BERLIN – KORREKTUR: Auftakt von die Reihe. Beiträge zu auditiver Kunst und Kultur“, 27. Mai 2015

Subject: KORREKTUR: Auftakt von die Reihe. Beiträge zu

auditiver Kunst und Kultur“, 27. Mai 2015

Date: Sun, 19 Apr 2015

From: Pysiewicz | TU Berlin

Liebe Empfänger unserer Veranstaltungshinweise,

bei der Ankündigung unserer Auftaktveranstaltung derReihe. Beiträge zu

auditiver Kunst und Kultur hat sich ein kleiner Fehler eingeschlichen:

Diese wird bereits am 27. Mai 2015 und NICHT erst im Juni stattfinden.

27. Mai 2015 :: Rolf Julius (1939-2011): Musik – weiter entfernt II

(2009-10)

Zeit:

20:30 Uhr (Doors: 20:00 Uhr)

Ort:

ausland. Territory for experimental music, performance and art

Lychener Straße 60, 10437 Berlin

– Eintritt frei –

Musik weiter entfernt II entstand als Auftragswerk des

Elektronischen Studios der TU Berlin. Die Uraufführung fand 2010 im

Rahmen von Ultraschall. Festival für neue Musik im

Radialsystem V Berlin als Live-Performance statt. Wir spielen die

autorisierte Tonbandfassung. Rolf Julius ist der Namenspatron des

Studierendenstipendiums von Sound Studies. Mit einer Einführung von

Sabine Sanio (Sound Studies, UdK Berlin).

>> mehr Informationen

https://www2.ak.tu-berlin.de/~studio/20150527-reihe_Julius.pdf

Vielen Dank für die Aufmerksamkeit,

Andreas Pysiewicz

Andreas Pysiewicz

Elektronisches Studio, Fachgebiet Audiokommunikation

Technische Universität Berlin

Fakultät I Geistes- und Bildungswissenschaften

Institut für Sprache und Kommunikation

Einsteinufer 17c, Sekr. EN 8, 10587 Berlin

www.ak.tu-berlin.de —
Mailinglist AK events / TU Berlin – Fachgebiet Audiokommunikation
https://lists.tu-berlin.de/mailman/listinfo/ak-events

FRANKFURT A.M – 10 Mai 2015, Frankfurt/Main – Mette Rasmussen & Chris Corsano – Hannes Seidl „Alles muss raus IV – mash up“

Rameaus Neffe & Di Version präsentieren:

Nachmittagskonzerte mit

Mette Rasmussen & Chris Corsano

Hannes Seidl „Alles muss raus IV – mash up“.

Sonntag 10 Mai 2015, 15:30 Uhr

Ehemaliges Polizeigefängnis Klapperfeld

Klapperfeldstraße 5, 60313 Frankfurt am Main

http://rameausneffe.blogspot.de

Mette Rasmussen ist eine dänische Altsaxofonistin und

Improvisationsmusikerin, die derzeit in Norwegen lebt. Sie nutzt alle

Facetten ihres Instruments, erschließt ein Klanguniversum, das über das

Gewohnte hinausgeht und durchaus auch perkussive Qualitäten hat. Es

klickt, zirpt, trillert und rauscht während ihres Spiels,

Klappengeräusche werden eingebunden und ergänzen ihr expressives

Altsaxofonspiel. Sie spielte u.a. mit Rudi Mahall, Alan Silva, Ståle

Liavik Solberg, Tobias Delius, Wilbert de Jode, Axel Dörner, John

Edwards, Craig Taborn, Paul Flaherty und mit ihrer Gruppe Trio Riot mit

Sam Andreae und David Meier.

Chris Corsano ist ein renommierter amerikanischer Schlagzeuger und

Improvisationsmusiker. Er veröffentlichte in den letzten zehn Jahren

eine ganze Reihe von Tonträgern, oft mit dem Saxophonisten Paul

Flaherty als Partner. Corsanos Technik umfasst beides, eine fließende

Körperlichkeit und einen angeborenen Sinn dafür, wie disparate Klänge

einander ergänzen. Das Schlagzeug dient als sein Werkzeugkasten, aber es

ist nicht so heilig, dass die Einführung von Fremdkörpern oder

ausgefallene Techniken seine Integrität entweihen würden. Seine

Verwendung von Holzblöcken, Trichtern und einfachem menschlichen Atem

zeigen Corsanos Fähigkeit, die Grenzen seiner Materialien mit Phantasie

und Kunstfertigkeit zu übertreffen. Seine erfinderische Virtuosität

führte zur Rekrutierung in eines von Björks Tour-Ensembles und mit den

folgenden Künstlern hat er hat Aufnahmen eingespielt oder ist mit ihnen

zusammen aufgetreten mit Joe McPhee, Bill Orcutt, Evan Parker, Jim

O’Rourke, Keiji Haino, Jandek und viele anderen.

Hannes Seidl, geboren 1977 in Bremen, studierte von 1998 bis 2003

Komposition bei Nicolaus A. Huber und Thomas Neuhaus an der

Folkwang-Hochschule Essen sowie 2003/04 bei Beat Furrer in Graz. Er

schrieb Kompositionen für Soloinstrumente, Ensembles, Live-Elektronik

und Tapemusic. Arbeiten entstanden u. a. im Centro di Sonologia e di

Calcolo in Padua, im ICEM Essen, im elektronischen Studio der Akademie

der Künste Berlin, am ZKM Karlsruhe, im IEM Graz und am IRCAM Paris.

