Von: Kiezsalon by Digital in Berlin
Datum: Thu, 17 Oct 2024
Betreff: Finale Weekend → Kiezsalon x KCMD at Villa Elisabeth | Friday, 1 November
Click for more info:
https://degemnewsplus.blogspot.com/2024/10/fwd-finale-weekend-kiezsalon-x-kcmd-at.html
Von: Lepa, Steffen via ak discourse
Datum: Thu, 17 Oct 2024
Betreff: [ak-discourse] Call for Papers: Journal of Music Production Research (Inaugural Edition)
The Journal of Music Production Research (JMPR) is delighted to announce its call for papers for the inaugural edition. JMPR is a peer-reviewed academic journal dedicated to defining, exploring, analysing, and advancing scholarly discourse and practice in the multifaceted field of music production. With a primary focus on the artistic, technical, and innovative practices that shape the discipline, JMPR serves as a leading forum for rigorous research and critical inquiry at the intersection of technology, creativity, and industry practice.
We welcome submissions from scholars, practitioners, and industry professionals who contribute to the growing body of knowledge in music production. Research from all relevant methodologies and disciplines is encouraged, particularly on interdisciplinary approaches bridging the gap between music production’s scientific and artistic aspects.
Areas for consideration include, but are not limited to:
Technological Innovations: Studies on emerging and established tools, digital audio workstations, synthesisers, and hardware.
Production Techniques and Aesthetics: Analyses of sonic signatures, practice-based research on industry best practices, and innovative approaches to music production.
Psychoacoustic and Perceptual Studies: Investigations into the impact of production techniques on listener perception and emotional responses.
User Experience and Interface Design: Research on how user interfaces affect the production process and user satisfaction.
Industry Insights: Explorations of music production’s role within the broader music industry, including economic frameworks, copyright issues, and global production contexts.
Cultural and Social Perspectives: Explorations of how music production reflects and influences cultural and social practices, with a focus on the creative, technical, and methodological contributions to the field.
Pedagogical Developments: Discussions on curriculum design, teaching methodologies, and assessment strategies in music production education.
Musicological Analysis: In-depth examinations and interpretations of recorded music from a production perspective; sonic analysis and interpretation of recorded music.
Sustainability in Music Production: Research on environmentally conscious practices and sustainable methods.
Historical Perspectives: Studies on the evolution of music production techniques, equipment, and industry practices.
Please see the submission guideline document here.
Publisher: Intellect Books https://www.intellectbooks.com/
Important Dates:
Submission Deadline: February 14th, 2025 (end of day)
Planned Publication: Autumn 2025
Submissions and inquiries should be directed to Mike Alleyne (Mike.Alleyne@mtsu.edu) and Austin Moore (a.p.moore@hud.ac.uk), the editors.
Here is a link to the CFP as a pdf:
https://drive.google.com/drive/u/0/folders/1liRdGtQbrnNGW-tJl5kI6ma8krKeXq5v
Von: HELLERAU – Europäisches Zentrum der Künste
Datum: Wed, 16 Oct 2024
Betreff: Keine Chance dem Herbst Blues!
Click for more info:
https://degemnewsplus.blogspot.com/2024/10/fwd-keine-chance-dem-herbst-blues.html
Von: Marc Behrens
Datum: Mon, 14 Oct 2024
Betreff: Marc Behrens News: Out of Sight – Invisible Frankfurt
|
Von: Sinéad Jones via DEGEM News [Kontaktformular]
Datum: Fri, 11 Oct 2024
Betreff: Community of Practice Survey 2024 – Teaching Musicology in Higher Education – Deadline 18 October
…
Nachrichtentext:
Communities of Practice Survey
I am inviting you to complete the Communities of Practice Survey 2024 that will contribute to a study on the teaching, learning, and assessment of musicology (broadly defined) in higher education. This specific survey investigates the dimensions of situated learning and also serves as a consultation with communities of practice about potential future educational supports. The study is entitled ‚A Pedagogical Framework for the Teaching, Learning, and Assessment of Musicology in Higher Education: Towards A Transformative Model‘. Here is the link to the survey – https://eu.surveymonkey.com/r/JonesTCDCommunitiesOfPracticeSurvey2024
The most important section is page 6 – The Consultation.
