Autor: Michael Hoeldke

DEGEM News – FWD – GT News: Wura Samba + Gebr. Teichmann – Gudugudu EP / Teichmann + Soehne – Flows

Posted on by Michael Hoeldke

Von: Gebrüder Teichmann
Datum: Mon, 20 Nov 2023
Betreff: GT News: Wura Samba + Gebr. Teichmann – Gudugudu EP / Teichmann + Soehne – Flows

english below…

Liebe Weggefährten und Interessierte,

wir möchten Euch herzlich Grüssen und auf zwei neue Veröffentlichungen aufmerksam machen:

>> Wura Samba & Gebrüder Teichmann – Gudugudu EP (Noland Tracks)
preorder/ out on 24.11.23
https://wurasambagebruederteichmann.bandcamp.com/album/gudugudu

Den nigerianische Yoruba-Perkussionist und Sänger Wura Samba haben wir in Lagos im Rahmen des TEN-CITIES Projektes kennengelernt.
Voll Begeisterung, wie sich sein Yoruba-Trommeln und -Gesang und unsere analoge Live-Elektronik lebendig und tanzbar zusammenfügen, haben wir die Zusammenarbeit bis heute weitergeführt.
Nach Releases auf Soundway Records (V.A. – Ten Cities) und der „2 Cities / Berlin – Lagos“ EP auf NOLAND Tracks gabe es, kurz vor der Pandemie, auch die ersten Live-Shows als Trio.
Überglücklich sind wir nun über die neue EP und hoffen auf viele gemeinsame Auftritte im nächsten Jahr.

Gudugudu wird als Vinyl über WAS Word & Sound vertrieben und kann hier bestellt werden:
https://wordandsound.net/artist/Wura+Samba+%26+Gebr%C3%BCder+Teichmann

>> Teichmann + Soehne – Flows (Altin Village & Mine)
https://teichmannsoehne.bandcamp.com/album/flows

Gerade ist das erstes gemeinsame Album mit unserem Vater erschienen: Teichmann & Soehne – Flows.
Uli ist dieses Jahr 80 geworden, er ist leidenschaftlicher Multiinstrumentalist, Freejazzer und in vielen weiteren musikalischen Kulturen zu Hause.
Die Collage auf dem Cover stammt von unserer 2016 verstorbenen Mama Lu. Andi hat Linernotes geschrieben, die unsere Familiengeschichten in und als Teil alternativer Musiknischen zwischen Jazz, Punk, Elektronik und experimenteller Musik beleuchten. Hannes hat Aufnahmen der letzten zehn Jahre editiert und gemischt.
Das Artwork stammt auch bei diesem Release von Brenda Alamilla / www.beraldesign.com .
Flows ist beim wunderbaren Leipziger Label Altin Village & Mine erschienen und ist im Vertrieb von Morr Music.
Gemastered hat das Album Adrian von Ripka.
Wer sich beeilt kann auch noch ein Exemplar in blauem Vinyl ergattern.

Danke lieber Zündfunk / BR, fürs Album der Woche:
https://www.br.de/radio/bayern2/sendungen/zuendfunk/album-der-woche-teichmann-und-soehne-102.html

Wer uns live 2023 nochmal sehen möchte hat noch ein paar Gelegenheiten. Die Konzerttermine findet ihr im Anschluss.

Wer uns Live, oder DJ buchen möchte, kann gerne mit Mo Loschelder Kontakt aufnehmen: mo@media-loca.com

Wer Noland oder auch Festplatten Vinyls bestellen möchte, kann dies hier http://noland.fm/shop/ oder direkt mit uns in Kontakt treten über contact@noland.fm

Wir freuen uns,

Eure Teichis

Ps: Musik auf Vinyl ist auch ein wunderbares Weihnachtsgeschenk

> Upcoming concerts:

25.11.
Gebrüder Teichmann, Marja Burchard, Moritz Baumgärtner @ Beek, Hamburg

08.12.
Teichmann & Soehne Album Release Konzert @ Ostentor Kino, Regensburg (sold out)

21.12.
Teichmann & Soehne @ Unexpected Music Festival, Rote Sonne, München

___________________

Dear companions and interested parties,

We would like to draw your attention to two new releases.

