience
with audio engineering and production. Experience with live sound
reinforcement, including system design as well as operation. Evidence
of successful college/university-level teaching. Thorough command of
current versions of Pro Tools, Logic, and Finale.

Desired qualifications:
Doctoral degree in music technology or related fields (e.g. music
composition). Broad experience with electroacoustic composition.
Fluency with Max, Ableton Live, and other common music production and
electroacoustic composition software applications. Experience
integrating live performance with electroacoustic music (e.g.
interactive computer music, laptop performance, live coding, live
diffusion, motion tracking, new interfaces). Experience with sound
design, audio for game, and audio for video/film a plus. Experience
with collaborating across disciplines a plus. Ability to teach courses
in other areas of departmental need a plus.

Salary and benefits:
Salary range $35,000 – 41,000, depending on qualifications. Full
benefits package. Office space, computer, and full access to the
Center for Music Technology facilities provided.

About UCM, the Department of Music, and the Center for Music Technology:
The University of Central Missouri’s main campus is located in
Warrensburg, MO, a community of approximately 19,000 residents, 50
miles east/southeast of Kansas City. Nearly 12,000 undergraduate and
graduate students are enrolled in more than 150 programs of study.
Student life is varied and vibrant, with 200 student organizations,
strong intramural and club sports, championship NCAA Division II
athletics, 22 Greek organizations, and ample residence halls. The arts
are particularly strong, with
outstanding theater and art & design departments, complementing the
Department of Music.

The Department of Music at UCM offers B.A., B.M. (emphases in
Performance, Music Technology, Piano Pedagogy, and Jazz & Commercial
Music), B.M.E., and M.A. degrees (emphases in Conducting, History &
Literature, Kodaly, Performance, Piano Pedagogy, and Theory &
Composition). The University is fully accredited by the National
Association of Schools of Music, the North Central Association, and
the National Council for Accreditation of Teacher Education. The
department is housed in two buildings and includes a 385-seat recital
hall. A 1300-seat concert hall is located in conjoining Hendricks
Hall. The Department of Music is the third-largest in Missouri, and
the state’s first All-Steinway School, with twenty-two full-time and
seven adjunct faculty, and approximately 280 music majors. See web
site at UCMmusic.com .

The Center for Music Technology at UCM is home to the nationally
recognized B.M. in Music Technology degree program. Comprising two
recording studios, a computer lab, an electronic composition studio,
and extensive live event technology—including a permanently-installed
8.4 Meyer Sound Labs diffusion system in the primary recital hall—the
Center’s facilities are comprehensive and able to provide support for
a wide variety of projects in music technology. UCM is designated as
Missouri’s lead institution for applied and professional technology,
providing significant administrative support for the Center for Music
Technology. The music technology degree program at UCM focuses on
audio production and live sound reinforcement, augmented with a wide
variety of opportunities for students to explore and take courses in
computer music, composition, sound design, live performance of
electroacoustic music, jazz/commercial music, and other related topics.

If you are interested in being considered for the position, please
send a cover letter and current CV via email to Eric Honour, director
of the Center for Music Technology:

honour@ucmo.edu

While there is no deadline on submitting materials, we intend to move
forward with this hiring process as quickly as possible, assuming that
funding is approved. Applicants are encouraged to submit materials at
their earliest convenience. Please feel free to contact me if you have
any questions.

All best,
Eric Honour

Professor of Music
University of Central Missouri
honour@ucmo.edu

AUSSCHREIBUNG – ANTICIPATED TEACHING POSITION IN MUSIC TECHNOLOGY

From: Sandy Ferrell-Neal
Subject: ICMA – International Computer Music Association
ANTICIPATED TEACHING POSITION IN MUSIC TECHNOLOGY
Date: May 17, 2014

ANTICIPATED TEACHING POSITION IN MUSIC TECHNOLOGY

Pending final approval of funding, the Center for Music Technology in
the Department of Music at the University of Central Missouri
anticipates hiring a full-time, non-tenure track lecturer in music
technology for the 2014-15 academic year. This is a
one-year/nine-month position that may be renewed in successive years,
depending on the needs of the department and available funds.