2002 gründete Hannes Seidl zusammen mit Maximilian Marcoll das

Elektronikduo dis.playce, mit dem er seither regelmäßig auftritt. Er war

Stipendiat der Associazione Richard Wagner di Venezia und errang

zahlreiche Preise, u. a. der Darmstädter Ferienkurse für Neue Musik 2002

und des Wettbewerbs Impulse 2005. Im gleichen Jahr war er Mitglied der

Internationalen Ensemble Modern Akademie sowie Gastkünstler am ZKM.

Hannes Seidl wird eine Laptop Improvisation aufführen, mit dem Titel

„Alles muss raus IV – mash up“.

Kommentar zu „Alles muss raus IV – mash up“

Schimpfen ist eine irrationale Handlung. Vielleicht ist es ein Akt des

Protests; ein ohnmächtiges Ansprechen gegen die Sinnlosigkeit all der

Dinge, die schieflaufen, ohne bereits etwas Neues, besseres einzufordern.

Seit einiger Zeit nehme ich Leute – Bekannte, Freunde – beim schimpfen

auf. Dabei spielt es keine Rolle, worüber sie schimpfen oder in welcher

Sprache. Mich interessiert der Ausdruck, die Haltung der Personen. Alle

konkreten Hinweise, worüber die Person schimpft, wer gemeint sein könnte

oder warum die Person grade schlechte Laune hat, werden hinterher

rausgeschnitten, ebenso wie alle Pausen, so dass eine Schimpftirade

bleibt, die anschließend, je nach Stimme, in Räume gesetzt, verzerrt

oder andersartig leicht bearbeitet wird. Diese Zuspielung ergänze ich

mit meinen musikalischen Kommentar, als Parallele oder als Gegenüber,

als Verstärkung des Ausdrucks.

Herzliche Grüße,

Raoul Lone

GRAZ – Einladung zu signale-graz 1010, Lecture, Konzert, Masterclass im April

Betreff: Einladung zu signale-graz 1010, Lecture, Konzert, Masterclass
im April
Datum: Sun, 12 Apr 2015
Von: Gerriet Sharma

Einladung zu signale-graz 1010

der 10. Ausgabe der Konzertreihe f�r Elektroakustische Musik,
Algorithmische Komposition, Radiokunst und Performance

1. signale-graz Lecture

mit Agostino Di Scipio am 16. April 2015

Ort: Proberaum des Mumuth, Lichtenfelsgasse 14

Beginn: 18 Uhr

2. signale-graz Concert
AUDIBLE ECOSYSTEMICS

Werke von Agostino Di Scipio & David Pirr�

Mit: Ensemble Schallfeld

S�ngerinnen: Justina Vaitkut�, Elizaveta Radchenko, Tamara Semzov, Irina
Tjurdju

Klangregie: Peter Venus

Am 17. April 2015 im MUMUTH, Lichtenfelsgasse 14

Einf�hrung: 19.30 Uhr, Lounge, 3. OG, mit Christa Br�stle (Graz)

Konzertbeginn: 19.45 Uhr , Gy�rgy-Ligeti-Saal

Eintritt: 12 Euro, (StudentInnen frei)

Die halbj�hrliche Veranstaltungsreihe signale-graz der Kunstuniversit�t
Graz pr�sentiert musikalische und klangk�nstlerische Arbeiten, die in
substantieller Form vermittels moderner Medientechnologie in den letzten
70 Jahren konzipiert oder realisiert wurden. Die Programmierung und
Durchf�hrung wird von Studierenden und AbsolventInnen sowie von mehreren
Instituten der KUG getragen.

ACHTUNG WEITERER TERMIN:

signale-graz Masterclass

mit Agostino Di Scipio am 18. April 2015

Ort: CUBE des Instituts f�r Elektronische Musik und Akustik,
Inffeldgasse 10/3

Beginn: 10.00 Uhr

Mehr Informationen: www.signale-graz.at

Beste Gr��e,
Gerriet K. Sharma

Dipl. Media Arts, MA Gerriet K. Sharma
Institute of Electronic Music and Acoustics
University of Music and Performing Arts Graz
Inffeldgasse 10/3
8010 Graz, Austria

GLASGOW – Clemens von Reusner – Nachtraum / Continuous Flow Machines, Radiophrenia

Subject: Glasgow: Clemens von Reusner – Nachtraum Continuous Flow
Machines, Radiophrenia
Date: Sun, 12 Apr 2015
From: Clemens von Reusner

Clemens von Reusner

NACHTRAUM (2010, 52:48, 8-ch)
und
CONTINUOUS FLOW MACHINES (2011, 60:00, 8-ch)

Radiophrenia is a temporary art radio station – a week-long exploration
into current trends in sound and transmission arts.
Broadcasting live from Glasgow’s Centre for Contemporary Arts, the
station aims to promote radio as an art form, encouraging challenging
and radical new approaches to the medium. The broadcast schedule will
include live shows, pre-recorded features and a daily series of
‚��live-to-air‘ ��performances.
The majority of the programme will be made up from selections
submitted to an international open call for sound and radio works.