If you can try to get it done by the deadline of 12-14 October, please do so! I can try to stretch the deadline to 18 October but it’s well beyond the limits.
This survey must be completed by Founders, Co-Founders, Presidents, Vice-Presidents, Education, Community, and Outreach Officers and leaders within specific Communities of Practice, that relate to music and musicology (broadly defined). It can be completed by more than one person within a leadership role within the Community of Practice. Thus, it will accept multiple entries by the same community of practice. I would appreciate it if you could share it with relevant communities of practice.
Communities of Practice include for example, Societies, Associations, Study Groups, Forums, and Unions of Musicologists, Music Analysts, Music Theorists, Higher Education Music Educators, Composers, Music Technologists, and Postdoctoral and Postgraduate Music Students.
I look forward to your valuable contributions.
For more information on the study – https://hermusicology.blogspot.com/2024/10/the-week-ahead.html
Consent Form
Please complete the Informed Consent Form here: https://forms.gle/61akzwLX29WCpHj89
The Study’s other surveys Cultural Institutions Survey 2024 – https://eu.surveymonkey.com/r/Cultural-Institutions-Survey-TCD2024
Musicologists University Module Descriptor Survey -https://hermusicology.blogspot.com/2024/09/module-descriptors.html?m=1
Kind Regards,
Sinead Jones (Postgraduate/Principal Researcher)
TCD School of Education.
…
Von: Christina Kubisch
Datum: Fri, 11 Oct 2024
Betreff: ZKM concert
Click for more info:
https://degemnewsplus.blogspot.com/2024/10/karlsruhe-zkm-concert-christina-kubisch.html
Von: Institute of Sonology
Datum: Wed, 9 Oct 2024
Betreff: Sonology Discussion Concert 1, 16 Oct, 19h, Conservatoriumzaal
Click for more info:
https://degemnewsplus.blogspot.com/2024/10/den-haag-sonology-discussion-concert-1.html
Von: Martin Supper
Datum: Tue, 8 Oct 2024
Betreff: Call for submissions – Organised Sound – ‚Sound, Music and Technology in Latin America‘
ORGANISED SOUND
Call for Submissions – Volume 31, Number 1
Issue thematic title: Sound, Music and Technology in Latin American
Date of Publication: April 2026
Publisher: Cambridge University Press
Issue co-ordinators: Raúl Minsburg (rminsburg@untref.edu.arg) and Rodrigo Sigal (rodrigo@cmmas.org)
Deadline for submission: 14 May 2025
Sound, Music and Technology in Latin American
Latin America has a long and vast tradition of artistic creation and research with respect to sound and music with electronic technologies. From the first electroacoustic pieces composed in the late 50s to the more recent new approaches in sound art, a rich history and repertory has developed of works involving various aesthetics and resources. Latin American research in this field has been improved and strengthened with the emergence of different types of institutions including CMMAS, Centro Mexicano para la Música y las Artes Sonoras – which has been active for 20 years – and the more recent master’s programme in Art and Sound Studies at the National University of Tres de Febrero in Buenos Aires, Argentina. This vitality is also reflected by numerous and diverse initiatives leading toward an ever-increasing number of publications – papers, articles and books – as well as festivals and net labels in Latin America.
However, an asymmetrical situation can be observed, where most books or articles written in English have very few references (frequently none) to publications written in Spanish, whereas Spanish texts include references to numerous sources in English. This asymmetry of information has led to the lack of a real dialogue between English and Spanish artists and researchers.
With the aim of opening a dialogue, based on mutual knowledge, we have proposed this issue of Organised Sound, suggesting a non-exhaustive choice of topics related to aspects or approaches that are frequently discussed or analysed in Spanish, but which are under-represented in English language research literature.
Topics for consideration include:
Acousmatic and electroacoustic music and sound art in Latin America: historic, musicological and sonological approaches.