Wura Samba & Gebrüder Teichmann – Gudugudu EP (Noland Tracks)
preorder/ out on 24.11.23
https://wurasambagebruederteichmann.bandcamp.com/album/gudugudu

The Nigerian Yoruba percussionist and singer Wura Samba and we met in Lagos as part of the TEN-CITIES project.
We were immediately impressed by how Wura Samba’s Yoruba drums and chants and our analog live electronics combined to create a lively and danceable sound.
After releases on Soundway Records (V.A. – Ten Cities) and the „2 Cities / Berlin – Lagos“ EP on NOLAND, we started performing as a trio shortly before the pandemic.
Now we are looking forward to the long-awaited new EP and to performing together next year.
Gudugudu is distributed by WAS Word & Sound and can be ordered here:
https://wordandsound.net/artist/Wura+Samba+%26+Gebr%C3%BCder+Teichmann

Teichmann + Soehne – Flows (Altin Village & Mine)
https://teichmannsoehne.bandcamp.com/album/flows

Teichmann & Soehne: Flows has just been released, the first joint album with our father Uli.
The passionate multi-instrumentalist and free jazz musician turned 80 this year.
The collage on the cover is by our Mama Lu, who passed away in 2016, and Andi has written liner notes that
our family stories in and as part of alternative music niches between jazz, punk, electronic and experimental music.
Hannes has edited and mixed recordings from the last ten years.
Flows has been released by the wonderful Leipzig label Altin Village & Mine and is distributed by Morr Music.
The artwork for this release was also created by Brenda Alamilla www.beraldesign.com.
If you hurry, you can still get hold of a copy in colored vinyl.

If you want to see us live again in 2023, you still have a few opportunities. You can find the concert dates below.
If you would like to book us live or DJ, please contact Mo Loschelder: mo@media-loca.com
If you would like to order Noland or hard disk vinyls, you can do so here http://noland.fm/shop/ or contact us directly at contact@noland.fm

stay safe and sound,
your Teichis

Ps: Music on vinyl is also a wonderful Christmas present

> Upcoming concerts:

01.11.
Sustainable Listening #4 @ Staatsoper Unter den Linden, Berlin
Gebrüder Teichmann + Mitglieder der Staatskapelle

25.11.
Gebrüder Teichmann, Marja Burchard, Moritz Baumgärtner @ Beek, Hamburg

08.12.
Teichmann & Soehne Album Release Konzert @ Ostentor Kino, Regensburg (sold out)

21.12.
Teichmann & Soehne @ Unexpected Music Festival, Rote Sonne, München
…

DEGEM News – BERLIN – Handcrafted Tributes Festival

Posted on by Michael Hoeldke

Von: Schultze Stefan
Datum: Sun, 5 Nov 2023
Betreff: Handcrafted Tributes Festival

…
Handcrafted Tributes Festival & Album Release: The Buchla Suite / A Handcrafted Tribute To Morton Subotnick

16—18.11.2023
Studio Boerne | Börnestraße 43 in 13086 Berlin-Weißensee
16.11. artist talks, discussions and presentations
05:00 pm in conversation part 1: max loderbauer & stefan schultze large ensemble
06:00 pm in conversation part 2 florian zwißler & oxana omelchuck (organ & synthesizer)
07:00 pm in conversation part 3: richard scott & eliad wagner (modular synthesizer)
17.11. concert day 1
07:00 pm florian zwißler & oxana omelchuck (electronic organs & synthesizer)
08:00 pm richard scott (synthesizer), els vandeweyer (vib) & stefan schultze (piano)
09:00 pm rabih beaini (live-processing/ remix / electronics)
18.11. concert day 2
07:00 pm michael vorfeld (light bulbs & electronic devices) & elena kakaliagou (horn)
08:00 pm stefan schultze large ensemble & max loderbauer (modular synthesizer)
Stefan Schultze’s Large Ensemble consists Almut Kühne (vocals), Leonhard Huhn (alto saxophone), Peter Ehwald (tenor saxophone), Magnus Schriefl (trumpet), Elena Kakaliagou (horn), Roland Neffe (marimba), Els Vandeweyer (vibraphone), Peter Meyer (electric guitar), Felix Henkelhausen (double bass), Moritz Baumgärtner (drums), Christian Heck (loudspeaker), Stefan Schultze (piano, composition).

https://buchlasuite.com/#festival

Handcrafted Tributes Festival at Studio Boerne / 16—18.11.2023

Herzliche Grüße
Stefan Schultze

DEGEM News – FWD – [ak-discourse] Einladung zum Forschungskolloquium am 21.11.2023

Posted on by Michael Hoeldke

Von: Marc Voigt via ak discourse
Datum: Fri, 17 Nov 2023
Betreff: [ak-discourse] Einladung zum Forschungskolloquium am 21.11.2023

Liebe Freunde der Audiokommunikation,

am kommenden Dienstag, 21.11.2023, 16:00 Uhr im Raum EN 324 präsentiert Matthias Geier seine Forschungsarbeit zum Thema

„Describing Three-Dimensional Movements in an Audio Scene Authoring Format“.