Broadcasting across Glasgow on 87.9fm, 13th -�� 19th April, 2015.
Broadcasting via internet.

Winamp, iTunes http:aries.streaming.zfast.co.uk:2199tuneinradiophr.pls

Windows Media Player
http:aries.streaming.zfast.co.uk:2199tuneinradiophr.asx

Real Player http:aries.streaming.zfast.co.uk:2199tuneinradiophr.ram

QuickTime http:aries.streaming.zfast.co.uk:2199tuneinradiophr.qtl

Nachtraum (Stereo): Mi., 15.04.2015, 01:30 Uhr – 02:30 Uhr (MESZ)
Continuous Flow Machines (Stereo): Do., 16.04.2015, 11:00 Uhr – 12:00
Uhr (MESZ)

http:radiophrenia.scot
http:radiophrenia.scotschedule

www.cvr-net.de

FRANKFURT A.M – SKOP-EVENT concerts and discussion group, 24.04

Subject: SKOP-EVENT concerts and discussion group, 24th of April, 2015,
Hall of the AVA, Ostparkstrasse 47 – 49, 20:00 o’clock
Date: Wed, 8 Apr 2015
From: Peter Wiessenthaner

SKOP-EVENT concerts and discussion group,
24th of April, 2015,
Hall of the AVA,
Ostparkstrasse 47 – 49,
20:00 o’clock

Dear all,

For an upcoming concert and a discussion group with the composers Jan
Jacob Hofmann, Gero Koenig and Peter Wiessenthaner. They are to be
presented invited her topical works and to discuss this with the audience.

Participant:
Jan Jacob Hofmann:
Coloured Dots And The Voids In Between (2014)

Gero Koenig
Cycles (2015)

Peter Wiessenthaner
Tones and pictures (2015)

We are glad to welcome You.

SKOP/Peter Wie�enthaner
Rohmerstra�e 6
60486 Frankfurt
Telefon: ++49 (0) 69 / 77 66 36
Email: skop(at)skop-ffm(dot)de
Internet: www.skop-ffm.de

CALL – Destellos competition 2015

Subject: Destellos competition 2015
Date: Fri, 10 Apr 2015
From: elsajustel

CALL FOR WORKS
categories:
A. Acousmatic music (up to 11 minutes)
B. Mixed media (up to 11 minutes)

Deadline: May 21, 2015

open to composers of any nationality, age and gender
Entry fee, monetary prize.

VIII� Destellos Competition 2015

The Foundation Destellos, call for works for the eighth
Competition of Electro-acoustic Composition, open to composers of
any nationality, age and gender.

The objectives of this competition are the promotion and development
of the artistic creation in relation with new technologies.
Likewise, it is an intention of the Foundation Destellos to
stimulate the creativity of the young generations of artists and to
provide them new routes of diffusion of their works.

Will be attributed two first prizes of an amount of
600 American dollars each, in the categories:

A. Acousmatic music

B. Mixed media

Also, as in former editions, will be granted second
prizes, consisting in collections of CD of electroacoustic music
offered by:

The organization Akusma

CALL – Música Viva Electroacoustic Composition Competition – deadline is approaching April 15, 2015

Von: eNEWS
Datum: 26. März 2015 12:39:47 MEZ

Música Viva Electroacoustic Composition Competition 2015

Miso Music Portugal wishes to remind you that this year the deadline for submitting works for the Música Viva 2015 International Electroacoustic Composition Competition is April 15, 2015 (until 12:00 midnight, Lisbon time /GMT).
The announcement of the winning works will take place during the next Música Viva 2015 Festival which will be held at O’culto da Ajuda in Lisbon from the 21st until the 30th of May 2015.

Completing its 16th edition, the Música Viva Competition encourages the creation and promotion of new electroacoustic works. We look forward to receiving your submissions!

For more information visit the Miso Music Portugal website at: www.misomusic.com.

Best regards,

The Miso Music Portugal Team

———–

16th International Competition of Electroacoustic Composition – Música Viva 2015

In order to encourage the creation and the diffusion of new electroacoustic works, Miso Music Portugal promotes the 16th International Electroacoustic Composition Competition MÚSICA VIVA 2015.

Deadline: April 15, 2015

RULES

• The works submitted for the competition shall be electroacoustic pieces, composed and recorded in studio. They are to be projected by loudspeakers in concert, without any intervention of live sound sources. They may include a maximum of eight channels and must have a duration between 5 and 15 minutes.

• The competition is open to composers of any nationality and age, each of whom may submit only one work, which was not commercially published or awarded a prize in any other national or international competition. Any previous Música Viva prize-winning composer will not be allowed to submit a work during the two years following the prize award.

• All applications must be sent via www.wetransfer.com (or equivalent web file transfer service) in 1 single ZIP file to the email: concurso@misomusic.com
• The ZIP file title should be the Title of the Piece (ex. TitleOfThePiece).
• The ZIP file should contain 3 files inside a single folder:
• i. 1 Text file (.doc, .txt, .rtf or .pdf) with a short biography, contact information, as well as information about the piece (methods used, concept, etc.)
• ii. 1 Proof of Nationality and Age (a scanned image of passport or other document containing this information)
• iii. 1 Audio file .AIFF or .WAV format 16bit or 24bit at 44,1kHz sampling rate containing the stereo version of the piece
• iv. Additionally, in the case of works with more than two channels (multichannel pieces) the audio files corresponding to each of the channels in AIFF or WAV format inside a folder

• The deadline for submissions is 12 P.M. GMT time, April 15, 2015. Applications sent after the deadline will not be considered valid.