Arts, technologies, aesthetics and education: How sound-based art is and has been used as an educational or research tool in Latin America and beyond.
Current, past and future practices of sound-based creativity in Latin America.
The listening experience from a Latin-American perspective.
The evolution of creative sound tools: reimagining sound organisation through unconventional technologies in Latin America.
Rethinking the field of electroacoustic music studies through sound heritage, identities and transdisciplinary approaches – going beyond geographical borders.
Investigations of the impulses and inspirations behind the sonic works of Latin American artists.
Furthermore, as always, submissions unrelated to the theme but relevant to the journal’s areas of focus are always welcome.
Please note that Organised Sound seeks submissions that are issue-driven and of relevance to the journal’s readership. It neither seeks artists’ statements or work/project descriptions without an underlying central question and broad contextualisation.
—
SUBMISSION DEADLINE: 14 May 2025
SUBMISSION FORMAT:
Notes for Contributors including how to submit on Scholar One and further details can be obtained from the inside back cover of published issues of Organised Sound or at the following url: https://www.cambridge.org/core/journals/organised-sound/information/author-instructions/preparing-your-materials.
General queries should be sent to: os@dmu.ac.uk, not to the guest editors.
Accepted articles will be published online via FirstView after copy editing prior to the full issue’s publication.
Editor: Leigh Landy; Associate Editor: James Andean
Founding Editors: Ross Kirk, Tony Myatt and Richard Orton†
Regional Editors: Liu Yen-Ling (Annie), Dugal McKinnon, Raúl Minsburg, Jøran Rudi, Margaret Schedel, Barry Truax
International Editorial Board: Miriam Akkermann, Marc Battier, Manuella Blackburn, Brian Bridges, Alessandro Cipriani, Ricardo Dal Farra, Simon Emmerson, Kenneth Fields, Rajmil Fischman, Kerry Hagan, Eduardo Miranda, Garth Paine, Mary Simoni, Martin Supper, Daniel Teruggi, Ian Whalley, David Worrall, Lonce Wyse
Von: Akademie der Künste
Datum: Mon, 7 Oct 2024
Betreff: Newsletter Oktober | Akademie der Künste
Click for more info:
https://degemnewsplus.blogspot.com/2024/10/fwd-newsletter-oktober-akademie-der.html
Von: Hannes Teichmann
Datum: Mon, 7 Oct 2024
Betreff: Audiovisionen: Feedbackorchester + Takushi Minagawa w/ Munsha
nächste Woche ist meine Konzert-Reihe Audiovisionen wieder zu Gast in der Zwingli-Kirche, diesmal mit dem Feedbackorchester FBO und Takushi Minagwaa w/ Munsha.
Ebenso freue ich mich auf weitere Konzerte + Gäste im November hinzuweisen:
Marisol Jiménez, Korhan Erel, Adam Pultz Melbye und Barbara Morgenstern + Ensemble.
next week my concert series Audiovisionen will happen again in the Zwingli Church, this time with the Feedbackorchester FBO and Takushi Minagwaa w/ Munsha.
I am also happy to point on the further concerts + guests in November: Marisol Jiménez, Korhan Erel, Adam Pultz Melbye and Barbara Morgenstern + Ensemble.
Herzlich / warmly,
Hannes Teichmann
Audiovisionen / Gebrüder Teichmann / Kulturraum Zwingli-Kirche
17.Oktober
Audiovisionen: Feedbackorchester FBO (Album Release)
+ support by Takushi Minagawa w/ Munsha
20 Uhr / Kulturraum Zwingli-Kirche e.V. / am Rudolfplatz, Berlin
FB: https://www.facebook.com/events/1105313091202134/
VVK: https://www.koka36.de/audiovisionen-feedbackorchester-fbo_ticket_170193.html
Das Feedbackorchester FBO wurde 1999 in Berlin gegründet und besteht aus jeweils 8 E-Gitarristen, die ausschließlich mit Rückkoppelungen arbeiten. Die Musik des FBO ist einerseits sehr konzentriert und meditativ und besitzt trotzdem gleichzeitig eine sehr eindrückliche physische Präsenz. Es ist ein stetig und langsam vor sich hin walzender Strom von Vibrationen, Reibungen, auf- und abschwellenden Klangwänden, in denen sich Töne und Harmonien beständig anziehen, brechen und wiederfinden.
