DEGEM News- BERLIN – [ausland depesche] Premieren, Kinderprogramm und die Möglichkeit zur Weiterbildung [AKTUALISIERTER AUSZUG]

Von: weekly ausland newsletter
Datum: Tue, 10 Oct 2023
Betreff: was: [ausland depesche] Premieren, Kinderprogramm und die Möglichkeit zur Weiterbildung

Wed, 18. October 2023 – 20:00
Hildegard von Binge Drinking + Loser Mage

Doors 8 PM | Concerts 9 PM | Tickets 12€ Pre-Sale/ 15€ Doors

Die fränkische Neo-Krautrock-Erscheinung Hildegard von Binge
Drinking geht zum letzten Mal auf Konzertreise und schaut nach dem
fulminanten Abend im vergangenen Frühling wieder im ausland vorbei.
Hier nun gibt es also zum allerletzten Mal die Gelegenheit, sich dem
von DIY und Postpunk ebenso wie von kosmischen Klängen beeinflussten
Live-Phänomen aus Würzburg zu überzeugen.

Eröffnet wird der Abend von Loser Mage, Mar(t)in Dziallas‘ (AG
Form, Dwarphs,…) neuester musikalischer Inkarnation. Klingt nach:
Wanderung durchs bemooste Unterholz, Gitarren im Nebel, Electronica
als Auflösungserscheinung.
https://ausland-berlin.de/hildegard-von-binge-drinking-loser-mage

Fri, 20. October 2023 – 20:30
Kasper T. Toeplitz +Reinhold Friedl// Mark Harwood

Doors 20.30 | Start 21.00 | Ticket (no presale) € 10,–

LA FIN DES TERRES Kasper T. Toeplitz & Reinhold Friedl
Kasper T. Toeplitz (electric bass)
Reinhold Friedl (piano)

Mark Harwood
performance

https://ausland-berlin.de/kasper-t-toeplitz-reinhold-friedl-mark-harwood

Sat, 21. October 2023 – 12:00
PA Workshop Level 1 by Soundsysters

PA Workshop Level 1 by Soundsysters, 12 – 17 Sa + So for Flinta*
Register at workshop (at) ausland.berlin
https://ausland-berlin.de/pa-workshop-level-1-soundsysters

Falls etwas davon Deinen erlesenen Geschmack trifft, sehen wir uns der
Tage im
ausland
Lychener Str. 60
10437 Berlin

S + U Bahn Schoenhauser Allee
Tram 12 Raumer Strasse
N 52 Eberswalder Str
+49 (0)30 44 77 008

DEGEM News – [ak-discourse] CfP: Music, Musicology and Academic Responsibilities in the 21st Century, Dublin, 1-3 July 2024

Von: Lepa, Steffen
Datum: Wed, 11 Oct 2023
Betreff: [ak-discourse] CfP: Music, Musicology and Academic Responsibilities in the 21st Century, Dublin, 1-3 July 2024

Music, Musicology and Academic Responsibilities in the 21st Century

International Conference
University College Dublin, 1-3 July 2024

Call for Papers

In his Nobel Prize acceptance speech in 2005 Harold Pinter said: “There are no hard distinctions between what is real and what is unreal, nor between what is true and what is false … I believe that these assertions still make sense … [in] art. So as a writer I stand by them but as a citizen I cannot. As a citizen I must ask: What is true? What is false?”
This dichotomy between the duties of artists (as well as humanities scholars) and of private citizens indicates why the arts and humanities find themselves at a crossroads today. The moral turn of the last decade, the increased focus on sustainability, equity, diversity and inclusion as underpinning all academic work regardless of the discipline, the increasing polarisation of our society, the relativisation of truth as represented by the post-truth mentality, and neoliberal pressures leave the arts and humanities between a rock and a hard place. Thus, we all must continuously explore realignments of our duties as academics and citizens. Like every generation before us, we have to find new ways to understand and answer the challenge posed by Karl Marx’s (slightly adjusted) eleventh Feuerbach thesis, that our work should not merely describe and interpret the musical world in various ways but also help change it.
This conference – organised in association with the Society for Musicology in Ireland – shall try to find common ground between representatives of the various music-related areas and different roles of this debate. Our aim is to provide a platform for productive discussions while exploring strategic options to address the disparate forces that threaten the foundations of both academic discourse and societal cohesion.
The following list suggests areas that proposals can engage with. However, it is by no means exhaustive – proposals covering other topics are welcome, too.