• The Jury will award 1 work. Miso Music Portugal will give the opportunity to the winning composer to present his/her music in concert performed by the Miso Music Loudspeaker Orchestra at the 2016 edition of the Música Viva Festival, having also the possibility to do a lecture/seminar concerning his/her work.

• The jury may not select any of the submitted works for the competition and the decision shall be final.

• The jury will announce the results during the Música Viva Festival 2015.

• Each submission of an application for the competition implies the acceptance of all the rules.

• Any questions regarding these regulations and their interpretation shall be clarified by Miso Music Portugal.

Important:
The name of the ZIP file and the folder should be identical to the name of the work submitted.

All incomplete applications or those not meeting these requirements will not be taken into consideration.

Miso Music Portugal

O’culto da Ajuda
art music centre
because sound matters
……………………………………………………..
+ 351 213620382

Travessa das Zebras, nº 25/27,
(à Calçada da Ajuda)
1300-589 Santa Maria de Belém,
Lisboa, Portugal

DEN HAAG – WONDERWERP – AM DONNERSTAG IN DEN HAAG

Subject: AM DONNERSTAG IN DEN HAAG
Date: Sun, 22 Mar 2015
From: anne wellmer

DONNERSTAG 26.3.2015 STUDIO LOOS : 20:30

Wonderwerp #60 | Noise, Water, Ganzfeld

Quiet Ensemble
Doron Sadja
Marinos Koutsomichalis

Studio Loos .
De Constant Rebecqueplein 20b .
2515RA Den Haag .
Niederlande .

Einlass ab 20:00 .
3 euro .

http://www.studioloos.com/ephemere/wonderwerp-60-noise-water-ganzfeld
http://iiinitiative.org/news/wonderwerp-60-noise-water-ganzfeld/
https://www.facebook.com/events/1414447388857968/

CALL – Organised Sound Issue 21/3 Call for submissions

Von: Martin Supper
Datum: 20. März 2015 16:12:35 MEZ

Organised Sound: An International Journal of Music and Technology

Call for submissions

Volume 21, Number 3

Issue thematic title – Sound and Narrative

Date of publication: December 2016

Submission deadline: 15 January 2016

Issue co-ordinator: James Andean (james.andean@uniarts.fi)

Narrative plays a significant role in many approaches to the sonic arts. Attitudes have ranged from outright rejection (Schaeffer’s reduced listening), to grudging acceptance, or even a whole-hearted embrace – soundscape composition, ‚cinema for the ear‘. At the same time, the sonic arts have not escaped the so-called ’narrative turn‘, and we find an increasing number of writers and theorists turning to narrative as a significant perspective on the sonic arts.

As a result, we find a growing interest in narrative across the sonic arts: from acousmatic music, cinema for the ear, and soundscape composition, to audiovisual and installation works, live works and sound theatre, and outwards to broader areas of sound design and sound studies. In addition, we find a sometimes bewildering number of definitions and interpretations of the term ’narrative‘ – from the purely literary, to multimedia, social media, and metanarratives – and perspectives stemming from fields as diverse as aesthetics, media studies, psychology, and the social sciences.

This diversity, coupled with the explosion of interest in narrative across the arts and beyond, suggests that this might be an appropriate moment to collect thoughts and approaches to narrative in the sonic arts.

Possible areas of interest might include:

– Narratological approaches to sound
– Sonic storytelling
– „Anecdotal“ music (Ferrari)
– „World-making“ in the sonic arts
– Approaches to speech or text in the sonic arts
– Cultural aspects of narrative in sound
– Genre-specific approaches to narrative
– Narrative analysis
– Sonic rhetorics
– Historical, formative, or seminal attitudes to narrative in the sonic arts

As always, submissions related to the theme are encouraged; however, those that fall outside the scope of this theme are always welcome.

SUBMISSION DEADLINE: 15 January 2016

SUBMISSION FORMAT:

Notes for Contributors and further details can be obtained from the inside back cover of published issues of Organised Sound or at the following url:

http://journals.cambridge.org/action/displayMoreInfo?jid=OSO&type=ifc (and download the pdf)

Properly formatted email submissions and general queries should be sent to: os@dmu.ac.uk, not to the guest editors.

Hard copy of articles and images (only when requested) and other material (e.g., sound and audio-visual files, etc. – normally max. 15′ sound files or 8′ movie files) should be submitted to:

Prof. Leigh Landy
Organised Sound
Clephan Building
De Montfort University
Leicester LE1 9BH, UK.