Das Orchester ist immer in einem Kreis aufgestellt, um einen möglichst engen Kontakt der Spieler sicherzustellen. Die Zuhörer können sich dabei frei um diesen Kreis herumbewegen und der Musik von der jeweils vorgezogenen Position aus zuhören.
Bespielt werden vornehmlich ungewöhnliche Orte mit speziellen akustischen, architektonischen oder sonstigen Besonderheiten, von einem festen Stab von Gitarristen, die in Berlin seit Jahrzehnten in verschiedensten Bands und Projekten Musik machen. Zum Beispiel Ziguri, Knochen=Girl, Midget, Golden Showers, Mutter, Schneider TM, Metabolismus, Ilse Lau und viele mehr.
Zu Audiovisionen in die Zwingli-Kirche kommt das FBO bereits zum zweiten mal – mit im Gitarrenkoffer: das neue Vinyl-Album „Live at Zwingli-Kirche“ (Edition Telemark / MirrorWorldMusic), welches zwischen den Corona Lockdowns am 27.08.2020 vor begeistertem Publikum aufgenommen wurde.
*(Foto: Udo Siegfriedt)
LP / DIGITAL Pre-order (ab 05.09.2024):
https://mirrorworldmusic.bandcamp.com/…/live-at-zwingli…
FBO home pages:
https://mirrorworldmusic.com/artists/feedbackorchester
https://www.fbo.illuminations.de
Support: Takushi Minagawa w/ Munsha
https://munsha.bandcamp.com/album/live-at-g-amorphq
Die musikalische Zusammenarbeit von Taksuhi Minagawa und Munsha ist eine dynamische Verschmelzung von Stimmen, die die Synergie von östlichem und westlichem musikalischen Hintergrund vereint und sowohl akademische Solidität als auch empirische Kreativität verbindet.
Ihre unverwechselbaren Stimmlagen vereinen sich zu eindringlichen Klanglandschaften, die sie mit einer Vielzahl von Gesangstechniken und komplexen musikalischen Ansätzen gestalten.
Ihre Darbietungen laden die Zuhörer in einen Raum ein, in dem Tradition auf Experimentelles trifft und das gesamte Spektrum von Klang und menschlicher Emotion erforscht wird.
Gemeinsam begeben sie sich auf eine fesselnde Entdeckungsreise, die die Grenzen der zeitgenössischen Musik erweitert.
Taksuhi Minagawa ist ein männlicher Sopranist, Komponist und zeitgenössischer Tänzer.
Munsha ist eine experimentelle Sängerin, Cellistin, Komponistin und Gesangslehrerin.
upcoming dates:
21. November – Audiovisionen: TRAVERSE
Marisol Jiménez / Korhan Erel / Adam Pultz Melbye
TRAVERSE, the concert, will present a series of electroacoustic compositions that serve as sonic reflections and catalysts for contemplation and collaboration between three Berlin-based artists who share a passion for electroacoustic sonic experimentation and improvisation: Marisol Jiménez,
Korhan Erel, and Adam Pultz Melbye.
FB: https://www.facebook.com/events/511985571539510/
VVK: https://www.koka36.de/audiovisionen-traverse_ticket_170222.html
+ ein weiteres Berlin Special Konzert:
08. November: Barbara Morgenstern + Ensemble
Einlass 18 / Beginn 19 Uhr
Barbara Morgenstern gehört seit über 20 Jahren zu den eigenständigsten Musiker:innen dieser Republik. Von der Berliner Wohnzimmer-Szene der 90er Jahre bis zu den preisgekrönten Theater-Produktionen mit Rimini-Protokoll der letzten Jahre, folgt sie stets ihrer inneren Stimme im ungebrochenen Glauben an die Magie der Musik.