Dazu möchten wir Sie herzlich einladen. Eine Kurzzusammenfassung finden Sie am Ende dieser E-Mail.

Der Zoom-Link für auswärtige Gäste lautet:
https://tu-berlin.zoom.us/j/65603959784?pwd=ZEs1SkVrbFJzZ0pXeG9TSGp3YkI3UT09
Meeting-ID: 656 0395 9784
Kenncode: 20231009

Mit herzlichen Grüßen
Marc Voigt & Stefan Weinzierl

—

Matthias Geier: Describing Three-Dimensional Movements in an Audio Scene Authoring Format

A new scene authoring format named Audio Scene Description Format
(ASDF) is presented. The syntax and functionality of the format is
shown by means of examples. The description of movement of scene
objects is based on polynomial splines for controlling positions and
on quaternion splines for controlling rotations. The properties of the
relevant types of splines are discussed. Finally, an open-source ASDF
library implementation and two integrations of this library are
presented.

—

Marc Voigt
IT-Administration

Technische Universität Berlin
Fakultät I – Geistes- und Bildungswissenschaften
Institut für Sprache und Kommunikation
Fachgebiet Audiokommunikation

Faculty I – Humanities and Educational Sciences
Institute of Speech and Communication
Audio Communication Group

Einsteinufer 17c, 10587 Berlin
GERMANY

Telefon: +49 (0)30 314-25557
Telefax: +49 (0)30 314-21143
marc.voigt@tu-berlin.de

www.tu.berlin/ak

DEGEM News – BERLIN – [ausland depesche] Pop mit spröden Lippen und heroische Experimente

Posted on by Michael Hoeldke

Von: weekly ausland newsletter
Datum: Thu, 16 Nov 2023
Betreff: [ausland depesche] Pop mit spröden Lippen und heroische Experimente

Liebe Liste,

unsere Reihe P(op)I(m)A(usland) geht in die letzte Runde in 2023,
VROUW! spielt Schlagzeug, Becken, Bass, Kontaktmikrofone, Schuhe,
selbstgebaute Synthesizer, Karten, Hüte, Stanniol- und Plastiktüten,
Schalen, Perlen, Fäden und endlose andere, sich ständig verändernde
verstärkte Objekte und nach längerer Zeit gastiert HEROINES OF SOUND,
heuer mit Performances von Viola Yip, Annie Aries und Heather Frasch.
Die kommenden Veranstaltungen im ausland en Detail:


--
    Fri, 17. November 2023 - 20:00
    PIA4/23: COSEY MUELLER, FRAU ZWEI, SPRÖDE LIPPEN
    PIA - pop im ausland

    The fourth edition of this year's PIA series puts an emphasis on
punkrock, DIY and LoFi aesthetics. We are looking forward to having
Cosey Mueller, Frau Zwei and Spröde Lippen with us.

    TICKETS: 10€ pre-sale, 12€ door-sale
    Pre-sale

    DOORS: 7 PM, SHOWS: 8 PM

    Follow PIA on Instagram for updates.


    https://ausland-berlin.de/pia423-cosey-mueller-frau-zwei-sprode-lippen


--
    Sun, 19. November 2023 - 20:00
    VROUW!

    with Dafne Narvaez Berlfein + Teresa Riemann & Asja Skrinik.
    A five-piece, all-female experimental ensemble formed in Amsterdam
and currently based in Berlin.
    https://ausland-berlin.de/vrouw


--
    Wed, 22. November 2023 - 19:30
    Heroines of Sound EDITION#6: YIP/ARIES/FRASCH

    VIOLA YIP, POETIC SUBJECTIVES (2023 / World Premiere)

    ANNIE ARIES, IT´S NOT QUIET IN THE VOID (2023 / German Premiere)

    HEATHER FRASCH, TEXTURAL STUDY NO 1. (2023)

    Doors: 07:30 pm

    First concert: 08:00 pm
    https://ausland-berlin.de/heroines-sound-edition6-yipariesfrasch


--
    Fri, 24. November 2023 - 20:00
    JUST ANOTHER BRUITAL NIGHT # VII

    Doors: 8.00 pm
Concert starts: 9.00 pm
    No presale  / Entrance 10 Eur

    - KIEW
    - FEINE TRINKER BEI PINKELS DAHEIM
    - SCREWED HAPPENSTANCE
    - BRAK
    - TDA_H
    https://ausland-berlin.de/just-another-bruital-night-vii