Anticipated start date: August 1, 2014

Duties to include:
1. Teaching four courses per semester in the music technology sequence
and/or other areas in the candidate’s field(s) of expertise, in
keeping with the department’s needs.

2. Assisting with the supervision and maintenance of the Center for
Music Technology’s facilities and equipment.

3. Supervising and coordinating students tasked with recording
recitals and supporting other departmental technology needs.

4. Participating in the activities of the Center for Music Technology
as a collaborator, composer, performer, audio engineer/technician, or
otherwise, within the candidate’s qualifications and interests.

Minimum qualifications:
Master’s degree in music technology or related fields (e.g. music
composition). Experience and interest in working in classical,
commercial/popular, and experimental genres of music. Broad experience
with audio engineering and production. Experience with live sound
reinforcement, including system design as well as operation. Evidence
of successful college/university-level teaching. Thorough command of
current versions of Pro Tools, Logic, and Finale.

Desired qualifications:
Doctoral degree in music technology or related fields (e.g. music
composition). Broad experience with electroacoustic composition.
Fluency with Max, Ableton Live, and other common music production and
electroacoustic composition software applications. Experience
integrating live performance with electroacoustic music (e.g.
interactive computer music, laptop performance, live coding, live
diffusion, motion tracking, new interfaces). Experience with sound
design, audio for game, and audio for video/film a plus. Experience
with collaborating across disciplines a plus. Ability to teach courses
in other areas of departmental need a plus.

Salary and benefits:
Salary range $35,000 – 41,000, depending on qualifications. Full
benefits package. Office space, computer, and full access to the
Center for Music Technology facilities provided.

About UCM, the Department of Music, and the Center for Music Technology:
The University of Central Missouri’s main campus is located in
Warrensburg, MO, a community of approximately 19,000 residents, 50
miles east/southeast of Kansas City. Nearly 12,000 undergraduate and
graduate students are enrolled in more than 150 programs of study.
Student life is varied and vibrant, with 200 student organizations,
strong intramural and club sports, championship NCAA Division II
athletics, 22 Greek organizations, and ample residence halls. The arts
are particularly strong, with
outstanding theater and art & design departments, complementing the
Department of Music.

The Department of Music at UCM offers B.A., B.M. (emphases in
Performance, Music Technology, Piano Pedagogy, and Jazz & Commercial
Music), B.M.E., and M.A. degrees (emphases in Conducting, History &
Literature, Kodaly, Performance, Piano Pedagogy, and Theory &
Composition). The University is fully accredited by the National
Association of Schools of Music, the North Central Association, and
the National Council for Accreditation of Teacher Education. The
department is housed in two buildings and includes a 385-seat recital
hall. A 1300-seat concert hall is located in conjoining Hendricks
Hall. The Department of Music is the third-largest in Missouri, and
the state’s first All-Steinway School, with twenty-two full-time and
seven adjunct faculty, and approximately 280 music majors. See web
site at UCMmusic.com .

The Center for Music Technology at UCM is home to the nationally
recognized B.M. in Music Technology degree program. Comprising two
recording studios, a computer lab, an electronic composition studio,
and extensive live event technology—including a permanently-installed
8.4 Meyer Sound Labs diffusion system in the primary recital hall—the
Center’s facilities are comprehensive and able to provide support for
a wide variety of projects in music technology. UCM is designated as
Missouri’s lead institution for applied and professional technology,
providing significant administrative support for the Center for Music
Technology. The music technology degree program at UCM focuses on
audio production and live sound reinforcement, augmented with a wide
variety of opportunities for students to explore and take courses in
computer music, composition, sound design, live performance of
electroacoustic music, jazz/commercial music, and other related topics.

If you are interested in being considered for the position, please
send a cover letter and current CV via email to Eric Honour, director
of the Center for Music Technology:

honour@ucmo.edu

While there is no deadline on submitting materials, we intend to move
forward with this hiring process as quickly as possible, assuming that
funding is approved. Applicants are encouraged to submit materials at
their earliest convenience. Please feel free to contact me if you have
any questions.

All best,
Eric Honour

Professor of Music
University of Central Missouri
honour@ucmo.edu

BERLIN – Mi 21.5.2014 modern art ensemble „verschattet“

Subject: Mi 21.5.2014 modern art ensemble „verschattet“
Date: Tue, 20 May 2014
From: Thomas Gerwin

HERZLICHE EINLADUNG + HERZLICHE GRÜSSE!!