Mehr als fünf Jahre nach „Unschuld & Verwüstung“ kehrte Barbara Morgenstern im Januar 2024 mit einem neuen Album zurück: „In anderem Licht“. Das kammermusikalische Doppel-Album erzählt von der drohenden Klima-Katastrophe, der Hoffnung auf notwendige, gesellschaftliche Transformations-Prozesse und einer möglichen Befreiung aus dem Zustand der allgemeinen Paralyse.
Zusammen mit ihrem mutigen Ensemble präsentiert Barbara Morgenstern ihr wundervoll entrücktes, somnambules Album nochmal in Berlin, im Kulturraum Zwingli-Kirche.
FB: https://www.facebook.com/events/3106952362787862/
VVK: https://www.koka36.de/barbara-morgenstern-u-ensemble_ticket_170200.html
…
Von: Viola Yip
Datum: Thu, 3 Oct 2024
Betreff: Transsonic in Berlin
Click for more info:
https://degemnewsplus.blogspot.com/2024/10/berlin-transsonic-in-berlin.html
Von: Lepa, Steffen via ak discourse
Datum: Mon, 30 Sep 2024
Betreff: [ak-discourse] Vacancies: Assistant Professor (non-tenure-track, 6 years) and PhD Student Researcher (4 years) at Johannes Kepler University Linz, Austria
Hi,
we are looking for an outstanding candidate to join our team at the
Institute of Computational Perception at the Johannes Kepler University
(JKU) Linz, Austria, a leading university in AI and ML research. This
position is at the Postdoc level and entails a full-time employment
(40h/week) for up to 6 years. A PhD degree in Computer Science,
Artificial Intelligence, or a related discipline is required.
Exceptional candidates who are in the final stages of completing their
PhD studies at the time of application are also encouraged to apply.
Our team at the Human-centered AI and Multimedia Mining and Search Group
(https://hcai.at) is dedicated to creating AI technology that puts the
human in the focus, still building on a solid technical foundation. We
conduct cutting-edge research on topics such as recommender systems,
multimedia information retrieval, natural language processing (including
LLMs), and trustworthy AI (focusing on fairness, explainability, and
privacy).
We offer a position for a duration of up to 6 years, starting in
December 2024 (or later), providing an excellent work environment, a
competitive salary, and comprehensive social security benefits.
If you possess a strong background in one or more of the aforementioned
areas, please contact Markus Schedl (markus.schedl@jku.at) and include
the following documents when applying:
* Detailed curriculum vitae
* List of publications
* List of teaching and supervision activities
* Certificates (including English translations)
* 1-2 articles (PDFs) you deem particularly strong or representative of
your research
* Statement of research interests (1-2 pages)
The official job announcement can be found at
https://karriere.jku.at/hcm/jobexchange/showJobOfferDetail.do?jobOfferId=8a7ec03e91d30dac0191da864f9b23a9&j
NOTE: We also have several positions as PhD Student Researchers in our
FWF-funded Cluster of Excellence Bilateral AI:
https://www.jku.at/lit-artificial-intelligence-lab/news-events/open-positions-cluster-of-excellence/
Please reach out to me for more details if you are interested in these.
Best,
Markus
—
Univ.-Prof. D.I. Mag. Dr. Markus Schedl
Institute of Computational Perception
Head of Multimedia Mining and Search Group
Linz Institute of Technology (LIT), AI Lab
Head of Human-centered AI Group
JOHANNES KEPLER
UNIVERSITY LINZ
Altenberger Strasse 69
4040 Linz, Austria
Office: Science Park 3, 4th Floor, Room 407
Phone: +43 732 2468 4716
Fax: +43 732 2468 4705
Mail: markus.schedl@jku.at
Web: http://www.mschedl.eu
http://www.cp.jku.at
https://www.hcai.at
https://scholar.google.com/citations?user=TQR8qIEAAAAJ
LinkedIn: https://www.linkedin.com/in/markus-schedl
Twitter/X: @m_schedl
Von: Lepa, Steffen via ak discourse
Datum: Tue, 17 Sep 2024
Betreff: [ak-discourse] Assistant or Associate professor position in Machine learning for Natural Language processing or Audio, speech music
Dear all,
We have several job opportunities at Telecom Paris, including two tenure associate professor positions in machine learning.