•       Truth and relativism in music and musicology
•       The impact of ethical considerations on methodologies and vice versa
•       How our (digital) tools change the ways we think and operate
•       Strengths and weaknesses of critical theory in the 21st century
•       Polarisation in the musical humanities
•       How objective can and should we be? Reason and emotion as subjects and objects of musicological scholarship
•       Intersectionality in music and musicology – the conceptual and practical interaction of ethnic grouping, class, gender etc. in scholarship
•       Re-balancing musicology and musical practice
•       The role of aesthetics in a context-focused world
•       Neoliberal concepts and practices in the musical humanities
•       AI’s impact on production, reception, authenticity and ethics in music

This conference will take place in person without a hybrid option. Proposals are invited for individual papers or sessions of three papers. Abstracts should not exceed 250 words and be accompanied by a CV of no more than 150 words. In the case of a session proposal the abstracts should be accompanied by an introduction to the session topic of up to 250 words. Proposals should be submitted in a word-compatible format (no pdf!) by 1 December 2023 to the following email account: academic-responsibilities@ucd.ie. Notification of the selection results will be released by 26 January 2024. Further details will be released over time on the conference webpage (https://www.ucd.ie/music/newsandevents/conferences/).

Organising Committee
•       Wolfgang Marx (University College Dublin)
•       Helen Lawlor (Technological University Dublin)
•       Alexandra Monchick (California State University, Northridge)
•       Dillon Parmer (University of Ottawa)
•       Peter Tregear (University of Melbourne)

DEGEM News – FWD – [ak-discourse] WG: Sound and Music for Immersive Storytelling

Von: Lepa, Steffen via ak discourse
Datum: Wed, 11 Oct 2023
Betreff: [ak-discourse] WG: Sound and Music for Immersive Storytelling

CFP: “Sound and Music for Immersive Storytelling”

Deadline for Abstracts: 31st Jan 2024 / Expected date of print publication: Feb 2025

Special Issue of Convergence: The International Journal of Research into New Media Technologies

The role of sound and music within audiovisual storytelling has been well established as an empathetic, affective mechanism that can support or challenge the presented narratives. In the emergent field of immersive media storytelling formats, (e.g. Virtual, Augmented and Mixed Reality, the Metaverse, video games etc.) sound and music can take on a similarly important role. However, currently there is often an emphasis on the visual components of the story and/or the user’s physical interactions within the medium with comparatively less attention on the important role of audio. For researchers investigating storytelling within new immersive media formats, where the user has greater agency over their interaction with the narrative than traditional linear storytelling formats, we contend that there are vast opportunities to exploit the power of sound and music within both new and existing technological innovations to affect the user’s experience with, and interpretation of, the story.

This special issue aims to assemble scholarship from different disciplinary perspectives that recognises the importance of sonic design within immersive storytelling, as well as exploring the potential for innovation in this exciting space. Papers may offer conceptual reflections, methodological and technological advances, and in-depth discussions of the role of sound and music within immersive storytelling within a variety of contexts including, but not limited to, theatre, heritage, environment and accessibility.

The editors welcome contributions that explore, or go beyond, topics including:

Immersion, interaction and sound;
Approaches for telling compelling stories with sound and music in immersive experiences;
The challenges of composing and sound design for immersive stories;
Sonic aesthetics for immersive stories;
Understanding audience/user response to audio in immersive stories.

Please send a 500-word abstract and a 100-word bio for each author by emailing the guest editors at samis.convergence@gmail.com by 31st January 2024.

Authors of accepted abstracts will be contacted by the end of February 2024 and invited to submit full paper contributions (in the region of 9000 words) by 26th June 2024.