Editor: Leigh Landy
Associate Editors: Ross Kirk and Richard OrtonÝ
Regional Editors: Ricardo Dal Farra, Jøran Rudi, Margaret Schedel, Barry Truax, Ian Whalley, David Worrall, Lonce Wyse
International Editorial Board: Marc Battier, Manuella Blackburn, Joel Chadabe, Alessandro Cipriani, Simon Emmerson, Kenneth Fields, Rajmil Fischman, Eduardo Miranda, Rosemary Mountain, Tony Myatt, Jean-Claude Risset, Mary Simoni, Martin Supper, Daniel Teruggi

BERLIN – MIXED UP! 19.03.2015, 21.00 Uhr @ NK

Subject: MIXED UP! 19.03.2015, 21.00 Uhr @ NK
Date: Sun, 15 Mar 2015
From: Pysiewicz | TU Berlin
> Facebook link

/With the generous support of the German Academic Exchange Service
(DAAD), the Electronic Music Studio/
/of the TU Berlin and NK./

Zur freundlichen Beachtung �bersandt von

Andreas Pysiewicz
Elektronisches Studio, Fachgebiet Audiokommunikation

Technische Universit�t Berlin
Fakult�t I Geisteswissenschaften
Institut f�r Sprache und Kommunikation
Einsteinufer 17c, Sekr. EN 8, 10587 Berlin

www.ak.tu-berlin.de

CALL – Prix Presque Rien 2015

–Presque Rien Prize 2015–

The PRESQUE RIEN Association for its third edition, offers to composers having the desire to compose a piece with sounds from Luc Ferrari’s archives – or to use them in their project – to visit the track list
www.lucferrari.org
on the rotating magnetic tape – to hear the available sound files.

These sound files were collected during the ongoing digitalization of magnetic tapes and can be downloadable on request from brunhild.ferrari@orange.fr specifying in the „subject“ Price ALMOST NOTHING 3.

Also the candidates should be subject to a participation fee of 25,00 euros to be paid on the PayPal account specified on this same site at „Association & Contact“.

Needless to say that the candidates should include Luc Ferrari’s name in their presentation and every program of the performed composition.

A jury will carefully listen to the works, which should be sent to the Association PRESQUE RIEN:

Brunhild Ferrari
56, Avenue Paul Signac
93100 Montreuil – France

The selected composition will be endowed with a cash award and appear on the site lucferrari.org with the composer’s name as well as with her/his Internet link, if so desired.

The enclosed rules will give you all the details about your participation in this contest.
If in doubt, please contact us at brunhild.ferrari@orange.fr

We welcome your projects and look forward to hearing from you.

With kindest regards

Brunhild Ferrari

–RULES–

§1
Created by Brunhild Ferrari, the Prize PRESQUE RIEN is biennial, and is organized by the association PRESQUE RIEN.

§2
The Prize PRESQUE RIEN is awarded to a composer using sounds from the Luc Ferrari’s tape archives. Such sounds should inspire her/him in order to write a new composition. A collection of sound files made available can be heard on the www.lucferrari.org site. To obtain their use please make the request to the address brunhild.ferrari@orange.fr stating in the subject of your mail: Prize PRESQUE RIEN 3. Also the candidates should be subject to a participation fee of 2000 JPY to be paid on the PayPal account specified on the site lucferrari.org at “Association & Contact”.
This competition is open to artists regardless of age or nationality. For the competing work, these rules do not foresee any restrictions in its duration neither in its destination, neither in the use of sounds from these Luc Ferrari archives.

§3
The Prize PRESQUE RIEN will be awarded with an amount of 1000 euros. A check will be presented to the
winner no later than December 15, 2015.

§ 4
The jury will consist of qualified individuals from the professional music world. The jury’s decision is final.

§5
The deadline for receipt of works is September 30, 2015 (date of postmark). Candidates should send a dossier including a curriculum vitae and a letter with a detailed presentation of their composition. They must also specify the original sounds of Luc Ferrari having been used for the realization of the new work.

§6
An agreement will be established between the winning composer and the association PRESQUE RIEN. The winner agrees that her/his work will be made available on the www.lucferrari.org website, either with an excerpt or in its entirety. The website will also mention the names of all those who participated to the “Call to Composers”, if so wished.
PRESQUE RIEN will reserve the right to broadcast and perform the winning work on all media, including concerts, as much as possible. This clause may also apply to works, or excerpts from works, that have not been given the award.
The copyright statement by all candidates will have to mention the name of Luc Ferrari as well as the origin of the used sounds made available by PRESQUE RIEN. The associated documentation will follow the same obligation.

§ 7
By sending the application file the composer will automatically accept these Rules.

JENA – Klanginstallation // Theaterhaus Jena // Tim Helbig

Von: Tim Helbig
Datum: 16. März 2015 11:07:03 MEZ

3Räume // Tim Helbig (Künstler am Hof, Theaterhaus Jena)

Eröffnung der Klanginstallation für die Unterbühne // Theaterhaus Jena
[Stahl, Blech, Piezos, Lautsprecher, Perlonseil, Licht, 24-kanal Audio]

am:
01.04.2015 // 20 Uhr
Einführung: Michael v. Hintzenstern

http://www.theaterhaus-jena.de/programm/tim-helbig-kunstler-am-hof-3raume/

*
Tim Helbig, M.Mus
+49 163 4519024
info@timhelbig.de
timhelbig.de
-> dandydesmond.com
-> gimpelakwa.de
*

CALL – iscMME 2015

Subject: iscMME 2015
Sent: 04 March 2015
From: Computer music research community in Britain On Behalf Of Joanne
Armitage

CALL – (i) papers & presentations; (ii) demonstrations or installations
(iii) performances
Deadline for submission: 1st May 2015

iscMME 2015

ICSRiM Student Conference on Music, Multimedia and Electronics (iscMME)

Monday 15th June 2015

School of Music, University of Leeds, Leeds LS2 9JT, United Kingdom

Call for Proposals

iscMME 2015 welcomes the submission of a wide range of Sci-Arts research
with particular focus on Music, Multimedia and Electronics. Submissions
fall into four categories: (i) papers & presentations; (ii)
demonstrations or installations (iii) performances. Details and
requirements for each category are specified below. All submissions will
be reviewed by the iscMME programme committee.