„verschattet“
modern art ensemble
Katia Guedes, Sopran
Mittwoch, 21.Mai, 20.00 Uhr
Theater in den Unterwelten, Brunnenstraße 143, BERLIN

Programm:
Luigi Nono: „Hay que caminar“ sognando Teil 1 und 2 (1989)
Walter Zimmermann: „Echoes/Umbrae Idearum“ (2000)
Jakub Sarwas: „Three O/1“ & „Three O/2“ (2005)
Susanne Stelzenbach:“associazione d’idee“ für Sopran und Flöte(n)
(2013/2014, UA, Kompositionsstipendium des Berliner Kultursenates)
Thomas Gerwin: „Klangwege“ (2014, UA, Auftrag des modern art ensembles)

Katia Guedes-Sopran, Klaus Schöpp-Flöte, Unolf Wäntig-Klarinette, Theodor
Flindell-Violine, Jean-Claude Velin-Violine und Viola, Matias de
Oliveira Pinto-Violoncello

Eintritt: 10,- (erm. 8,-)
Kartenreservierung: über Klaus Schöpp
telefonisch 030/81298140 oder per e-mail schoeppklaus@gmx.de

inter art project
KlangWelten ad hoc
Internationales Klangkunstfest Berlin

www.thomasgerwin.de

STUDIUM – Neues Studium Medienkomposition und Computermusik in Linz

Subject: Neues Studium Medienkomposition und Computermusik
in Linz
Date: Mon, 19 May 2014
From: Pysiewicz | TU Berlin

Medienkomposition und Computermusik neu an der Anton Bruckner
Privatuniversität Linz:

Die Anton Bruckner Privat Universität bietet ab Herbst 2014 neu als
Erweiterung der Studienmöglichkeiten „Medienkomposition und
Computermusik“ an, als Studienzweig im Rahmen des KBA-Studiums Komposition.

Aufnahmeprüfung: Link zu Aufnahmeprüfungsterminen

Anmeldung im Studienbüro:

Das vierjährige Studium (8 Semester) beinhaltet:

* Komposition Computermusik, intermediale Werke
* Performance Computermusik, Machine Musicianship
* Produktion und Programmieren

Kontakt:
Ao.Univ.Prof.Andreas Weixler, Computermusik Studio
a.weixler@bruckneruni.at

http://www.bruckneruni.at/Musik/Dirigieren-Komposition-Musiktheorie/Computer-Music-Studio/Studieninformation-Medienkomposition-und-Computermusik

beste Grüsse
Andreas Weixler

Ao.Univ.Prof. Mag. Andreas Weixler
Anton-Bruckner-Privatuniversität, Linz, Österreich
CMS – Computermusik Studio / MUM – Musik- und Medientechnologie
Institut DKM – Dirigieren, Komposition und Musiktheorie / Institut JIM –
Jazz und Improvisierte Musik

http://www.bruckneruni.at
http://avant.mur.at

STUDIUM – Music doctorate in research and composition

Subject: Music doctorate in research and composition
Date: Mon, 19 May 2014
From: Battier Marc

Announcement:

Music doctorate in research and composition

Application call : May 19 – June 16 2014

This doctorate is organized in collaboration with the Paris-Sorbonne
University, the Pierre et Marie Curie University (UMPC) and IRCAM.

Distinct from a doctorate in musicology, it is aimed at high-level
composers, holders of a Master’s degree (or of an equivalent diploma
accompanied with significant experience in composition), proposing in
particular projects integrating a technological dimension into the work
of composition and wanting to pursue a training program both as
composers and researchers. The diploma attests to the competence both as
composer (attested by the works produced at the end of studies) and as a
researcher via the presentation of a thesis.