Guest editors: Dr. Anna Bramwell-Dicks (University of York, UK), Dr Angela McArthur (University College London, UK) and Dr Darrell Gibson (Bournemouth, UK)

DEGEM News – FWD – [ak-discourse] Einladung zum Akustischen Seminar am 16.10. um 16:15 Uhr

Von: Radmann, Vincent
Datum: Mon, 9 Oct 2023
Betreff: [ak-discourse] Einladung zum Akustischen Seminar am 16.10. um 16:15 Uhr

Liebe Akustik-Interessierte,

am Montag, dem 16.10.2023 um 16:15 Uhr startet mit der Vorlesungszeit auch das Akustische Seminar wieder. Diesmal wird es zwei Vorträge zu folgenden Themen geben:

„Performance Assessment of a Deep Learning-based Method for three-dimensional Sound Source Characterization“ von Juan Nicolás Franco Gómez (Masterarbeit)

„Mitteln wir Nachhallzeiten verkehrt? Ein Plädoyer die Kehrwerte zu mitteln.“ von Roman Tschakert

Sie sind herzlich eingeladen, über den folgenden Link am Akustischen Seminar teilzunehmen:

Zoom: https://tu-berlin.zoom.us/j/66079473364?pwd=ZU52TEVjSWQxeUFKZC9OSURVelFJQT09
Meeting-ID: 660 7947 3364
Kenncode: 043624

Alle Informationen und den Zugang finden Sie auch über den ISIS-Kurs (https://isis.tu-berlin.de/course/view.php?id=35652).

Das Akustische Seminar wird in diesem Semester wieder jeden zweiten Montag stattfinden. Die kommenden Termine werden allerdings immer um 14:15 Uhr beginnen.

Viele Grüße
Vincent Radmann

Vincent Radmann
Technische Universität Berlin

Fachgebiet Technische Akustik

Sekr. TA7

Einsteinufer 25

10587 Berlin

Tel.: 030 314-78736

Email: vincent.radmann@tu-berlin.de

DEGEM News- FWD – [ak-discourse] SHK-Stelle 40h/Monat – VR-Projekt

Von: Moshona, Cleopatra Christina via ak discourse
Datum: Mon, 9 Oct 2023
Betreff: [ak-discourse] SHK-Stelle 40h/Monat – VR-Projekt

Liebe AKT-Studierende,

wir möchten auf folgende Stellenausschreibung am Fachgebiet Technische Akustik aufmerksam machen und freuen uns über aussagekräftige Bewerbungen an: ta7@akustik.tu-berlin.de.

https://www.jobs.tu-berlin.de/stellenausschreibungen/174013

Die Stelle umfasst die Mitarbeit im Forschungsprojekt „Auralisierung von komplexen urbanen Umgebungen“, in Kooperation mit der RWTH Aachen. Es werden Lärmwirkungen innerhalb von Straßenverkehrssituationen experimentell in virtueller Realität untersucht.

Die Bewerbungsfrist endet am 23.10.2023.

Beste Grüße,
Cleopatra Moshona

__

Cleopatra Christina Moshona, M.A., M.A.
Wissenschaftliche Mitarbeiterin

Technische Universität Berlin
Fakultät V – Verkehrs- und Maschinensysteme
Institut für Strömungsmechanik und Technische Akustik
Fachgebiet Technische Akustik

Raum: HFT-TA 438
Tel.: +49 (0)30 314-70437

Sekr. TA7

Einsteinufer 25 | 10587 Berlin
https://www.tu.berlin/akustik

DEGEM News – NEWS – Book on Visual Music

Von: Hiromi Ishii
Datum: Sun, 8 Oct 2023
Betreff: Book on Visual Music

Dear friends [and] colleagues,

hope this email finds you well.

Just wanted to make an “ad” that Dave Payling’s book “Electronic Visual Music – The Elements of Audiovisual Creativity”
published by Routledge features my interview (about my visual music works, Aquatic and more).

Link here:https://www.routledge.com/Electronic-Visual-Music-The-Elements-of-Audiovisual-Creativity/Payling/p/book/9781032326634

It seems that Taylor&Francis offers a new semester discount.