Proposals for categories (i), (ii), and (iii) should be an abstract (500
words maximum) detailing the research. Proposals for categories (ii) and
(iii) should include technical requirements. All proposals should be
submitted via easychair at:
https://easychair.org/conferences/?conf=iscmme2015

iscMME themes include but are not limited to: Trans-domain mapping,
multi-sensory systems, interactive multimedia system, multimodel
interface, instrument augmentation, gesture analysis, networked and
distributed performance, digital audio processing and analysis,
technology-enhanced education, music creativity, computational
musicology, machine perception, physical computing, algorithmic
composition, live electronics, live coding, laptop performance,
electroacoustic and acousmatic composition, digital aesthetic, music
imaging, bio-music, human/technology interfaces, new musical interfaces,
and scientific research in music.

Important dates

Submissions: Open
Deadline for submission: 1st May 2015
Notification of acceptance: 19th May 2015
Camera ready deadline for final papers, media and all performance
material: 7th June 2015

More info at http://www.iscmme.leeds.ac.uk/

AUSSCHREIBUNG – Position: Montreal, Canada, Extended Term Appointment in Music Theory/Composition

Subject: Position: Montreal, Canada, Extended Term Appointment in Music
Theory/Composition
Date: Fri, 06 Mar 2015
From: Kevin Austin

AUSSCHREIBUNG: Lecturer or Senior Lecturer n the field of music theory
and composition,
effective June 1, 2015, Concordia University
Application Deadline: April 3, 2015

http://www.concordia.ca/finearts/about/jobs/extended-term-appointment-music-theory-composition.html

From the description:
The Department of Music is seeking applicants with a doctoral degree in
music composition and at least three years of teaching experience within
a post-secondary academic or conservatory environment. A career as a
successful composer is an important element in addition to teaching
experience.

Candidates should have good working knowledge of the technologies
required in today’s music production/composition/teaching world,
including notation software (Sibelius and Finale), DAWs (Cubase,
Ableton, Logic), sound cards/laptops/MIDI controllers/protocols and
other elements required for offline or live production and treatment of
sound, as well as sound libraries, orchestral simulation techniques with
major libraries such as Vienna Symphonic Library or Kontakt Libraries.

The ideal candidate will be open-minded and knowledgeable of the
classical western tradition, 20th and 21st century practices, popular
music, film music, video game music and world music.

Applications and support materials should reach the department no later
than April 3, 2015.

Kevin

BERLIN – Masterpräsentation Sound Studies

Subject: Korrektur2: Masterpr�sentation Sound Studies
Date: Mon, 2 Mar 2015
From: Martin Supper

Korrektur2: Masterpr�sentation Sound Studies
Liebe Freunde der Sound Studies,

bedauerlicherweise hatte sich noch ein weiterer Fehler eingeschlichen.
Hier jedoch nun die endg�ltigen Termine:

Vortr�ge
12. und 13. M�rz
10:00 bis 15:00 Uhr: Donnerstag und Freitag
UdK Berlin
Georg-Neumann-Saal
Jazz Institut Berlin
Einsteinufer 43-53
10587 Berlin

Ausstellung
13. bis 21. M�rz
17:00 bis 20:00 Uhr: Montag bis Freitag
12:00 bis 20:00 Uhr: Samstag und Sonntag
K�hlhaus Berlin
Luckenwalder Stra�e 3
10963 Berlin

DieVernissage dieser Ausstellung findet am 13. M�rz, ab 18:00 Uhr im
K�hlhaus Berlin statt.

Den detaillierten Programmablauf entnehmen Sie dem beigef�gten Flyer:
http://www.udk-berlin.de/sites/content/themen/aktuelles/index_ger.html

Mit klangvollen Gr��en
Prof. Dr. Martin Supper
– Studiengangsleiter –

Universit�t der K�nste Berlin
MasterstudiengangSound Studies
Berlin Career College

http://www.udk-berlin.de/soundstudies

STUTTGART – Elektrominibarklingelton mit Phil Minton & Audrey Chen

Phil Minton & Audrey Chen

Wann: Sa., 28.02.15
Beginn: 20:00h
Wo: stromraum/studio, König-Karl-Strasse 27, Stuttgart-Bad Cannstatt

Phil Minton und Audrey Chen loten das körperlichste aller Instrumente aus – die Stimme. Ihre Improvisationen sind zerbrechlich, leidenschaftlich, aufrührerisch, doch in jeder Hinsicht zutiefst menschlich.