Call and application at this address:

http://www.ulysses-network.eu/web/competitions/musicdoctorat/

Sincerely,

Marc Battier
Professeur
Musicologie, musique électroacoustique, informatique musicale (MINT)

Responsable du MINT, UMR 8223 Institut de recherche en musicologie
Co-directeur, Electroacoustic Music Studies Network
Directeur, Electroacoustic Music Studies Asia Network (EMSAN)

Université Paris-Sorbonne
Maison de la recherche
28, rue Serpente, F-75006 Paris
marc.battier@paris-sorbonne.fr
www.detaoma.com/Marc_Battier/

BERLIN – EM Hören: 22.05. – Christina Kubisch

Subject: EM Hören: 22.05. – Christina Kubisch
Date: Mon, 19 May 2014
From: Straebel | TU Berlin

EM Hören am Donnerstag, 22.05.2014 | 18:00 s.t.
http://www.ak.tu-berlin.de/emhoeren

Die Klangkünstlerin und Komponistin Christina Kubisch stellt jüngere
Arbeiten zwischen akustischem und elektromagnetischem Field Recording
vor. Sie spricht über raumbezogenes Arbeiten im Außenraum und
thematisiert das Verhältnis von Klanginstallation und Komposition.

http://www.christinakubisch.de

TU Berlin | Elektronisches Studio

Fachgebiet Audiokommunikation
http://www.ak.tu-berlin.de/studio

Einsteinufer 17c | E-N 324

10587 Berlin | Germany

Wegbeschreibung:
http://www.ak.tu-berlin.de/weg

U-Bahn Ernst-Reuter-Platz

S-Bahn Tiergarten

Elektroakustische Musik hörenist eine Veranstaltungsreihe des
Elektronischen Studios der TU Berlin. Während des Semesters jeweils
donnerstags um 18:00 Uhr.

Unsere Mailinglisten informieren über Veranstaltungen des Studios und
allgemeine Belange der Audiokommunikation:
http://www.ak.tu-berlin.de/menue/elektronisches_studio/mailingliste/

Zur freundlichen Beachtung übersandt von Volker Straebel

INTERNET – eContact! 15.4 — Videomusic (online)

Subject: eContact! 15.4 — Videomusic / Videomusique (online /
en ligne)
Date: Sun, 18 May 2014 12:36:23 +0300
From: CEC jef chippewa

eContact! 15.4 — Videomusic / Videomusique (online)

PRESS RELEASE — for immediate diffusion / pour diffusion immédiate
Please forward at large.

Communauté électroacoustique canadienne
(CEC) Canadian Electroacoustic Community

eContact! 15.4 — Videomusic / Vidéomusique
Overview of an Emerging Art Form / Aperçu d’une pratique artistique
émergente

Videomusic is a field of practice that could be seen as a subset of
visual music, a term which can be considered today to be familiar enough
to speak for itself. This broader area of artistic activity includes
digital work, cinema, painting and visual „instruments“, and dates back
at least to the 18th century. Editorial by Joseph Hyde (April 2014)
http://cec.sonus.ca/econtact/15_4

With: Kevin Austin, David Candler, Sergio Cervetti, Maxime
Corbeil-Perron, Stuart Cunningham, Mario Davidovsky, Alfredo Del Mónaco,
Francis Dhomont, Diego Garro, Bob Gluck, Joseph Hyde, Gary James Joynes,
alcides lanza, Julien-Robert Legault Salvail, Andrew Lewis, Maura
McDonnell, Jean Piché, Laurie Radford, Claudia Robles-Angel, Patrick
Saint-Denis, Edgar Valcárcel, Jonathan Weinel, Inés Wickmann, Nicolas Wiese.

eContact! 15.3 — CEC@25
The CEC’s 25th Anniversary Tour / Tournée 25e anniversaire de la CEC
http://cec.sonus.ca/econtact/15_3

TIES 2014 — Toronto International Electroacoustic Symposium (13-17 Aug)
http://www.facebook.com/events/484751998312109

Communauté électroacoustique canadienne (CEC) Canadian Electroacoustic
Community
http://cec.sonus.ca | mailto:cec@sonus.ca
http://FACEBOOK.com/cec.sonus | http://TWITTER.com/cec_ca

BRUSSELS – Upcoming concert

Subject: Upcoming concert BRUSSELS
Date: Sun, 18 May 2014 11:17:34 +0200
From: claudia robles

Dear friends and colleagues,

I would like to invite you to the screening of my Audiovisual
composition ZHONG at the:

FESTIVAL 2 VISAGES DE LA MUSIQUE ÉLECTROACOUSTIQUE – MUSIQUES & RECHERCHES

VIDÉOMUSIQUE – Wednesday 21th May, 2014.