--
    Sat, 25. November 2023 - 20:30
    Hearth / Olaf Rupp
    biegungen im ausland

    Doors 20.30 Uhr | Concerts 21 Uhr | Tickets (AK | Box Office) € 10,--

    Hearth
    Kaja Draksler – piano
    Ada Rave – tenor saxophone, clarinet
    Mette Rasmussen – alto saxophone
    Susana Santos Silva – trumpet
    susanasantossilva.com/hearth

    Olaf Rupp – acoustic and electric guitar
    audiosemantics.de


    https://ausland-berlin.de/hearth-olaf-rupp


--
    Sun, 26. November 2023 - 10:00
    WORKSHOP: PORIFERAPOESIE UND SCHWAMMLITERATUR II

    Schwämme gehören zu den ältesten Lebewesen der Welt. Manche
Exemplare von ihnen leben schon seit über 10.000 Jahren. Sie bevölkern
und bewirten Flüsse und Seen, das flache Küstengewässer und die
Tiefsee, Karibik und Polarmeer. Und ebenfalls schon seit Jahrtausenden
schnappen Menschen nach Luft, um nach ihnen zu tauchen und sich diese
wundersamen Körper zu eigen machen. Wir wollen von Schwämmen und der
Beziehung Schwamm-Mensch lernen und uns inspirieren lassen. Im
Workshop bekommst du textliche, visuelle, haptische und klangliche
Impulse für Kurzprosa, Mini-Hörspiele und freien poetischen Text. Wir
schreiben vor Ort, in unserer ausland-Tauchstation, und teilen die
Texte in der Gruppe.
    https://ausland-berlin.de/workshop-poriferapoesie-und-schwammliteratur-ii


--
Wer mag, kommt gerne rum. Bis der Tage im


--
   ausland
   Lychener Str. 60
   10437 Berlin

S + U Bahn Schoenhauser Allee
Tram 12 Raumer Strasse
N 52 Eberswalder Str
+49 (0)30 44 77 008

_______________________________________________
ausland *depesche* https://ausland.berlin

To unsubscribe send an email to:

  depesche-leave@ausland-berlin.de

As an answer, you will receive an email with a
link to unsubscribe from this list.

DEGEM News – WEINGARTEN – Ausstellung „Bats and Insects“, Kunst-Raum-Akademie, 19.11. – 17.12.2023 Sabine Schäfer

Posted on by Michael Hoeldke

Von: Sabine Schäfer
Datum: Thu, 16 Nov 2023
Betreff: WEINGARTEN. Ausstellung „Bats and Insects“, Kunst-Raum-Akademie, 19.11. – 17.12.2023 Sabine Schäfer

…

Herzliche Einladung zur Ausstellung „Bats and Insects“ in der Kunst-Raum-Akademie Weingarten, mit einer neuen ortsspezifischen 8-Kanal-Raumklanginstallation.

Eure/Ihre
Sabine Schäfer

Weingarten. Akademie der Diözese Rottenburg-Stuttgart.
19.11.2023 – 17.12.2023

Bats and Insects

Audiovisuelle Installation und Solowerke von Sabine Schäfer und Rosemarie Vollmer
Bats´n´Insects Version Kunst-Raum-Akademie

Audiovisuelle Installation für ein Ensemble von acht Glas-Klang-Objekten

Interaktiven Grafiken mit Audio QR-Code und Augmented Reality.

–

Vernissage

So, 19.11.23, 11 Uhr

Vortrag „Die Rufe der Fledermäuse“, Dr. Annette Denzinger, Universität Tübingen

Ort
Akademie der Diözese Rottenburg-Stuttgart
Tagungshaus Weingarten
Kirchplatz 7

88250 Weingarten

Tel. 0751 5686-0

–

Dauer

So, 19.11. – So, 17.12.2023

Öffnungszeiten

Werktags von 9 bis 18 Uhr

Samstags und sonntags auf Anfrage

Weitere Informationen mit Interview der Künstlerinnen:

https://www.akademie-rs.de/tagungshaeuser/weingarten/kunst/veranstaltung-24660

ART – NATURE – SCIENCE – TECHNOLOGY

Sabine Schäfer Studio
Liegnitzer Str. 4 a/b
D-76139 Karlsruhe

Tel.: +49 – (0)721 – 684 514

Mobil: +49 – (0)1525 – 2187201

Email: sabine@sabineschaefer.de

Website: www.sabineschaefer.de

https://www.facebook.com/sabine.schafer.50702

https://www.instagram.com/sabineschaefer.art/

DEGEM News – DARMSTADT – JETZTMUSIK goes… Jubiläumskonzert

Posted on by Michael Hoeldke

Von: Monika Golla
Datum: Wed, 15 Nov 2023
Betreff: JETZTMUSIK goes… Jubiläumskonzert