In particular, we have an Assistant or Associate professor position in Machine learning for Natural Language processing for
which we welcome applications in Machine learning for Audio, Speech or Music.
https://institutminestelecom.recruitee.com/l/en/o/assistantassociate-professor-in-machine-learning-for-natural-language-processing-cdi
Do not hesitate to contact me for further information.
Best,
Gaël.
PS: As a pre-announcement, we should also have in the coming months another position, which will be a tenure-track position in Generative AI. This position
should be announced shortly.
—
Prof. Gaël Richard
Scientific co-Director of Hi! PARIS (www.hi-paris.fr)
LTCI, Télécom Paris, Institut polytechnique de Paris
19 place Marguerite Perey
91120 Palaiseau, France
www.telecom-paris.fr/~grichard
tel: +33 (0) 1 75 31 96 60
Von: Matthias Entreß
Datum: Sun, 6 Oct 2024
Betreff: Fwd: Radiotipp: Oper der Avantgarde – Deutschlandfunk Kultur am Montagabend 5 nach 12 (nominell 8.10., um 0.05 Uhr)
Avantgarde auf der großen Bühne
Innovative Opernkonzepte im gegenwärtigen Musiktheater
Ein Radioessay von Matthias Richard EntreßNeue Musik-Konzepte gibt es viele, aber in der Oper kommt die innovative Flut kaum an. Wo bleibt die Utopie eines neuen Musiktheaters?
Die Vielfalt der musikalischen Konzepte in der Neuen Musik spiegelt sich in den durchaus modernen Spielplänen der großen Opernhäuser kaum wider. Es dominiert die Vertonung von Theaterstücken, was die Musik zur Begleitung degradiert und die Interdependenz aller künstlerischen Mittel leugnet. Anhand einiger aktueller und zukünftiger Beispiele und zahlreicher Interviews stellt die Sendung das Genre „Gesamtkunstwerk” vor, in denen das revolutionäre Potenzial der jeweiligen Musik adäquate Bühnen- und Wahrnehmungskonzepte erzwingt.
Mit Statements von Detlev Giese (Dramaturg, Staatsoper Berlin), Jeffrey Ching (Komponist), Chaya Czernowin (Komponistin), Daniel Ott (Komponist, Prof. für Experimentelles Musiktheater, UdK), Roland Pfrengle (Komponist), Roberto Rusconi (Komponist, Klangkünstler), Sabrina Hölzer (Regisseurin), Achim Freyer (Regisseur)
Die Sendung ist live über Kabel, UKW, DAB+ und Livestream zu empfangen und wird danach für mindestens einen Monat in der Neue-Musik-Mediathek abrufbar sein:https://www.deutschlandfunkkultur.de/neue-musik-100.html
Ich würde mich freuen, Sie zu meinen Hörern zählen zu können.
Herzliche Grüße
Ihr
Matthias Entreß
-- Matthias R. Entreß Journalist / Musikkurator T 030-749 211 39 M 01522-864 2294 entresz@gmx.de www.entresz.de
Von: Johannes S. Sistermanns
Datum: Fri, 27 Sep 2024
Betreff: SWR2 KULTUR Radio ‚Immer jetzt‘ / WIEN Festival shut up and listen! ‚un ent los‘
Click for more info:
https://degemnewsplus.blogspot.com/2024/09/fwd-swr2-kultur-radio-immer-jetzt-wien.html
Von: Thomas Hansen
Datum: Mon, 16 Sep 2024
Betreff: …
…
Liebe Freunde schöner Musik,
ich möchte auf ein Konzert mit Elektronischer Musik am 05.10.24 in der
Steinhalle Emmendingen hinweisen. Zu hören sein wird u.a. eine
Aufführung meiner Stücke „fast wie gemalt“ und „danke danke“.