Meeting and dialogue with the participant composers: 7 pm
Concert: 8 pm

ESPACE SENGHOR, CH. DE WAVRE 366 – B 1040 BRUXELLES

For those who are in Brussels or around, it would be nice to see you there!

Best wishes,

Claudia Robles

Claudia Robles Angel __

New Media/Audiovisual Artist & Curator of */NOMÁDES…/*

International Associate Curator: International Image Festival.

DEGEM News und Dada Mail

Liebe Abonnentin, lieber Abonnent der DEGEM News –

wie Ihnen wahrscheinlich aufgefallen ist, kam gestern ein großer Schwall
verspäteter DEGEM News an. Grund war ein „Festhängen“ einer alten Mail,
das zu diesem Stau geführt hat.

Dafür möchten wir uns entschuldigen — vor allem natürlich bei denen,
deren Mitteilung nun nicht rechtzeitig verschickt wurde.

Das Programm, mit dem wir die DEGEM News und DEGEM Discuss Verteiler
verwalten, heisst Dada Mail. Wir hoffen, dass es in Zukunft nicht zu
viel Dada in dieser Hinsicht geben wird …

Beste Grüße –

joachim heintz

PS Aus gegebenem Anlass nochmal der Hinweis: Wer eine Ankündigung hat,
schreibt bitte an news@degem.de.

ESSEN: Vortrag und Konzert mit Robert Henke [4]

Robert Henke, bekannt als Monolake, wird am 15.Mai mit seinem Projekt
“Dust” im ICEM der Folkwang Universität der Künste
im Rahmen der Reihe „ExMachine Werkstatt“ zu Gast sein.

Um 18 Uhr wird er im Kammermusiksaal über seine Arbeit sprechen und
anschließend dort sein Projekt “Dust” um 19:30 aufführen.
“Dust” beschäftigt sich mit Mehrkanal Granulasynthese, mehr Infos zu
Dust hier:

http://roberthenke.com/concerts/dust.html

Adresse:
Folkwang Universität der Künste
– Kammermusiksaal –
Klemensborn 39
45239 Essen

ESSEN: Vortrag und Konzert mit Robert Henke [3]

Robert Henke, bekannt als Monolake, wird am 15.Mai mit seinem Projekt
“Dust” im ICEM der Folkwang Universität der Künste
im Rahmen der Reihe „ExMachine Werkstatt“ zu Gast sein.

Um 18 Uhr wird er im Kammermusiksaal über seine Arbeit sprechen und
anschließend dort sein Projekt “Dust” um 19:30 aufführen.
“Dust” beschäftigt sich mit Mehrkanal Granulasynthese, mehr Infos zu
Dust hier:

http://roberthenke.com/concerts/dust.html

Adresse:
Folkwang Universität der Künste
– Kammermusiksaal –
Klemensborn 39
45239 Essen

ESSEN: Vortrag und Konzert mit Robert Henke [2]

Robert Henke, bekannt als Monolake, wird am 15.Mai mit seinem Projekt
“Dust” im ICEM der Folkwang Universität der Künste
im Rahmen der Reihe „ExMachine Werkstatt“ zu Gast sein.

Um 18 Uhr wird er im Kammermusiksaal über seine Arbeit sprechen und
anschließend dort sein Projekt “Dust” um 19:30 aufführen.
“Dust” beschäftigt sich mit Mehrkanal Granulasynthese, mehr Infos zu
Dust hier:

http://roberthenke.com/concerts/dust.html

Adresse:
Folkwang Universität der Künste
– Kammermusiksaal –
Klemensborn 39
45239 Essen

ESSEN: Vortrag und Konzert mit Robert Henke

Robert Henke, bekannt als Monolake, wird am 15.Mai mit seinem Projekt
“Dust” im ICEM der Folkwang Universität der Künste
im Rahmen der Reihe „ExMachine Werkstatt“ zu Gast sein.