10 Jahre JETZTMUSIK! Goes… Jubiläumskonzert
Samstag 18. November | 20:00 Uhr
JAZZINSTITUT Darmstadt, Bessunger Str. 88 d

Seit 2012 bereichern die JETZTMUSIK! Konzerte mit einer besonderen Konzeption und ungewöhnlichen Programmen das Musikleben in Darmstadt. Über Epochen und Genregrenzen hinweg präsentiert JETZTMUSIK! Veranstaltungen, die Musik in Improvisation und Komposition durch Klang und Multimedia ins Heute weiterführt. Zum 10 jährigen Bestehen findet nun in Kooperation mit dem Jazzinstitut Darmstadt das Jubiläumskonzert mit MusikerInnen statt, die sich im Bereich improvisierter Musik profiliert haben und auch aus JETZTMUSIK! Konzerten bekannt sind:

Christoph von Erffa I Violoncello

Lukas Grossmann I Klavier

Monika Golla I Samples | Video
Nikolaus Heyduck I Live Elektronik
Susanne Resch I Saxophon, Flöten
Vitold Rek I Kontrabass & Burkhard Kunkel I Bassklarinette



Wolfgang Schliemann I Schlagwerk


€15 | €10 | €3
Barrierefreier Zugang mit vorheriger Anmeldung möglich
Reservierungen: info@jetztmusik.de

Eine Veranstaltung von Jetztmusik! e.V. in Kooperation mit dem Jazzinstitut Darmstadt
***

DEGEM News – [ak-discourse] Youtube live feed for MIR Seminar @ IRCAM Thursday Nov 16

Posted on by Michael Hoeldke

Von: Lepa, Steffen via ak discourse
Datum: Tue, 14 Nov 2023
Betreff: [ak-discourse] Youtube live feed for MIR Seminar @ IRCAM Thursday Nov 16

Dear all,

for those who could not attend ISMIR this year or simply did not had enough, please find here the links for the youtube live feeds of a great MIR seminar hosted at IRCAM next Thursday (schedule according to Paris time zone):

– morning: https://youtube.com/live/kUSA2voSbzU

– afternoon: https://youtube.com/live/sGwiuGvHz0o

–

Program

10:00 Introduction

10:15 Gaël Richard : „Hybrid deep learning for music analysis and synthesis“

11:15 Rémi Mignot : „Invariance learning for a music indexing robust to sound modifications“

14:00 Rachel Bittner : „Basic Pitch: A lightweight model for multi-pitch, note and pitch bend estimations in polyphonic music“

15:00 Romain Hennequin : „Labeling a Large Music Catalog“

Abstracts

Gaël Richard : „Hybrid deep learning for music analysis and synthesis“

The access to ever-increasing super-computing facilities, combined with the availability of huge data repositories (although largely unannotated), has permitted the emergence of a significant trend with pure data-driven deep learning approaches. However, these methods only loosely take into account the nature and structure of the processed data. We believe that it is important to rather build hybrid deep learning methods by integrating our prior knowledge about the nature of the processed data, their generation process or if possible their perception by humans. We will illustrate the potential of such model-based deep learning approaches (or hybrid deep learning) for music analysis and synthesis.

Rémi Mignot : „Invariance learning for a music indexing robust to sound modifications“

Music indexing allows the finding of music excerpts among a large music catalog and the detection of duplicates. With the rise of social media, it is more and more important for music owners to detect misuse and illegal use of their music. The main difficulty of this task is the detection of music excerpts when they have been strongly modified, intentionnally or not. To deal with this issue, the presented method is based on an audio representation relevant to the music content and robust to some sound modifications. Then, using a data augmentation approach, a discriminant transformation is learnt to improve the robustness of the compact representation. Finally, a hash function is derived to allow a fast searching with a large catalog together with a robustness to bit corruption.

Rachel Bittner : „Basic Pitch: A lightweight model for multi-pitch, note and pitch bend estimations in polyphonic music“

„Basic-pitch“ is a lightweight neural network for musical instrument transcription, which supports polyphonic outputs and generalizes to a wide variety of instruments (including vocals). In this talk, we will discuss how we built and evaluated this efficient and simple model, which experimentally showed to be substantially better than a comparable baseline in detecting notes. The model is trained to jointly predict frame-wise onsets, multi-pitch and note activations, and we experimentally showed that this multi-output structure improves the resulting frame-level note accuracy. We will also listen to examples using (and misusing) this model for creative purposes, using our open-source python library, or demo website: thanks to its scalability, the model can run on the browser, and your audio doesn’t even leave your own computer.