Veranstaltungsort: Steinhalle Emmendingen
Uhrzeit: 15.00 – 18.30
https://tourismus.emmendingen.de/emmendingen-region/veranstaltungskalender/5203/klingende-steinhalle
Von: Ute Wassermann
Datum: Sun, 15 Sep 2024
Betreff: Newsletter 07/24
Click for more info:
https://degemnewsplus.blogspot.com/2024/09/fwd-newsletter-0724-ute-wassermann.html
Von: Institute of Sonology
Datum: Fri, 13 Sep 2024
Betreff: Konrad Boehmer memorial concert, 4 October 2024
Click for more info:
https://degemnewsplus.blogspot.com/2024/09/den-haag-konrad-boehmer-memorial.html
Von: Lepa, Steffen via ak discourse
Datum: Fri, 13 Sep 2024
Betreff: [ak-discourse] Call for Papers – EvoMusArt 2025 – 14th International Conference on Artificial Intelligence in Music, Sound, Art and Design
–
Call for papers for the 14th International Conference on Artificial Intelligence in Music, Sound, Art and Design (EvoMUSART) · Please distribute · Apologies for cross-posting
–
The 14th International Conference on Artificial Intelligence in Music, Sound, Art and Design (EvoMUSART) will take place on 23-25 April 2025, as part of the evo* event.
*EvoMUSART webpage: *www.evostar.org/2025/evomusart/
*Submission deadline: *1 November 2024
*Conference: *23-25 April 2024
EvoMUSART is a multidisciplinary conference that brings together researchers who are working on the application of Artificial Neural Networks, Evolutionary Computation, Swarm Intelligence, Cellular Automata, Alife, and other Artificial Intelligence techniques in creative and artistic fields such as Visual Art, Music, Architecture, Video, Digital Games, Poetry, or Design. This conference gives researchers in the field the opportunity to promote, present and discuss ongoing work in the area.
Submissions must be at most 14 pages long, excluding references, in Springer LNCS format. Each submission must be anonymized for a double-blind review process.
Accepted papers will be presented orally or as posters at the event and included in the EvoMUSART proceedings published by Springer Nature in a dedicated volume of the Lecture Notes in Computer Science series.
Indicative topics include but are not limited to:
* Systems that create drawings, images, animations, sculptures,
poetry, text, designs, webpages, buildings, etc.;
* Systems that create musical pieces, sounds, instruments, voices,
sound effects, sound analysis, etc.;
* Systems that create artefacts such as game content, architecture,
furniture, based on aesthetic and functional criteria;
* Robotic-based Evolutionary Art and Music;
* Other related artificial or generative techniques in the fields of
Computer Music, Computer Art, etc.
* Techniques for automatic fitness assignment;
* Systems in which an analysis or interpretation of the artworks is
used in conjunction with artificial intelligence techniques to
produce novel objects;
* Systems that resort to artificial intelligence approaches to perform
the analysis of image, music, sound, sculpture, or some other types
of artistic object or resource.
* Systems in which artificial intelligence is used to promote the
creativity of a human user;
* New ways of integrating the user in the evolutionary cycle;
* Analysis and evaluation of: the artistic potential of biologically
inspired art and music; the artistic processes inherent to these
approaches; the resulting artefacts;
* Collaborative distributed artificial art environments;
* Contextualisation of creative AI in cultural, economic, social,
political or ecological discourse;
* Computational Aesthetics, Experimental Aesthetics; Emotional
Response, Surprise, Novelty;
* Representation techniques;
* Surveys of the current state-of-the-art in the area; identification
of weaknesses and strengths; comparative analysis and classification;
* Validation methodologies;
* Studies on the applicability of these techniques to related areas;
* New models designed to promote the creative potential of
biologically inspired computation.
More information on the submission process and the topics of EvoMUSART: www.evostar.org/2025/evomusart/
*Flyer of EvoMUSART 2025: *http://www.evostar.org/2025/flyers/evomusart
…
Von: Digital in Berlin | News
Datum: Thu, 12 Sep 2024
Betreff: MADEIRADiG 2024 | 28.11—3.12.
Click for more info:
https://degemnewsplus.blogspot.com/2024/09/fwd-madeiradig-2024-2811312.html