Um 18 Uhr wird er im Kammermusiksaal über seine Arbeit sprechen und
anschließend dort sein Projekt “Dust” um 19:30 aufführen.
“Dust” beschäftigt sich mit Mehrkanal Granulasynthese, mehr Infos zu
Dust hier:

http://roberthenke.com/concerts/dust.html

Adresse:
Folkwang Universität der Künste
– Kammermusiksaal –
Klemensborn 39
45239 Essen

AUSSCHREIBUNG – Job posting: Audio Technology Position at American University

From: William Brent
Subject: Job posting: Audio Technology Position at American University
Date: May 13, 2014

American University College of Arts and Sciences Department of
Performing Arts Audio Technology Program
The Audio Technology Program in the College of Arts and Sciences at
American University invites applications for a full-time, one-year term
position as Program Director beginning Fall 2014. Applicants should have
the ability to teach courses in one or more of the following
specializations: music recording and production, live sound, sound for
film, sound synthesis, broadcast audio, and audio equipment and system
design. Program Director duties include course planning and program
leadership. Other responsibilities include student mentoring, graduate
capstone advising, and participation in departmental service activities.
Applicants must have significant professional experience. A graduate
degree in audio technology or a related discipline is required, PhD
preferred.

Send letter of application, C.V., and three letters of reference to:
Audio Technology Search, Department of Performing Arts/Katzen Center,
American University, 4400 Massachusetts Ave., NW, Washington, DC
20016-8053. Send electronic submissions to streeks@american.edu
(electronic submissions strongly encouraged). Applications will be
considered until position is filled.

American University is an Affirmative Action employer. All qualified
applicants will receive consideration for employment without regard to
race, color, religion, sex, national origin, disability, or protected
Veteran status. American University is a tobacco and smoke free campus.

BERLIN – DE/PT – As Coisas und andere Dinge, 21.5. 20:00, AckerStadtPalast

DE/PT
As Coisas und andere Dinge

Mittwoch, 21. Mai 2014, 20 Uhr
Acker Stadt Palast, Berlin

Im April 2014 jährte sich zum 40. Mal die Nelkenrevolution in Portugal, mit der die über 40 Jahre währende faschistische Salazar-Diktatur innerhalb weniger Tage nahezu unblutig beendet wurde.
Heute ist die seit jenem Zeitpunkt bestehende Demokratie in Portugal und anderen Staaten Europas durch die Folgen der Finanz- und Bankenkrise und die soziale und kulturelle Strukturen zerstörende aktuelle Austeritätspolitik der EU und des IWF wieder gefährdet.

Das Konzert widmet sich dem Thema Portugal mit jüngeren Werken portugiesischer Komponisten für Instrumente und Elektronik, interpretiert von Musikern aus Lissabon und Berlin sowie dem Klangtheater „As Coisas“ von Maria da Rocha und Andre Bartetzki nach einem Text von José Saramago.

Jaime Reis
Fluxus, Dimensionless Sound (UA 2012)
für Glissando-Flöte und Elektronik

Paulo Ferreira-Lopes
Three Short Pieces from The Darkness Book (2007)
für Saxophon und Live-Elektronik

Sofia Borges
Kein Wiegenlied (UA, 2014)
für Flöte, Saxophon, Violine und Elektronik

Sara Carvalho
The moon lost her name (DE 2007)
für Violine solo

Miguel Azguime
Soit Seul Sûr de Son (DE 2006)
für Violine (mit Live-Elektronik von Andre Bartetzki)

Maria da Rocha Gonçalves / Andre Bartetzki
As Coisas – ein Klangtheater nach José Saramago (UA, 2013)
für Violine, Objekte, Lautsprecher, Elektronik und Projektion

Meriel Price, Saxophon
Maria da Rocha Gonçalves, Violine
Erik Drescher, Flöte
Andre Bartetzki, Elektronik

Eintritt 8-15 € (je nach Vermögen)
Reservierungen unter:
karten@ackerstadtpalast.de
030-4410009

Acker Stadt Palast
Ackerstrasse 169/170
10115 Berlin
www.ackerstadtpalast.de

diese Veranstaltung wird gefördert von
INM – initiative neue musik berlin e.V.
http://www.inm-berlin.de

mit freundlicher Untertstützung durch
Centro de Investigação & Informação da Música Portuguesa
http://www.mic.pt

vielen Dank an das
Institut für mikrokosmische Raumforschung
http://mikrokosmischeraumforschung.com