Paper: https://arxiv.org/abs/2203.09893

Code: https://github.com/spotify/basic-pitch

Demo: https://basicpitch.spotify.com

Romain Hennequin : „Labeling a Large Music Catalog“

Music Streaming Services such as Deezer offer their users a catalog of tens of millions of songs. Navigating through such a vast catalog requires retrieving and organizing musical knowledge in an automated way using music information retrieval tools. Various music dimensions can be considered, such as music genre or moods, and all these dimensions come with ambiguities. The talk will describe common issues with labeling large music catalogs, how to deal with them, and the remaining challenges.

Bios

Gaël Richard is a Full Professor in audio signal processing at Telecom-Paris, Institut polytechnique de Paris and the scientific co-director of the Hi! PARIS interdisciplinary center on Artificial Intelligence and Data analytics. His research interests are mainly in the field of speech and audio signal processing and include topics such as signal models, source separation, machine learning methods for audio/music signals and music information retrieval. He received, in 2020, the Grand prize of IMT-National academy of science for his research contribution in sciences and technologies. In 2022, he is awarded of an advanced ERC grant of the European Union for a project on hybrid deep learning for audio (HI-Audio). He is a fellow member of IEEE.

Rémi Mignot is a tenured researcher at IRCAM (UMR STMS 9912) in Paris, France, member of the Analysis/Synthesis team. His research expertise focuses on machine learning and signal processing applied to audio processing and indexing. He received a PhD in Signal and Image Processing of Télécom ParisTech with IRCAM in 2009. Then, he did a first post-doctoral research in the Langevin Institut (ESPCI ParisTech and UPMC in Paris), where he studied the sampling of rooms impulses responses using Compressed Sensing; and a second post-doctoral research at Aalto University in Espoo, Finland, with a Marie Curie post-doctoral fellowship, where he worked on the sound synthesis of musical instruments based on an „Extended“ Subtractive Synthesis approach. In 2014 he came back at IRCAM to work on audio indexing and music information retrieval, and he has obtained a permanent position since 2018.

Rachel Bittner is a Research Manager at Spotify in Paris. Before Spotify, she worked at NASA Ames Research Center in the Human Factors division. She received her Ph.D. degree in music technology and digital signal processing from New York University. Before that, she did a Master’s degree in Mathematics at New York University, and a joint Bachelor’s degree in Music Performance and Math at UC Irvine. Her research interests include automatic music transcription, musical source separation, metrics, and dataset creation.

Romain Hennequin is a Research Scientist at Deezer, where he heads the researchers‘ team. He graduated in Computer Science from Ecole Polytechnique, UPMC (now Sorbonne Université), and Telecom Paris and earned a Ph.D. in signal processing from Telecom Paris. He has been working for more than 10 years in industrial research, addressing various topics such as source separation, music information retrieval, recommender systems, and graph mining.

Best,

Mathieu Lagrange

CNRS Researcher (HDR) (https://mathieulagrange.github.io)

on AI for Audio (https://audio.ls2n.fr)

Head of the SIMS team (https://sims.ls2n.fr)

LS2N, Campus Ecole Centrale de Nantes

1, rue de la Noë, 44321 Nantes, FRANCE

Zoom phone: +33 240 379 964

.

DEGEM News – FWD – [ak-discourse] Associate or Full Professor in Music Technology and Computation (Tenured) at MIT

Posted on by Michael Hoeldke

Von: Lepa, Steffen via ak discourse
Datum: Tue, 14 Nov 2023
Betreff: [ak-discourse] Associate or Full Professor in Music Technology and Computation (Tenured) at MIT

 

We are excited to share a new senior faculty position opening at MIT in Music Technology and Computation. This is the first of two searches in music technology planned for this year.

 

Best Regards,

Eran Egozy

 

Associate or Full Professor in Music Technology and Computation (Tenured) at MIT

Description:

The Music and Theater Arts Section (MTA) at the Massachusetts Institute of Technology (MIT) together with the MIT Schwarzman College of Computing (SCC) in Cambridge, MA seeks applicants for a position in Music Technology and Computation at the level of tenured Associate or Full Professor beginning July 1, 2024, or at a mutually agreed date thereafter.

We seek candidates who are leaders in research fields of computation and technology applied to music. Candidates should be investigating areas where computation and music are intertwined to make discoveries that would not be possible without a deep understanding of both disciplines.