Phil Minton, legendärer Sänger und Trompeter, ist seit den 70er-Jahren in verschiedenen Instrumental- und Vokalformationen aktiv (u.a. ‘The Feral Choir’). Das ‘Lexikon des Jazz’ hebt Mintons »schier unglaubliche und unheimliche« Bandbreite an Vokalkunst hervor, »für die es weit und breit nichts Vergleichbares gibt«.
Audrey Chen hat auf dem Cello und mit analogen Klangquellen eine andere Version nicht-linearer Erzählkunst entwickelt: In ihrer freien Musik verbinden sich traditionelle und moderne Gesangs- und Spieltechniken zu einer ekstatischen Sprache.

http://www.philminton.co.uk/8-2/
http://audreychen.com/?page_id=127

Mit freundlicher Unterstützung der Stadt Stuttgart

Vorschau:
Sa., 21.03.2015 mit Jan F. Kurth & Ephraim Wegner
Do., 09.04.2015 Live Coding

Liebe Grüße vom EMBKT

FRANKFURT A.M – Phonophon im März

Subject: Phonophon im März

Date: Mon, 23 Feb 2015

From: Phonophon 

Der Verein zur Förderung von Phonographie und experimenteller Musik e.V. freut sich auf folgende Konzerte:
/////
25.02.2015: Törst Obborun (B)

“Diagnosed with visceral eagerness for the lack of certitude and research of fragile and uncertain balance, i had no choice but momentary escaping from Industroïka to deeply inhale the fresh breeze of the unknown, having less control on the music, enjoying last minute featurings wherever and whenever possible, being surprised and carried away.

The setup, sounding objects, collaborations, are not, and won’t be steady frozen. Just get in touch, project videos, spit words, make your instrument feedback, hit stuffs, dance, paint.

I’ll be there, catch you the next wave.”
Törst Obborun -> Facebook (http://phonographie.us4.list-manage2.com/track/click?u=31abf59c7023478afd9fc6ad3&id=b15a001b63&e=f30815b5e1)
Törst Obborun -> Youtube (http://phonographie.us4.list-manage1.com/track/click?u=31abf59c7023478afd9fc6ad3&id=6d8708290f&e=f30815b5e1)

25.02.2015
Institut für neue Medien (INM),Schmickstraße 18, 60314 Frankfurt – http://phonographie.us4.list-manage1.com/track/click?u=31abf59c7023478afd9fc6ad3&id=803da4de0d&e=f30815b5e1
Einlass 20:00, Beginn 20:30 – Eintritt: 7 Euro

/////
13.03.2015: CLUBbleu (D) – Musica Practica (D)

CLUBbleu (D)
Das ComposerPerformer – Duo CLUBbleu arbeitet mit analogen Synthesizern, E-Drums, Field Recordings und Live-Elektronik. Dafür programmieren sie interaktive Software und integrieren verschiedenste Arten von Interfaces, Controllern und Sensoren in ihre Bühnenprogramme. Neben ihren vielfältigen Projekten forscht das Duo im Bereich Klangsynthese. Musikalisch verbinden CLUBbleu ihre Einflüsse aus klassischer, zeitgenössischer und elektroakustischer Musik mit Elementen aus Electronica, Industrial und Death Metal und kreieren einen ganze eigenen Kosmos aus urbanen Klängen, prickelnden Synth-Sounds, tiefen Drones und broken Blast Beats. CLUBbleu sind Felix Leuschner und Julia Mihály.
CLUBbleu -> Info (http://phonographie.us4.list-manage.com/track/click?u=31abf59c7023478afd9fc6ad3&id=3b7b919057&e=f30815b5e1)

Musica Practica (D)
Plötzlich verhielt der Bach seinen Lauf. Die Erlen rauschten nicht mehr. Die Felder, auf denen die Ährenleser eine einzige Ähre nur zurückgelassen hatten, dufteten nach Brot. Die Weingärten, in denen die Trauben noch grün waren, trugen den Geruch der Kelter. Manchmal bedeckte eine Wolke die Sonne. In diesen Sekunden der Finsternis begann der Bach wieder zu fließen, die Erlen zu rauschen. Musica Practica.
Musica Practica -> Soundcloud (http://phonographie.us4.list-manage.com/track/click?u=31abf59c7023478afd9fc6ad3&id=ae25aa068e&e=f30815b5e1)

13.03.2015
Institut für neue Medien (INM), Schmickstraße 18, 60314 Frankfurt – http://phonographie.us4.list-manage.com/track/click?u=31abf59c7023478afd9fc6ad3&id=f42b63a4f2&e=f30815b5e1
Einlass 20:00, Beginn 20:30 – Eintritt: 7 Euro

////
21.03.2015: Anemone Tube (D) – dp (CH)

Anemone Tube (D)
Anemone Tube was founded 1996 in South-Germany; since 2010 based in Berlin. The audio works of Anemone Tube are a unique blend of dark ambient, noise, industrial and soundart with a strong psychogenic impact. The use of constantly shifting and altering sounds and moods is possibly one of the most intruiging things about the audio creations of Anemone Tube.