Best wishes,

Hiromi Ishii

DEGEM News – NEWS – FRANKFURT-BERLIN-ONLINE-TEACHING

Von: Annesley Black
Datum: Sat, 7 Oct 2023
Betreff: NEWS- FRANKFURT-BERLIN-ONLINE-TEACHING

15.10.2023 – 14:00 FRANKFURT AM MAIN CLAUDIA WARTH- 20 Jahre FGNM

Alten Seilerei, Frankfurt, Offenbacher Landstrasse 190
Annesley Black: innermost tidings of the tube (2018) for flute and endoscope camera
02.11.2023 – 19:30 BERLIN sonic.art SaxofonquartettFIELD NOTES
Musikbrauerei, Berlin, Am Schweizer Garten 82-84,
Annesley Black: not thinking about the elephants (2018) for saxophone quartet and live-electronics
ONLINEHKB Sound Arts/ Students of Brien Arsenal, Bern
Smooche de la Rooche II variations on a theme by Hazel Meyer
NEWS new teaching position – professor of composition at the Kunstuniversität Graz
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30.08.2023 – 14:00 FRANKFURT AM MAIN- CLAUDIA WARTH- 20 Jahre FGNM
Alten Seilerei, Offenbacher Landstrasse 190
Annesley Black: innermost tidings of the tube (2018) for flute and endoscope camera
https://fgnm.de/2-Willkommen
It means a lot to me that a piece of mine will be played in the 20-year Jubiläum of the FGNM festival (Frankfurt society of New Musik) – a society which my husband, Robin Hoffmann and many dear friends and cherished colleagues founded 20 years ago. Since then the society has changed hands many times, and continued to support the local new music scene. Please check out the festival, which includes premieres and performances by composers Robin Hoffmann, Rolf Riehm, Julia Mihàly, Hannes Seidl, Orm Finnendahl, Frank Gerhardt, Marc Behrens, Jan Jacob Hofmann and many more… played by artists and ensembles from many generations such as Ensemble Modern, Broken Frames Syndicate, Fabrik Quartet, Carola Schlüter, Christopher Brandt, Nicolas Buzzi, Maren Schwier, etc.- see link for more details!

02.11.2023 – 19:30 BERLIN sonic.art Saxophone quartet, Martin Daske- FIELD NOTES Berlin
Musikbrauerei, Berlin, Am Schweizer Garten 82-84,
Annesley Black: not thinking about the elephants (2018) for saxophone quartet and live-electronics
https://www.sonicartquartett.com/
Happy to be working with sonic.art saxophone quartet and Martin Daske (sound direction), who will interpret my piece not thinking about the elephants, an intricate piece with a special treatment of the concert space. Part of the FIELD NOTES Programme of INM Berlin.

ONLINE
check out this fantastic new film/documentation of “smooche de la rooche II – Variations on a theme by Hazel Meyer” for three athletically inclined percussionists. A wonderful performance by students of Brian Arsenal in Bern. With Justin Auer, João Calado and Nežka Prosenjak. Production: HKB Sound Arts and Brian Arsenal.

https://www.youtube.com/watch?v=4NWFcqo_1Wg
Composition Professor – Graz
I have just begun to work this week at my new position at the Kunstuniversität Graz in October as a new professor for composition. So excited to be a part of this stellar team. Also a touch sentimental to be leaving Germany after almost 20 years here. . . but eager to set this new chapter in motion! It is a fantastic school and institute, I cherish the work with students and also with my new colleagues there.

Annesley Black – KUG
https://www.kug.ac.at/
 

yours, truly
Annesley Black

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DEGEM News – FREIBURG – Syn Flow Konzert

Von: Andreas H.H. Suberg
Datum: Wed, 4 Oct 2023
Betreff: Syn Flow Konzert

29. Oktober 2023 / 19h
Freiburg / E-Werk / Kammertheater

SYN FLOW
Sound Spaces – Spatial Sounds

Werke für Trompete, Double-Bell Trompete, Alphorn  und Elektronik
von Miguel Bellusci, Adriana Hölszky,
Sarah Nemtsov und Andreas H.H. Suberg

Paul Hübner –    Trompete, Double-Bell Trompete und Alphorn
A.H.H. Suberg – Klangregie

in Kooperation mit dem E-Werk Freiburg und gefördert durch das Kulturamt Freiburg,
das Regierungspräsidium Freiburg und Musik Gillhaus, Freiburg

 

 

 

Andreas H.H. Suberg

Klang Art Studio

Tennenbach Str. 9

79346 Endingen

07642 920 10 28

www.ahhsuberg.de

klangart-studio@t-online.de