MIT recently approved the creation of a master’s degree program in Music Technology. The successful candidate will be intimately involved in the direction and growth of this program. This search is one of several anticipated hires in the near term, with the goal of creating a cohort of faculty at the intersection of music and technology.

MIT is committed to fostering an equitable and inclusive environment for a diverse faculty and academic community.

Qualifications:

Areas of interest may include music information retrieval, computational approaches to music cognition and perception, music visualization and data sonification, human-computer interfaces for musical interaction, hardware systems and/or robotics for musical instruments, music and healthcare, algorithms for musical creativity, computational musicology, or music and AI. This listing is not exhaustive; researchers in related disciplines or emerging areas are welcome to apply.

A doctorate in music technology, music, computer science, engineering, applied mathematics, cognition or neuroscience, or a closely related field is required. Candidates should have extensive musical training and experience in some aspect of music performance, composition, theory, musicology, or music production. Candidates should also have a current or recent position as associate professor, full professor, or equivalent status, and a distinguished record of research and teaching.

Duties:

The successful candidate will have a shared appointment between MTA and SCC, and will join a growing cohort of faculty at MIT with a multidisciplinary focus. Faculty duties include conducting original research, teaching classes in music technology and computation in both MTA and SCC, advising at the undergraduate and graduate levels, and playing a leadership role in the design and administration of the new music technology graduate program. The normal teaching load is 3 subjects per year, but is reduced to 2 subjects per year for PIs who spend substantial effort running a lab and mentoring PhD students and postdocs. Faculty are expected to apply for outside grants to support their research group.

Required Materials:

To apply for the position, include (1) a cover letter (2–4 pages) that includes research accomplishments, future research directions, approaches to pedagogy, and fundraising accomplishments (2) Curriculum Vitae, (3) teaching reviews and/or evaluations and (4) a statement regarding your views on diversity, inclusion, and belonging, including past and current contributions as well as your vision and plans in these areas. Finalists for this position will be required to solicit three letters of recommendation.

Application Deadline: Applications must be completed by January 2, 2024 to receive full consideration.

Apply here: https://academicjobsonline.org/ajo/jobs/26445

Contact: mta-musictech@mit.edu

MIT is an equal employment opportunity employer. All qualified applicants will receive consideration for employment and will not be discriminated against on the basis of race, color, sex, sexual orientation, gender identity, pregnancy, religion, disability, age, genetic information, veteran status, ancestry, or national or ethnic origin. MIT’s full policy on nondiscrimination can be found here.

Employment is contingent upon the completion of a satisfactory background check, including verifying any finding of misconduct (or pending investigation) from prior employers.

 

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Open-access journal Transactions of ISMIR, open for submissions: https://tismir.ismir.net
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ISMIR 2023 will take place from Nov 5-9, 2023 in Milan, Italy (hybrid format)
ISMIR 2024 will take place in San Francisco Bay Area, California, USA
ISMIR Home — http://www.ismir.net/
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Please note! This list is lightly moderated, any email sent from a non-member address will be queued until it can be reviewed by a human. Be sure to join before posting!
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DEGEM News – FWD – [ak-discourse] EvoMUSART 2024: Call for Papers: 13th International Conference on Artificial Intelligence in Music, Sound, Art and Design

Posted on by Michael Hoeldke

Von: Lepa, Steffen via ak discourse
Datum: Mon, 13 Nov 2023
Betreff: [ak-discourse] EvoMUSART 2024: Call for Papers: 13th International Conference on Artificial Intelligence in Music, Sound, Art and Design

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Call for papers for the 13th International Conference on Artificial Intelligence in Music, Sound, Art and Design (EvoMUSART) · Please distribute · Apologies for cross-posting

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The 13th International Conference on Artificial Intelligence in Music, Sound, Art and Design (EvoMUSART) will take place on 3-5 April 2024, as part of the evo* event.

EvoMUSART webpage: www.evostar.org/2024/evomusart/

Extended *Submission deadline:* 15 November 2023

*Conference: *3-5 April 2024

EvoMUSART is a multidisciplinary conference that brings together researchers who are working on the application of Artificial Neural Networks, Evolutionary Computation, Swarm Intelligence, Cellular Automata, Alife, and other Artificial Intelligence techniques in creative and artisticfields such as Visual Art, Music, Architecture, Video, Digital Games, Poetry, or Design. This conference gives researchers in the field the opportunity to promote, present and discuss ongoing work in the area.

Submissions must be at most 14 pages long, excluding references, in Springer LNCS format. Each submission must be anonymized for a double-blind review process.