Since 2007 Anemone Tube has been working on “The Suicide Series”. To this fieldrecordings made in China and Japan build a conceptional basis. In a poetic way Anemone Tube combines analytical realism of the phenomenal world with buddhist psychology and nihilist rhetoric influenced by the works of Michael Haneke, H.P. Lovecraft, J.G. Ballard and Hayao Miyazaki.
Anemone Tube -> Info (http://phonographie.us4.list-manage.com/track/click?u=31abf59c7023478afd9fc6ad3&id=f9695ab6d5&e=f30815b5e1)

dp (CH)
dp aka Dave Phillips re/searches and ponders existences and behaviourisms humanimalistically via audio de/construction, psycho-acoustics and sonic rituals. sound as communication in direct and primal form, a tool of metaphysics, a conscience, an unrestrained language. sound as a means to activate primordial shared emotions otherwise hidden by civilised experience. dp‘s work engages, invites existentialist rumination, demands awareness, endorses sentient and environmental e/quality and encourages intervention and responibility; therapeutical aspects are acknowledged; a form of release is evoked, a liberating cleansing, a sound catharsis opposing the omnipresent reduction of existence, that puts us in touch with our sentient origins as with the realities of our times. dp rings in the era of humanimal.

dp has been sonically active for 30 years, has appeared on over 150 releases and has played near to 400 concerts in 40 countries.
dp -> Info (http://phonographie.us4.list-manage.com/track/click?u=31abf59c7023478afd9fc6ad3&id=58845d6709&e=f30815b5e1)

21.03.2015
Institut für neue Medien (INM), Schmickstraße 18, 60314 Frankfurt – http://phonographie.us4.list-manage1.com/track/click?u=31abf59c7023478afd9fc6ad3&id=b629582fa1&e=f30815b5e1
Einlass 20:00, Beginn 20:30 – Eintritt: 7 Euro

////
Nächste Konzerte
03.04.2015: Morihide Sawada (JP) – Christian Schröder (D) (http://phonographie.us4.list-manage.com/track/click?u=31abf59c7023478afd9fc6ad3&id=0f9636d4ea&e=f30815b5e1)
12.05.2015: Helios & Hess (CH) – Sebastian Scherer (D) (http://phonographie.us4.list-manage.com/track/click?u=31abf59c7023478afd9fc6ad3&id=e3e5d6aeb4&e=f30815b5e1)

— 

CALL – Call for new works

Subject: Call for new works
Date: Wed, 18 Feb 2015
From: Elektramusic

Dear all,

For an upcoming concert at the museum of modern and contemporary arts in
Strasbourg/MAMCS (France), we’re looking for propositions of existing or
new works for :

– clarinett (all models!) and tape
– flute (all models) and tape
– piano () and tape
– percussions and tape
– video and tape.

The „tape“ part could be in „concrete music style“. We do not look for
real time music (Max based for example).

Please contact directly Elektramusic at elektra(at)elektramusic(dot)com

Regards
Elektramusic

CALL – WORTSAMPLER Ausschreibung, Düsseldorf

Von: Julian Rohrhuber
Datum: 19. Februar 2015 16:50:50 MEZ

WORTSAMPLER – Audio-Texts Sampling Found-Sounds
Conference + Performance Night

April 11th / 12th, 2014

Institute For Music And Media
Robert-Schumann Music Academy, Düsseldorf (GER)
http://musikundmedien.net/

in cooperation with
Betonbox Düsseldorf http://beton-box.de

A two day conference with performance-night on Acoustic Literature and forms of poetry that applies audio sampling and/or electroacoustic means. We invite artists, researchers, students and anyone interested to propose lectures, presentations or performances.

The event focusses on:

– Spoken Word, Audio Poems or Poetic Acoustic Texts using speech based found-footage / found-sound (from records, broadcasts, internet, but also field recording etc.)
– Works in the fields of poetry, radio-art and performance.
– The use of electroacoustic means to manipulate such speech-based samples
– Performance, production and distribution of such works

Please send abstracts of your proposed lecture, along with a short audio or video sample if you propose a performance or presentation.

DEADLINE FOR ALL PROPOSALS = MARCH 1th, 2015

All inquiries via E-Mail (incl. attachments or links to audio, video, websites etc.) to:
contact@wortsampler.de

ESSEN – SKIN – Eröffnung am Freitag, 20. Februar 19:00 Uhr

Sehr geehrte Damen und Herren, liebe Freunde und Kollegen,

Ich möchte Sie/Euch herzlichst zur Vernissage meiner Ausstellung SKIN  
am Freitag, den 20. Februar 2015 um 19:00 in die Galerie 
Ikosaeder einladen.

Ausstellungseröffnung mit einer Performance der Künstlerin

Ausstellungsdauer: Freitag, 20. Februar bis Freitag, 27. Februar
Finissage: Freitag, 27. Februar ab 19.00 Uhr

Öffnungszeiten während der Ausstellung:
Samstag 21. Februar: 11 – 16 Uhr
Montag bis Freitag: 18 – 21 Uhr

Ikosaeder
Kahrstraße 54,
45128 Essen

https://www.facebook.com/events/1539353769683867/

http://ikos-galerie.de/post/109907271366/skin-performace-eine-interaktive

SKIN schafft ein reiches und interaktives Umfeld, welches Bild und 
Klang durch die Nutzung eines GSR (Galvanic Skin Response) Interfaces 
kombiniert. Das GSR Interface misst die Schwankungen der elektrodermalen 
Aktivität der Haut, die von der Veränderung der Hautfeuchtigkeit 
abhängig sind.

Mehr Info über SKIN unter:

http://thecreatorsproject.vice.com/blog/skin-transforms-your-emotions-into-sound-a-color-through-sweat-data

SKIN featured as one of the great events in 2014:
http://newmusicworld.org/2014/05/13/great-events-2014/

Auf Ihren Besuch freue ich mich besonders.

Herzliche Grüße,

Claudia Robles-Angel
www.claudearobles.de