Accepted papers will be presented orally or as posters at the event and included in the EvoMUSART proceedings published by Springer Nature in a dedicated volume of the Lecture Notes in Computer Science series.

Indicative topics include but are not limited to:

* Systems that create drawings, images, animations, sculptures, poetry, text, designs, webpages, buildings, etc.;

* Systems that create musical pieces, sounds, instruments, voices, sound effects, sound analysis, etc.;

* Systems that create artefacts such as game content, architecture, furniture, based on aesthetic and/or functional criteria;

* Systems that resort to artificial intelligence to perform the analysis of image, music, sound, sculpture, or some other types of artistic objects;

* Systems in which artificial intelligence is used to promote the creativity of a human user;

* Theories or models of computational aesthetics;

* Contextualisation of creative AI in cultural, economic, social, political or ecological discourse;

* Computational models of emotional response, surprise, novelty;

* Representation techniques for images, videos, music, etc.;

* Surveys of the current state-of-the-art in the area;

* New ways of integrating the user in the process (e.g. improvisation, co-creation, participation).

More information on the submission process and the topics of EvoMUSART: www.evostar.org/2024/evomusart/

*Flyer of EvoMUSART 2024: *
http://www.evostar.org/2024/flyers/evomusart

*Submission Link:* https://easychair.org/conferences/?conf=evostar2024

EvoMUSART 2024 organisers
Colin Johnson
Sérgio M. Rebelo
Iria Santos (publication chair)

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DEGEM News- FWD – [ausland depesche] Aufsaugen. Ausprobieren. Austauschen.

Posted on by Michael Hoeldke

Von: weekly ausland newsletter
Datum: Wed, 8 Nov 2023
Betreff: [ausland depesche] Aufsaugen. Ausprobieren. Austauschen.

Liebe alle*,

Anfänger*innen sind willkommen, beim ersten Teil eines
Schreibworkshops mit der Themenstellung „Poriferapoesie,
Schwammliteratur und Spongenovellen“. Um Anmeldung bis Freitag,
10.11.2023, wird gebeten. Fortsetzung folgt.

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Sat, 11. November 2023 – 10:00
WORKSHOP: PORIFERAPOESIE UND SCHWAMMLITERATUR
Schwämme gehören zu den ältesten Lebewesen der Welt. Manche Exemplare
von ihnen leben schon seit über 10.000 Jahren. Sie bevölkern und
bewirten Flüsse und Seen, das flache Küstengewässer und die Tiefsee,
Karibik und Polarmeer. Und ebenfalls schon seit Jahrtausenden
schnappen Menschen nach Luft, um nach ihnen zu tauchen und sich diese
wundersamen Körper zu eigen machen. Wir wollen von Schwämmen und der
Beziehung Schwamm-Mensch lernen und uns inspirieren lassen. Im
Workshop bekommst du textliche, visuelle, haptische und klangliche
Impulse für Kurzprosa, Mini-Hörspiele und freien poetischen Text.

https://ausland-berlin.de/workshop-poriferapoesie-und-schwammliteratur

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Fri, 17. November 2023 – 20:00
PIA4/23: COSEY MUELLER, FRAU ZWEI, SPRÖDE LIPPEN
PIA – pop im ausland

The fourth edition of this year’s PIA series puts an emphasis on
punkrock, DIY and LoFi aesthetics. We are looking forward to having
Cosey Mueller, Frau Zwei and Spröde Lippen with us.

TICKETS: 10€ pre-sale, 12€ door-sale
Pre-sale

DOORS: 7 PM, SHOWS: 8 PM

Follow PIA on Instagram for updates.

https://ausland-berlin.de/pia423-cosey-mueller-frau-zwei-sprode-lippen

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Sun, 19. November 2023 – 20:00
VROUW!

with Dafne Narvaez Berlfein + Teresa Riemann & Asja Skrinik.
A five-piece, all-female experimental ensemble formed in Amsterdam and
currently based in Berlin.
https://ausland-berlin.de/vrouw

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Die im französischen Juillac geborene und verstorbene Jeanne
Villepreux-Power gilt als die erste Person, die während sie Anfang des
19. Jahrhunderts auf Sizilien lebte, Aquarien zum Experimentieren mit
Wasserorganismen eingesetzt hat. Dereinst wie heute gilt also: Für
Experimente lohnt oft der Weg ins

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ausland
Lychener Str. 60
10437 Berlin

S + U Bahn Schoenhauser Allee
Tram 12 Raumer Strasse
N 52 Eberswalder Str
+49 (0)30 44 77 008

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ausland *depesche* https://ausland.berlin
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